60 pages • 2 hours read
Vladimir NabokovA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Divorce proceedings and World War II delay Humbert’s voyage to New York. He takes a job writing and editing perfume ads and another translating French literature for an American university. The work is exhausting, but he enjoys watching "nymphets" in Central Park. A nervous breakdown lands him in a sanatorium for two stints lasting more than a year. Then, he takes part in a trip to the Arctic, where his job is to monitor the psychology of others on the expedition. The trip—and its absence of temptations—improves his mental health, but he finds the job itself boring. He publishes a fictional but sensationalized report of the exploration. In the US again, he returns to the sanatorium where he amuses himself by toying with his psychiatrists by creating fake symptoms and never telling them anything about his actual sexual proclivities. He leaves and rejoins the world.
Humbert wishes to go to New England and finds Ramsdale, where a cousin of one of his uncle’s employees, Mr. McCoo, is looking to rent his attic. McCoo has a twelve-year-old daughter about whom Humbert fantasizes, and Humbert travels there only to find that the McCoos’ house has burned down. He is upset by the inconvenience, but Mr. McCoo suggests a house at 342 Lawn Street; a widow, Mrs. Haze, is looking for a lodger. Humbert is too polite to refuse a tour so he visits the house where he is unimpressed by both the house and Mrs. Charlotte Haze. He describes her as a woman who is conventionally dull and unimaginative; she might participate in a book club or in artistic events, but she offers no insight beyond the rules of the club. The house is equally dull, full of middlebrow artwork he dislikes. Worse, he is convinced she will try to make him her lover and he will end up in the sort of “tedious” affair he already “knew so well” (37). His opinion of the house changes when he meets Dolores, Mrs. Haze’s daughter, whom she calls “Lo.” Looking at him over her sunglasses, the twelve-year-old Dolores, whom he calls Lolita, immediately reminds Humbert of Annabel. He stresses to the reader that the story of Lolita begins merely as a consequence of his tragic past. He chooses to stay at the Haze house.
Humbert offers “exhibit number two” (40): entries from a diary Humbert kept in 1947 and reconstructs from his “photographic memory” in prison. Most of the entries concern his initial thoughts about and interactions with Lolita in which he tries to draw her closer to him. He recounts her nymphet qualities and describes himself as possessing the characteristics little girls typically find appealing. He is delighted to find out that he looks like a famous singer or actor Lolita has a crush on, so much so that Charlotte has cause to tease Lolita about it. He grows to hate Charlotte and fantasizes about killing her. Humbert admits to rummaging through Lolita’s things, including a list of her classmates, which he memorizes. Though he knows it is dangerous to keep a diary of his feelings, he cannot help himself. He is especially excited when Lolita uses her hands to cover his eyes while he is reading outside one day. Charlotte tells him to slap her away if she is disrupting his scholarly pursuits.
The diary entries have concluded. Humbert describes a plan that had developed for him, Charlotte, and Lolita to picnic at Hourglass Lake. However, the picnic is postponed several weeks; Humbert blames Charlotte and surmises that she is blocking the plans to thwart the growing attachment between Lolita and Humbert. When the picnic is scheduled again, Humbert is sad to learn that one of Lolita’s friends will be joining them. Humbert also learns how his room came to be free: Mrs. Phalen, the previous boarder, broke her hip in Savannah, Georgia the very day he arrived in Ramsdale. He thanks fate for interfering in his life and leading him to Lolita.
On the Sunday of the picnic, the trip is cancelled because Lolita’s classmate has a fever. Upset, Lolita refuses to go to church with her mother, and Humbert is excited to be home alone with her. Humbert repaints the scene for the reader to show his innocence. In third person, he describes watching Lolita eat an apple before he takes it from her in a flirtatious way. She sits on his lap and sings a popular song while he rubs himself against her to climax. Lolita jumps off, having “noticed nothing.” He tries to recount the lyrics to the song which is apparently about a man who kills his lover.
Humbert says he is proud he was able to pleasure himself without harming Lolita and thinks he has possessed not the real Lolita but his own creation. He goes to lunch in town and dreams of repeating the experience while wrestling with his desire to protect her chastity. Back at home, Charlotte tells him that Lolita is going to summer camp for the next two months. He fakes a toothache to hide his displeasure and asks if she is sure Lolita will be happy at camp. Charlotte suggests he visit their neighbor, Dr. Ivor Quilty, who is a dentist and the uncle of a playwright. She asks Humbert to join her on the “piazza” unless he wants to go to bed early and nurse his tooth. He opts for bed.
Lolita does not want to go to camp, but Charlotte tells Lolita that Humbert agrees she should go to camp, leading Lolita to call him a “doublecrosser.” Charlotte says that she and Lolita have had many disagreements because Lolita sees herself as a “starlet,” while Charlotte views her as a “homely kid.” Humbert wonders if he should leave the house until Lolita returns and laments that he will miss these precious months of her young life. He knows he has fallen in love with her, but he also knows that nymphets exist only for a short while, and he worries she might come back from camp as something other than a nymphet. Humbert is excited when she rushes back into the house to kiss him.
After arriving in the United States, Humbert reveals his narcissism and delusions. He experiences “the gloom of another world war” (32) as just another inconvenience directed at him, as it delays his voyage to the USA. He boasts of his movie-star good looks and his impeccable memory, as well as his abilities to deceive others, an accomplishment that brings him joy. While he is charming, Humbert is a skillful liar; he gives the reader reason to be suspicious of his story.
Humbert depicts his growing love of Lolita in a way that aims to make him sympathetic. In his diary entries, he makes an effort to show that he is a victim of his circumstances and his fate, while consciously trying to showcase his relationship as anything other than predatory. When he describes the orgasm he achieves by rubbing against Lolita, he claims the act was mostly innocent while also bragging about how he managed to protect her virtue because “she had noticed nothing” (61). Thus, he hopes, the reader will agree he is innocent and possibly heroic for an act of abuse. Humbert writes about this act from a distance, using the third person to describe the incident, indicating possible self-awareness or another form of manipulation, as he takes pains to suggest that Lolita was not impacted by the action at all. Rather, he had “possessed” not Lolita but his “own creation, another fanciful Lolita—perhaps more real than Lolita” (62). Humbert’s justifications toy with the reader much like Humbert toys with psychiatrists.
Humbert’s feelings of animosity towards Charlotte intensify as his attachment to Lolita deepens. He perceives anything that interferes with his ability to spend time with Lolita as the result of a plot against him by Charlotte, or the “Haze woman” as he dubs her. In general, he describes Charlotte in extremely negative ways, revealing his own snobbery while emphasizing her middlebrow taste, her pompous speech, and her inability to speak proper French. While he thinks of himself as embodying the old Europe of high art and decadence, Humbert sees Charlotte as the embodiment of America: cheap, artificial, and self-obsessed. When Humbert takes Lolita’s side during her arguments with her mother, he reveals that his perception of Lolita is elevated. She is able to rise above Americana and represent a higher being. When her mother sees Lolita as merely “homely,” Humbert dismisses Charlotte as a typical American incapable of understanding or appreciating art.
By Vladimir Nabokov