60 pages • 2 hours read
Vladimir NabokovA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Humbert observes that Lolita’s acting lessons have become a tool that enables her to betray him, and he remembers watching with delight as she would practice acting. Watching her play tennis is a less complicated experience for Humbert; she looks even more attractive and does nothing “wrong or deceitful” (232) in her game. Humbert states that he also finds games in general to be slightly erotic and enchanting. While playing a game of tennis with Lolita at a hotel in Champion, Colorado, he notices a butterfly between them. Another couple asks them to play doubles, and before Humbert can say no, a bellboy tells him that there is a long distance call from the Beardsley School for him. He follows to the lobby only to realize there is no way anyone from the school would know where he is or how to contact him. He looks out a window to see a strange man playing doubles with Lolita and using Humbert’s own racket. When he returns to the court, the stranger has left, but Humbert’s racket is “disgustingly warm” (236). Lolita and the other players do not tell him anything about the man who played with them. Lolita says she wants to spend the rest of the day at the pool.
At the pool, Lolita wears “her Aztec Red bathing briefs and bra” (237), and Humbert notices a man staring at her from the shadows. He sees that Lolita is showing off for the stranger before recognizing the man as Trapp; Trapp notices Humbert staring at him and walks away before Humbert can approach him. Humbert vomits, seeing colors on the ground he does not remember eating. He notes that Lolita’s eyes look “more calculating than frightened” (238) and sits by the pool drinking excessive amounts of gin, noting that he is healthy enough to drive the next morning.
Humbert and Lolita move on to a cabin at the Silver Spur Court in Elphinstone. Humbert is convinced he is delusional and that his sightings of Trapp in various automobiles are his own doing. Humbert imagines moving to Mexico with Lolita. When Lolita claims to be sick, Humbert takes her to the hospital. He stays in the motel and notes it is the first time in two years they have been separated. Lolita recovers from her illness, but she remains in the hospital for a few days; Humbert visits her regularly and brings her books and other gifts. The nurse does not seem to like him; when he sees a note on Lolita’s bed tray, the nurse indicates that it is her note, not Lolita’s. Humbert himself becomes sick but tells the hospital he will pick Lolita up the next day. The next day, however, he is told that Lolita has already been picked up by “her uncle, Mr. Gustave” (246), who has come for her in a Cadillac. Humbert controls his rage but whispers to himself that he will use his gun to destroy Trapp, Lolita’s kidnapper, whom he calls his “brother” (247).
On the road, Humbert tries to find traces of Lolita in the three hundred and forty-two hotels, motels, and inns they stayed at over the last two years. Humbert learns that Trapp had been following them for a long time, recognizing the various fake names Trapp had been using and his distinct handwriting in the registry books of many hotels. The names often involve puns and references to art and literature; Humbert recognizes the clues were planted for him and that no one else would be able to make sense of them. Humbert is hurt when he figures out that some names reveal that Lolita has had contact with Trapp; for example, the use of the names “G. Trapp” and “Harold Haze, Tombstone Arizona,” (251) suggests the man knows about Lolita’s past. No clues to Trapp’s identity appear.
Humbert decides that the likeliest kidnapper is an art professor at Beardsley College, one of the few men who ever taught at Lolita’s school. Now back in Beardsley, Humbert plans to confront him and brings his gun to campus. When Humbert sees the professor, however, he realizes that it is impossible that the professor could have Lolita at his house. In fact, the professor recognizes Humbert and makes small talk with him about his “delightful tennis-playing daughter” (253). Humbert doubts his sanity as he carries on searching for Lolita, thinking Lolita might be in California. He hires a private detective who attempts to track the fake names Trapp wrote in the hotel books and spends two years looking for Lolita, unsuccessfully.
Humbert does not dream of Lolita but sees her constantly in his mind. He donates her possessions to an orphanage in Canada and tries to move on. He spends one winter in a sanatorium he knows, and he writes a long poem that he means to use as an advertisement for a missing person. The poem is based on the nonsense poems he used to write for Lolita when she was younger. Looking over his poem, he analyzes the psychological processes involved in the writing of the poem and decides that the poem is something a psychopath would write. He does not submit the ad, and he admits he is not cured of his pedophilia. A woman named Rita enters his life.
Rita is in her late twenties and recently divorced from her third husband when Humbert picks her up someplace between Montreal and New York. She is not smart, but she comforts Humbert when he gives her vague details of his situation and approves of his plan to seek vengeance. They stay together for two years, drinking heavily and wandering from hotel to hotel, including those he stayed at with Lolita. The Enchanted Hunters is the only hotel he cannot bring himself to visit, although he does remember accidentally appearing in a photo that was taken the night he wandered the public areas of the hotel. He finds a copy of the photo during a trip through Briceland, but he cannot find himself in it.
In the meantime, he has found an apartment to rent in a college town called Cantrip. He is embarrassed by Rita and asks her to stay at a roadside motel. She becomes convinced he will leave her and her alcoholism intensifies, though Humbert asserts that she was a good person. He also admits he may have mixed up a couple trips with Rita but that the specific timeline does not matter.
At his apartment, Humbert receives two letters that have been forwarded to him. One is from John Farlow who, following Jean’s death from cancer, has remarried and is moving to South America. He had been handling the complicated Haze estate but is now happy to rid himself of it; the estate will now be managed by an estate lawyer named Jack Windmuller. John states that Humbert needs to “produce Dolly quick” (266). Humbert notes that he would never have predicted John would remarry and live in South America.
The second letter is from Lolita who addresses Humbert as Dad. She tells him that she is pregnant and that her husband will soon have a job in Alaska. She is writing to request money from Humbert but she does not give him her address in case he is still mad at her. She signs the letter, “Dolly (Mrs. Richard F. Schiller)” (266).
As Humbert searches for Lolita, signs of his mental deterioration become observable in his narration. Humbert’s paranoia merges with his sense of reality, and as Humbert questions what he sees, so does the reader. When Humbert becomes sick after seeing Trapp, he vomits “a torrent of browns and greens that [he] had never remembered eating” (238), which suggests he thinks he was poisoned. His violent physical reactions can also be explained by sudden emotional upheaval; losing Lolita means Humbert loses both his lover and his “daughter” as well as his life’s purpose.
When Trapp uses Humbert’s tennis racket, an interpretation of the racket as a phallic symbol illuminates Humbert’s sense of being threatened by Trapp. The racket is still warm from Trapp’s grip when Humbert takes hold of it, after the man has played tennis with his lover, and Humbert experiences this moment as emasculating. Humbert feels he is losing his virility because he losing his grip on Lolita, the source of his virility and desire.
Humbert takes the role of a detective as he backtracks, gun in pocket, to ask hotel clerks and others for information about Lolita’s whereabouts, but Humbert’s detective story does not end with any resolution. Humbert finds clues and evidence of riddles that suggest the man chasing Lolita is indeed his equal, or his “brother” (247). The clues do confirm that Humbert’s paranoia is justified; they were indeed being followed and the driver did switch cars.
Lolita’s letter to Humbert is a plot device that inspires him to look inwards while moving the events of the plot forward. The letter from John Farlow also has consequences for Humbert’s actions. The fact that John asks Humbert to produce Lolita suggests that John is concerned about Lolita, revealing that Humbert was not as good at fooling people as he thought he was. Humbert has reason to reflect on the treatment he received from Lolita’s nurse at the hospital; the nurse does not regard him as a charming and overly concerned father but as an inappropriately possessive older man who warrants suspicion. Lolita’s letter shows a more serious consequence—Lolita is grown up and in trouble and out of Humbert’s life. She even signs the letter with her own name and not Humbert’s pet name for her adding only parenthetically that she now belongs to another man, Richard Schiller.
By Vladimir Nabokov