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Jo BakerA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The text is rooted in the world that supports the lives of leisure, sociability, and courtship that preoccupy the Bennets of Pride and Prejudice. In Longbourn, the Bennets play supporting roles, and the novel examines the relationships between employer and employed to expose the hierarchies of and assumptions around the British class system. The Bennets belong to the gentry, a nebulously defined class that lay between the upper class with its titles and peerages and the middle class, which drew income from business ventures; the definition of a gentleman was that he lived off incomes from the land he owned and did not need to work. The servantry, as Jo Baker shows, had its own hierarchies of power and divisions of labor, which reflected and commented on those above them in status.
Baker depicts the gentry class maintaining its sense of superiority by viewing the classes below them as inferior persons and refusing to afford them full dimensionality as human beings. Polly is not even allowed to use her name, Mary, because one of the Bennet daughters is so named; her employers simply overwrite her identity and give her a new name that suits them. Mrs. Hill is considered a suitable sexual partner by Mr. Bennet, but not a suitable marriage partner, nor does he acknowledge their son, because of the shame and scandal that public knowledge of their liaison would attract. Although the servants know everything that happens in the family—they literally handle the dirty laundry, as the opening scene establishes—Mr. and Mrs. Bennet dismiss the servants when they do not wish to expose an embarrassing secret, like Lydia’s running away with Wickham.
Along with their persons, the genteel often pretend the servants’ labor is largely invisible, a sentiment captured in Sarah’s early reflection about how Elizabeth would muddy her petticoats less if she were in charge of her own washing. Mrs. Bennet shows herself ignorant of Mrs. Hill’s convenience when she gifts her a hand-me-down dress that is completely inappropriate and will mean more work to alter. James considers the strange paradox of his position: He must dress in livery and be conspicuous as a sign of status that the family can afford a male servant— as there were extra taxes on male servants, which were considered a luxury—but he was also to be invisible, there to serve but never inconvenience the family or their guests.
The many ways that the love affairs among the characters in the servantry mirror the courtships of the Bennets and Charlotte Lucas reflect the irony that these girls are not so different after all. Jane and Elizabeth show an interest in Sarah’s life by asking her what she does for enjoyment, but Lydia mostly values the maids for their service to her. That Sarah feels entirely invisible to Mr. Darcy is a telling irony; as the wealthiest character in the book, he has the highest class standing and most power, but the only time he acknowledges Sarah is when she inconveniences him by asking to leave his employment while his wife is pregnant. The text shows that the invisibility of the servants and their labor is a tenuous pretense. The peeks into other households show the hierarchies of power there as well, suggesting that power relationships are strongly defined and held to in this society, down to the Englishmen in the islands who presume ownership of enslaved people.
While the labor required to sustain an estate is arduous and unending, the servants seek to find satisfaction in their work that involves more reward than simply pleasing an employer. Mrs. Hill voices the philosophy that work itself can be its own reward—a formula in part meant to console those born into the working class and reconcile them to their lot. Those of the leisure classes, like the Bennets, are allowed to make personal happiness their single aim in life because they have no other demands. For those in the working classes, satisfaction in their work is often shown at odds to the pursuit of personal happiness, which is a desire shared across classes.
Sarah’s dissatisfaction with her life of labor is established early on, as is her wish for a family of her own: “Happiness was a possibility for Sarah; she had a fair idea of what she missed” (54). Her wish to leave for London, to join Ptolemy and have a different life, comes from the desire to find that happiness. Her goals change, however, after Sarah acknowledges her attraction to James. When they begin their love affair, Sarah’s resentment toward her work vanishes. Service is tolerable now that she has joy: “The days, the work: they were as they always had been. […] But it was good now. In substance it was changed not at all, but for Sarah it was nonetheless transformed” (174). She finds new solace in her work because it keeps her close to James.
Mrs. Hill tries to teach the maids to take satisfaction in doing their work well, like scrubbing out a stain or getting the dishes clean. Mrs. Hill tells herself, “[T]here was pleasure in her work, in the rituals and routines of service, the care of conservation of beautiful things, the baking of good bread and the turning of rough, raw foods into savoury and sustaining meals” (108). But she also notes the difference between contentment with her lot and a sense of fulfillment when she wonders, “Could she one day have what she wanted, rather than rely on the glow of other people’s happiness to keep her warm?” (108).
Mrs. Hill promotes the view that the satisfaction of work should be valued above happiness when she scolds Sarah, who wants to leave Longbourn to find James. “You have a home. You have work. You are safe and warm and fed,” Mrs. Hill explains. “And you are spoilt […] if you don’t value any of that” (281). She tells Sarah not to give up her position or her character as a good worker for love; she advises economic security above all, reflecting the bargain she has made with her own future. Sarah chooses personal happiness instead when she leaves her employment with the Darcys and sets out to find James.
For all that she counsels finding satisfaction in one’s labor, Mrs. Hill realizes that work’s reward is, sometimes, merely to distract from unhappiness: “Work was not a cure; it never had been: it simply grew a skin on despair, and crusted over it” (297). James has likewise taken refuge in hard labor when Sarah finds him on the road gang: “[H]e seemed withheld, hidden inside himself, as though he accepted now that this was all there was, and all there ever could be” (330). For Sarah and James, personal happiness is achieved not only by being together but also in being able to choose their own employment, keep their liberty, and move about as they wish. Work becomes a means to an end, not an end in itself.
Playing on the themes in Pride and Prejudice that examine courtship and marriage, Longbourn explores the tensions surrounding marriage as both a romantic achievement and an economic arrangement that ensures stability, financial security, and status for the wife. Mrs. Bennet holds the view that the primary purpose for marriage for a woman is to achieve economic security; she admires Mr. Bingley first and foremost for his income of 5,000 pounds a year. Jane and Elizabeth hold an alternate view; they wish their unions to be based on romantic love, which is one reason Elizabeth declines the suit of Mr. Collins. She views him as an incompatible mate and is not moved by his feeling of duty toward the Bennet family.
Charlotte Lucas, in contrast, marries out of practicality; Mr. Collins’s current position and future prospects are enticing enough for her to accept his hand. Mrs. Bennet, an attorney’s daughter, may have hoped marriage would provide her with class advancement as well as economic security, but she found only one of those resulted. Mrs. Hill suspects that the more tedious aspects of Mrs. Bennet’s personality are because of this frustrated wish to be loved and cherished by her husband. Elizabeth, who marries for love, shows anxiety to please her husband and maintain his admiration; she tells Sarah it is important that she be exactly as her husband would wish, with the implication that, if she is not, she will suffer the same fate as Mrs. Bennet in having her husband feel scorn and contempt for her. Lydia represents the extreme of heedlessness in choosing attraction as the basis of her liaison, and while she is very satisfied at the fact of her marriage, Mrs. Hill realizes that Lydia has made a poor bargain of herself, and Sarah suspects Lydia will end up disappointed in her choice of partner, particularly because she married so young.
Developing this theme, Sarah, too, has the opportunity to marry for economic security; Ptolemy Bingley hints that he would share his shop and his life with her, and she would have a household of her own, just like Charlotte Lucas. But Sarah proves motivated by love. At the conclusion, it isn’t clear if she and James have been married in a church, and that solemnization matters little to their status, for their family is bound by affection. The novel suggests that love for a compatible partner is a superior outcome, showing marriages for economic reasons to be less emotionally fulfilling. Mrs. Hill’s marriage of convenience to Mr. Hill is the most dramatic example of this. The marriage maintains her respectability among the neighborhood and secures her place at Longbourn, and the couple is civil to one another, even kind. But they find their desire for affection fulfilled elsewhere, Mr. Hill with his lovers and Mrs. Hill with her attachment to Mr. Bennet, suggesting that a companionate marriage based on romantic love is an ideal not always possible to achieve.
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