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Rachel SmytheA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
One of the most powerful symbols in Lore Olympus Volume One, Demeter’s greenhouse represents Persephone’s stifled upbringing. However, it also represents Demeter’s motherly love and a place of comfort for Persephone during times of distress. Demeter raised Persephone away from the other gods because she does not approve of the immoral way that Zeus runs Olympus. Because of this, Persephone grew up dependent on her mother; even as a young adult, she has no real concept of self, and one of her main struggles is establishing her own identity outside of her mother’s control. Moving in with Artemis as she attends college is her first genuine experience of freedom, and the events at the Panathenaea party cause her to doubt her capacity for making her own decisions. After Aphrodite’s trick, Persephone dreams of Demeter locking her in a greenhouse with no doors for her own protection. Persephone’s panic in the dream shows how desperately she wants to be her own person.
Waking up in bed at Hades’s house causes Persephone to reflect, “On my own for 2 seconds…I’ve managed to wake up in a stranger’s bed with no memory of getting there. Fantastic. Maybe mom was right? Am I too naïve to be on my own?” (Episode 6, Page 2). This doubt is compounded during the succeeding chapters in which she struggles to decide who she can trust in Olympus. When Apollo initiates sexual contact with her, she at first sees it as a way out from her mother’s influence: She imagines this as a door appearing in the greenhouse, a way of escaping the destiny that Demeter helped set up for her. However, when she realizes that she rushed into the decision, partially due to Apollo’s chiding that he thought she was more mature, she copes with the situation by mentally retreating back to the greenhouse. She symbolically returns to her mother’s protection to dissociate herself from the trauma of being sexually assaulted. While the incident allows her a means to “leave” the greenhouse, it also sets up future alienation by her decision immediately after not to tell Demeter or anyone else about the assault.
Demeter raised Persephone in an overprotective, stifling environment in the mortal realm, away from the other Olympians. Consequently, she had little contact with peers, except for occasional visits from gods like Hermes. When she makes her debut in Olympus, other gods either help her or take advantage of her naivety. Artemis, in particular, takes an interest in Persephone’s social well-being. To this end, Artemis gives Persephone an old cellphone of hers. Though the screen is cracked, Persephone declares it to be perfect: It is a symbol of her newfound freedom and ability to communicate with whom she wants, when she wants. The cellphone represents her freedom of expression and ability to become her own person, outside of the “greenhouse” Demeter trapped her in. However, in Volume One, Persephone’s phone only has two contacts: Artemis and Hades. Consequently, the cellphone also represents the conflict between what is expected of her as a future vestal virgin and her blossoming feelings for Hades.
Hades and Persephone exchange business cards as a means of introduction. Though it is a short scene, the cards represent the business-like nature of some relationships between the gods in Lore Olympus. Hades’s card introduces him as the God of the Dead and God of Wealth, and it lists his other names and epithets, including Aidoneus, Dark Zeus, Dis, Plouton, and Pluto (Episode 8, Page 9). His card has a clean, elegant design, in the primary colors of the Underworld (black, white, and light-blue). Persephone’s card, by contrast, looks cutesy and innocent, merely introducing her as Kore, Goddess of Spring in red cursive font on a pink background (Episode 8, Page 10). Hades teases her due to the discrepancy with her name and the fact that the card is made by hand. The epithets on their cards are indicative of various cult names for gods in Greek mythology. Because there was no canonical or codified religion in Ancient Greece, gods were often worshipped under different names. Kore, meaning “daughter” or “maiden,” usually signifies Persephone’s name before she becomes Queen of the Underworld. “Aidoneus” is another name for Hades, and in Episode 25, it is revealed that it is his childhood name. The exchange of cards bearing their various or previous names increases the degree of intimacy in what should be the formal establishment of acquaintance; Smythe suggests this meeting will lead to much more.
In Lore Olympus, gods and goddesses’ appearance can change with their emotions. Hades’s eyes turn red when he is angered or in a bad mood. Zeus crackles with lightning when he threatens others. Artemis and Eros both reveal frightening, classical god forms when they want to appear intimidating. This is used as a visual technique to emphasize the emotional impact of a scene. Persephone, who is a new goddess, finds it difficult to control her powers. Her hair and the flowers she generates when she is upset or flustered are a motif that Smythe uses to emphasize scenes where Persephone loses control of her emotions, causing her, in turn, to lose control of her powers. Because she normally cuts her hair short, there is no way for her to hide these instances, because her hair grows exceptionally long and flowing. This happens after Eros gets her drunk, and then again when Apollo takes advantage of her. This shows that her hair growing is tied to moments where she lacks control of a situation, or when another person takes advantage of her. Because she is the Goddess of Spring, she also spawns flowers (and sometimes a flower crown) when she is flustered or embarrassed. Persephone admits to Hades that this happens because she is still not used to her powers; as she develops as a goddess and becomes more in control, it will be easier for her to avoid.
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