51 pages • 1 hour read
Jessa HastingsA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: The source text and this guide contain descriptions of possible sex addiction, substance abuse, and a graphic depiction of a drug overdose.
While watching Magnolia get ready to meet their friends for the evening, BJ admits that he slept with a model. Magnolia pretends that she doesn’t care and reminds him that she had a boyfriend at the time. BJ makes money by modeling, while Magnolia has a trust fund. Magnolia dresses in expensive designer brands and can always identify the brands that other people are wearing. The two join their friends, including Magnolia’s best friend, Paili Blythe; Henry Ballentine, BJ’s brother; and the Hemmes brothers, Christian and Jonah. Magnolia and Christian dated briefly after she and BJ broke up, and this is now a sore point with BJ.
Magnolia tries to joke and pretends to be friends with BJ, but she is still grieving their breakup and is hurt that they are no longer together. At one point, she feels light-headed and thinks, “I’m not having a panic attack, because […] those are for people who aren’t in control of their lives and I have a handle on everything, […] especially my heart” (8). However, she is unable to resist her physical attraction to BJ, and they continue to have sleepovers and spend almost all their time together although they are no longer having sex. Now, Magnolia visits the bar’s bathroom to compose herself, and when she emerges, she sees her recent ex-boyfriend, Brooks, with another girl. BJ challenges him, and to defuse the situation, Magnolia touches BJ to demand his attention. While cameras flash from the photographers who are watching, Magnolia asks BJ to take her home.
BJ knows that Magnolia’s nanny, Marsaili MacCailin, doesn’t like him. As they get ready for bed, BJ and Magnolia discuss his latest tattoo, and she makes up excuses to touch him. Magnolia’s younger sister, Bridget, informs BJ that he is the only man with whom Magnolia has had sex. Before they go to sleep, BJ asks Magnolia the question that is their trademark: “How’s the weather over there?” (24).
Magnolia has known BJ since she was quite young. She met him through his brother, Henry, who was in her class. BJ rescued her when she fell into the ocean at Capri and was cut by oysters. Magnolia had a crush on Christian, but her attraction to BJ began when she was 14. When they began dating, their families were overjoyed. She and BJ danced together, and as Magnolia recalls, “That night he waltzed my heart right out of its chest” (29).
In the morning, BJ dresses in clothes that Magnolia keeps for him in a drawer. At breakfast, Magnolia taunts her father by calling him Harley instead of Dad. Marsaili, whom Magnolia feels is the person who really mothers her, mentions that Magnolia and BJ were in the papers. Magnolia’s Russian grandmother, Bushka, tries to persuade her to eat borscht. Her sister, Bridget, suggests that Magnolia and BJ have a trauma bond.
BJ joins his friends for a drink, and they tease him over the fact that Magnolia still won’t take him back. The paparazzi call his group the Billionaire Boys. The waitress gives BJ her phone number. BJ reflects on an incident after he and Magnolia broke up, when he caught her kissing Christian. Although BJ and Christian are friends, BJ beat Christian up, claiming that Magnolia will “always be [his]” (39). BJ is roommates with Christian’s brother, Jonah.
Magnolia attends a party to launch her mother’s new fragrance, Velvet Seduction. Magnolia likes arriving alone to events so that people will stare at her. She avoids a boy she dated briefly; these days, she only dates to put a barrier between her and BJ. She talks with Hamish, BJ’s father, then visits with August “Gus” Waterhouse, a rising music star. Gus mentions his friend, Tom England, a heartthrob whose brother died of a brain aneurysm a few months earlier. Magnolia’s father asks her advice on the best place to hold a retreat. BJ finally arrives, but Magnolia is upset that he brought Taura Sax; Magnolia suspects that Taura is the same person he was seeing when he cheated on her. Upset, she accuses BJ of having sex with Taura, and he doesn’t deny it. She experiences that moment when the rest of the world fades to black and there is only BJ, but says: “This fade-to-black thing BJ and I have, I know it sounds romantic—written in the stars […] but fighting in public is front-page press for people like us” (49). BJ texts, asking about the weather, and Magnolia replies that it is very stormy.
Magnolia doesn’t like being without BJ. She thinks that the way they hurt each other is “[n]ormal for two broken hearts who can’t fit their pieces with anyone but each other” (51). BJ walks into Magnolia’s bedroom with a Chanel gift bag, and she is glad that she is wearing attractive pajamas. He apologizes for bringing Taura to the party.
Magnolia reflects on the fact that even after she and BJ broke up, they began to drift back together. She thinks, “I loved him more than he hurt me” (55), but because Marsaili warned her not to trust him, Magnolia began dating other people. When BJ overdosed on cocaine, he told the girl he was with to call Magnolia, and she and their friends came to get him. At that moment, Magnolia was terrified that BJ would die and she would lose the love of her life. She was so scared that she avoided him, then kissed him, and then never talked about this kiss. She has three memories of BJ that live in a corner of her heart, and all of them have shaped her. She admits, “He’s a time bomb for me […] He’ll hurt me. He’ll always hurt me. I’ll never be safe with him, even if I’m always safe next to him” (66).
BJ and Jonah are throwing a party at their Park Lane place. BJ hooks up with a girl from France, but he is thinking of a favorite memory of Magnolia. A text exchange takes place between BJ’s mom, Magnolia, and a friend named Lilli Ballentine, hinting that BJ could be Magnolia’s boyfriend.
Magnolia spends time at a club with her sister, who is her polar opposite. Daisy Haites comes into the club with Christian, and although Magnolia invites them to join their table, the conversation is awkward. Magnolia has a text exchange with Christian afterward, in which he says that he and Daisy are not dating.
Magnolia joins her friends for what they call the Full Box Set dinner, when they are all together. BJ has his arm over the back of Magnolia’s chair. She hears a song that she and Christian both recognize and recalls how she drifted toward Christian after she and BJ broke up. She reflects that it felt good to be around Christian even though she was still in love with BJ. She admits to herself, “Christian is so handsome and so strong and so stoic, and I loved not being alone. I loved spending all my time with someone, filling my rib space with someone else” (79). Now, BJ is upset at the look that she and Christian share, so he goes to the bar to get drunk. Magnolia later drags him home and shares a text exchange with Paili. Jonah texts BJ, telling him to stop having sex with random women.
BJ reflects on the night that Magnolia took him home and feels like the two of them shared something meaningful. However, when he invites her out to the club, she declines, so he goes out to get drunk. He remembers meeting Magnolia when she was only four. He imagines that if he could just call her and say he was in love with her, he could fix everything, but he admits that such a gesture is not in his nature. He shares a provocative dance with a girl from Surrey, and when Magnolia walks in and sees them, she tells BJ that he disgusts her.
Magnolia remembers an incident that occurred three years ago. On that occasion, BJ came into her bedroom after a party and admitted that he had slept with someone. She threw a vase at him, then locked herself in the bathroom and cried. He sat outside and cried with her, and then she came out to try to console him. He apologized so many times that the words lost their meaning. She broke up with him and ran to Marsaili’s room. Since that day, she has realized that she wants to be his friend, but she wonders if she is simply too weak to separate herself from him.
These early chapters alternate between Magnolia and BJ’s perspectives, and because the first-person narratives are set in the present tense, the story gains a sense of emotional urgency and immediacy. Similarly, the choppy style incorporates frequent expletives to mimic realistic speech and reflect the characters’ relative youth and immaturity. Because the author often employs a humorous tone that verges on the satirical, this stylistic choice deliberately clashes with passages that are imbued with a more deeply dramatic tone. In this way, the author simultaneously conveys and criticizes the characters’ emotional turmoil, and the frequent use of hyperbole heightens this effect. At the same time, varied allusions to popular culture add an element of realism to the narrative, as when BJ is likened to an Avenger, or when Magnolia references the high-drama TV series 24, which she and BJ enjoy watching together. At the same time, the author makes use of more classical allusions, for Magnolia’s middle name of Juliet deliberately invokes Shakespeare’s popular tragedy, Romeo and Juliet, which tells the story of a pair of doomed young lovers whose intense mutual passion leads them both to die by suicide. Thus, these tumultuous details foreshadow a long progression of conflict, hurt feelings, and potential disaster as the pair’s stormy romance continues to develop.
The Dynamics of Loyalty and Betrayal soon become apparent, for despite the pair’s deep sexual and romantic attraction to one another, neither is at a level of maturity to maintain this attachment in healthy ways, and so they torment one another with their individual fears and selfishness. Thus, most of the tension in these chapters revolves around the ways in which they hurt one another. In this light, BJ emerges as a young man who is unable to handle his intense emotions and therefore resorts to alcohol, drugs, or sex to relieve his unprocessed feelings. The retrospective episode describing his cocaine overdose serves two functions within the narrative, for Magnolia’s terror over his crisis reveals the extent of her attachment to him, and the incident also proves that BJ’s most grievous character flaw is his lack of self-control. These early chapters demonstrate that he is intentionally self-destructive and intentionally cruel, for he hurts Magnolia by informing her whenever he has sex with another woman. Similarly, he maliciously invites another girl as his date to a social event when he knows that Magnolia is waiting for him. Thus, the main characters’ increasingly erratic and hurtful behavior serves as a distinct and near-farcical counterpoint to the novel’s broader premise that they love one another on a deep and profoundly romantic level.
In the midst of these drama-filled exchanges, Magnolia’s behavior in her various social circles implies that she is a fairly shallow character, and the author injects a sly sense of humor as the young socialite places undue emphasis on fashion and constantly evaluates what everyone, including herself, is wearing. She has an undemanding job and spends most of her time on her appearance. In many ways, her surface-level pursuits reflect The Costs of Celebrity Status, for her skills are limited to the ability to identify designer brands and describe luxury resorts, and her chief recreational activities—outside of her tumultuous love life—involve shopping, attending high-profile social events, and going to restaurants, parties, and clubs. She doesn’t always enjoy these events, but she does enjoy the attention that comes her way.
However, despite these more superficial aspects of Magnolia’s life, her character gains a greater degree of depth when the author reveals that the young socialite’s own parents are consistently absent, and the one person who truly nurtures her is the woman whom her parents hired to look after her. This pointed lack of family support is meant to explain her excessive need for love and attention from BJ despite his many hurtful transgressions. A vein of dramatic irony emerges as Magnolia pretends not to be hurt by BJ’s interest in other women even as she recognizes that he is hurt by her interest in other men, especially when she was briefly involved with their mutual friend, Christian. This double standard adds an additional layer of complication to the emotional bonds and conflict. Magnolia is torn by her inability to admit or act upon her longing for BJ, because she is still hurt by his infidelity, so she introduces barriers by dating men for whom she has no authentic interest. Both characters are able to recognize their self-defeating patterns, but neither manages to rise above these behaviors.
Because the chief focus of the novel remains on the push-pull dynamic between Magnolia and BJ, the supporting characters largely serve to provide commentary on the central love affair, and this commentary is further emphasized in the novel’s periodic text exchanges. This simulation of digital communication allows the author to include additional perspectives on the action and themes of any given chapter. While Magnolia and BJ are so wrapped up in their mutual drama sessions that they neglect to perceive and correct their own issues, other characters can more objectively acknowledge the destructiveness of the protagonists’ behaviors, as when Bridget characterizes their relationship as a trauma bond, or when Jonah tells BJ to stop sleeping around. Other characters exist to present obstacles to the primary love affair, as when Marsaili tries to steer Magnolia away from BJ. Significantly, Magnolia’s “fade-to-black” moments with BJ imply that her interests do not extend beyond the boundaries of this ill-fated love affair, and the pair’s platonic sleepovers suggest that their attachment is more juvenile than mature, implying that they both must undergo considerable development before they can forge a more serious and lasting connection.