logo

47 pages 1 hour read

Gail Bederman

Manliness and Civilization: A Cultural History of Gender and Race in the United States, 1880-1917

Nonfiction | Book | Adult | Published in 1995

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Chapter 1Chapter Summaries & Analyses

Chapter 1 Summary: “Rethinking Manhood Through Race and ‘Civilization’”

Bederman opens Manliness and Civilization by describing the heavyweight championship boxing match between Jack Johnson and Jim Jeffries, which took place in Reno, Nevada on July 4, 1910. Jeffries, a white boxer, came out of retirement at the urging of the white American public to reclaim the heavyweight title from Jack Johnson, who was Black. White Americans were incensed that a person of color held such a distinction as the top athlete in such a popular sport. Boxing had come to be seen as an emblematic measure of male prowess and virility, and white, middle-class Americans were certain that Jeffries would be victorious over Johnson. Johnson was unquestionably the winner of the fight. The white American public was outraged. Not only had Johnson cracked the veneer of white supremacy by defeating Jeffries, but Jack Johnson was also particularly disliked because of his marriages to and affiliations with white women. After his victory, charges of human trafficking were brought up against Johnson, who was influenced to flee the country. Though the charges were baseless, and he tried to negotiate a return to the United States to serve his sentence and pay the appropriate fines, Johnson was essentially exiled when authorities prevented him from doing so. When he eventually returned to the United States years later, he was broke and downtrodden, punished for his excellence.

Bederman proceeds to present the contexts and parameters that define how she examines the concepts of manliness and civilization. She defines gender as “a historical, ideological process” (7), which is directly related to the physical attributes of an individual’s body. Civilization, as it pertains to Bederman’s work, is a notion claimed by white Anglo-Saxon men as their own creation, which they measured by its juxtaposition against what they considered primitive, which was exemplified by the features and behaviors of other races. Their views of those who did not share their racial identity vacillated between patronization, infantilization, and fear of and disdain for people of color. White Anglo-Saxons of the period believed people of color occupied a lower run of the evolutionary ladder than they did, and that people of color had more in common with white Anglo-Saxons’ primitive ancestors than they did with white Anglo-Saxons themselves.

For white Anglo-Saxons of the period, white racial advancement and each person’s individual contribution to their race’s quest to reach its evolutionary potential were priorities. Lamarckian theory, which Bederman’s text explores, was widely accepted during the period. This theory posited that inheritance functioned on a collective basis, through which each new generation inherited the total achievements and development their predecessors had attained before them. Thus, the notion of white racial progress that was so highly valued as an aspiration was grounded in the idea that as each generation bettered itself, the forthcoming generations stood to benefit from that improvement.

Bederman cites many of the social, economic, and cultural changes occurring in the United States from 1880-1917 that contributed to the remaking of manhood and masculinity. As the dynamics of the economy changed, middle-class men were gradually deprived of the opportunity to increase their wealth as self-employed, autonomous entities. The budding economic culture of capitalism began to create a scenario through which middle class men were increasingly required to work for others and found themselves in professional positions where there was little mobility and opportunity for advancement. Middle-class men were also concerned by the influx of immigrants and working class individuals who were gaining power and influence through their social and political influence. Instead of seeking satisfaction through professional efforts, middle-class men began to develop interest in leisure activities, which some believed resulted in a type of decadence and idleness. As the parameters in which they were interacting with the world around them shifted, Bederman attests that white middle-class men became even more preoccupied with the notion of manhood and their identities in relation to how its definition was shifting in the social context. Increasingly, the gentlemanliness, chivalry, and refinement so highly valued in the Victorian period were seen as detriments and hindrances to the new demands on men, incompatible with the new male identity, and they gradually fell out of favor.

Bederman defines the terms “manhood” and “masculinity” in detail, identifying them as separate concepts that were loaded and embraced separately as values and ideals shifted. “Manhood” became a more antiquated term, used in reference to one’s character and morality, whereas “masculinity” evolved and gained popularity and came to refer to behaviors and features that were grounded in maleness and a new fixation on virility.

Bederman closes the chapter with a discussion of the World’s Columbian Exposition in Chicago in 1893. Named “the White City” by its organizers, The Columbian Exposition was a celebration of American achievements in engineering, agriculture, and industry. It was a dazzling spectacle touting the promise of the young nation on the eve of the new millennium. While the White City showed off the inventions and feats of white men, an exhibit called the Midway Plaisance featured Indigenous people brought to Chicago to be displayed as curiosities in sets designed to mimic their “natural habitat.” White women were allotted a small “Women’s Building,” but declined to feature any achievements by female exhibitors of color. At the close of the chapter, Bederman outlines the four authors whose works and lives she features as examples of the discourse of manliness and civilization.

Chapter 1 Analysis

Jack Johnson’s experience is provided as an example of the consequences facing men of color who rejected and rebelled against the social demands of early 20th century America. Bederman stresses in the introductory chapter that each member of American society during this time made their own conscious choices with respect to the degree to which they conformed to the expectations associated with their social and racial identity. With pugilism being what it is—a test of physical strength, skill, endurance, and mettle—there was little control the white middle-class could exert over the outcome of the Johnson v. Jeffries fight. Their beliefs about racial superiority were supported by contemporary science, endorsed by their peers, and reinforced by the messages they received from society at large, but man against man, the fighter thought to belong to the more inferior race prevailed. There was no room for interpretation or alternate theoretical explanations for why Johnson had managed to defeat Jeffries. The Black fighter proved himself to be the superior athlete in the boxing ring. When Jack Johnson could not be beaten in a fair contest, he was forced into another fight, with rules calibrated by a society inherently steeped in racism, and the result was his exile. He was punished for his refusal to conform by being denied the right to participate at all.

By contrast, at the World’s Columbian Exposition, white middle-class men, as the organizers of the event, controlled the narrative, depicting the promise of the future of American achievement as the product of white middle-class male invention, propelled by their racial destiny and formidable in its inertia. By excluding women, sending a message in relegating them to a single building, they left them as an afterthought and restricted exhibitors of color altogether in The White City. In The Midway Plaisance, people of color were included but as exhibits, not exhibitors. These exhibits were carefully curated to provide a juxtaposition between the two separate racial realms.

In this initial chapter, Bederman defines the terminology she will use in the text and appraises the reader of the socio-historical contexts in which the events to follow are set. Through these two examples of memorable events in the history of American culture, she also addresses the experiences of women and people of color. While her text is an examination of what manliness and civilization come to mean in this historical period, much of that meaning is made and tested through interactions with people who are not members of the white, middle-class Anglo-Saxon male population for whom the definition of manliness holds personal value.

blurred text
blurred text
blurred text
blurred text