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63 pages 2 hours read

Anna Marie Tendler

Men Have Called Her Crazy

Nonfiction | Biography | Adult | Published in 2024

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Key Figures

Anna Marie Tendler

Content Warning: This section of the guide includes discussions of mental illness, self-harm, suicidal ideation, addiction, and emotional abuse. 

Anna Marie Tendler was born on June 9, 1985, in Bethel, Connecticut, into a culturally, though not religiously, Jewish household. She attended NYU and completed a bachelor of arts in psychology before earning a master of arts in fashion and textile history. She grew up in a chaotic environment with parents whose marriage, she writes, was “unraveling” even before her birth. Throughout her childhood and adolescence, Tendler struggled with her mental health, specifically with anxiety, depression, self-harm, and suicidal ideation. She received minimal help or support from her parents for her mental health until adulthood. Her adolescence was also rife with troubling relationships with men, especially her romantic relationships with several adult men when she was still a teenager. These relationships lay the foundation for Tendler’s exploration of The Impact of Gender Dynamics on Personal Identity, with which she engages throughout the memoir.

Tendler rose to prominence in 2007 when she started a makeup blog on Tumblr that quickly accrued 350,000 followers. She also had a makeup YouTube tutorial series for Amy Poehler’s production company Smart Girls. She wrote two beauty books (one about bobby pin hairstyles and one about various makeup looks) before continuing to practice as a makeup artist for her then-husband John Mulaney’s Broadway show Oh, Hello with friend and fellow comedian Nick Kroll (Foster, Allison. “Anna Marie Tendler Mulaney Lets Her Art Lead the Way.” NYLON, 2019). Tendler barely discusses her relationship with Mulaney in Men Have Called Her Crazy, not even mentioning Mulaney by name. She references that her marriage was falling apart during the time she entered the inpatient psychiatric care facility, and she later mentions that she often survived financially due to the help of her romantic partners, which, in addition to applying to Theo from her early twenties could be a covert allusion to Mulaney.

Mulaney achieved fame as a stand-up comedian, and many of his jokes in his first two Netflix specials revolved around loving his wife (Tendler) and their French bulldog (Petunia). One anecdote he utilizes in one of his specials is a story about the animal communicator Tendler hired to assess Petunia, something Mulaney found laughable but a process that was meaningful to Tendler based on her depiction of the event in her memoir. Mulaney’s absence is felt throughout the memoir, as Tendler carefully depicts several meaningful romantic relationships that have shaped her identity and worldview, though she omits her six-year marriage, a marriage that she stated Mulaney ended shortly after his exit from rehabilitation for substance abuse disorder and her stint in inpatient care. Tendler knew people would expect her to write about Mulaney, but according to The New York Times, she wanted to write about “something more universal than her celebrity relationship […] he ways in which men underestimate and sideline women” (Holtermann, Callie. “Anna Marie Tendler Knows You Think Her Book Is About John Mulaney.” The New York Times, 2024). She worked to craft a memoir not about her relationship with one man but about how men systematically ignore, subjugate, and harm women.

In addition to writing, Tendler works as a multimedia artist. She runs the Silk Parlor, a business in which she sells her handmade artisanal Victorian lampshades and other textile art pieces (Tendler, Anna Marie. “Silk Parlor”). She also works with photography, and she recently completed a project titled “rooms in the first house,” which she describes as “a reference to the first astrological house - the house of self - these photographic works chronicle the often non-linear experiences of loss, anger, and powerlessness, as well as a reclamation of identity” (Tendler, Anna Marie. “rooms in the first house,” Anna Marie Tendler). These are all themes she also explores in Men Have Called Her Crazy, which is consistent with her initial view of the projects that she planned to integrate into a coffee table book of photos and essays together. Her works are in conversation with each other, which seeks to understand the intersection between gender, emotion, and mental health.

Tendler’s Mother

Tendler’s mother plays an important role throughout the text. Tendler has a nuanced relationship with her mother. When she was younger, Tendler often wore her mother’s old clothes, which her mother made when she hoped to attend fashion school. Tendler’s cultivation of her style via her mother’s clothing illustrates the closeness of their relationship, as does Tendler’s attendance of fashion school, fulfilling her mother’s unrealized dream. However, their relationship is not only positive. Tendler’s mother has unpredictable moods, and her rage is something that particularly affected Tendler in her youth, as she writes, “I was not rebellious—too afraid of my mother’s rage to act out against her. I did not scream or cry. I just went numb. I retreated into myself” (29). Tendler’s mother’s actions directly contributed to Tendler’s experience with Mental Health and Societal Expectations, as her depression and anxiety worsened because of her mother’s behavior toward her. Tendler writes, “My mom’s rage lived outside her” (84), illustrating that the anger her mother exhibited could take aim at anyone around her, creating an unstable and unpredictable environment for Tendler growing up.

Tendler’s mother’s psyche is clear in something Tendler tells the house manager at Dalby House: When she wanted to accompany her mother on walks when she was a kid, her mother would refuse because she didn’t want to be “slowed down.” Tendler’s mother refused to slow down, even for her child, who wanted to accompany her. This reflects Tendler’s mother’s desire to live her own life, unencumbered by the needs of her children, like when she refused to keep taking Tendler to Broadway auditions, crushing her dreams of becoming a child actress like her brother. Tendler’s mother wanted to preserve her independence, something again mirrored by Tendler—particularly in her aversion to motherhood that she explores later in the memoir when she begins the process of freezing her eggs.

Despite her mother’s rage and unpredictability worsening Tendler’s mental health, Tendler still has empathy and love for her mother. She told her mother that she loves her when she called her from Dalby House, even though her mother does not reciprocate the words. She also expressed hesitancy to blame her mother for her anxiety and depression despite the clear impact her mother’s rage had on her throughout her youth, adolescence, and early twenties. She yearned to tell Dr. Samuels about her mother’s trip to India, particularly the empathy and understanding her mother showed to a different culture. Her mom wrote Tendler beautiful emails detailing her travels through India: “I was moved by her bravery and by the care and understanding with which she depicted this new world, so vastly different from the one she was used to” (96). Tendler’s empathy for her mother again illustrates the important role her mother plays in her life. This role is further emphasized by Tendler’s mother’s care for Petunia and Tendler while Tendler is in inpatient care; she sends Tendler numerous emails with updates about Petunia and her house, and she fills Tendler’s fridge and freezer with food, acts of service indicating her love for Tendler despite their complicated mother-daughter dynamic.

Dr. Karr

Dr. Karr is Tendler’s long-term therapist, with whom Tendler worked for five years before she entered inpatient care. Though Tendler initially has a positive impression of Dr. Karr throughout their relationship, Dr. Karr begins acting strangely toward the end of their time working together. In Tendler’s outpatient meeting, Dr. Karr stated that she thought they needed to reevaluate their relationship and potentially “divorce.” When Tendler mentioned feeling anxious about Dr. Karr’s words, Dr. Karr tried to blame her. In their final conversation, when Tendler ended their client-therapist relationship, Dr. Karr accused her of manipulating her male doctors at the inpatient care facility. Tendler felt extremely hurt by this, especially given she never found out what caused Dr. Karr to begin acting this way.

About her relationship with Dr. Karr, Tendler said in an interview: “A real lesson learned from it is that you’re not always going to know why something happened. It’s important to learn how to move past something or make peace with something when you don’t get all the answers, which is really hard” (Tingley, Anna. “Anna Marie Tendler on Distrusting Men, Dating Millionaires, Surviving Depression and Her Debut Memoir ‘Men Have Called Her Crazy’: ‘I Wrote It For Women. I Hope Men Read It, Too.’” Variety, 2024). Tendler acknowledges that she will never know what happened to make her relationship with Dr. Karr collapse, but her language reflects an important lesson she learned that served her during The Process of Healing and Self-Discovery. Though the breakup with Dr. Karr was painful, Tendler had the tools to get through the pain and find a new therapist.

Dr. Philips

Dr. Philips was Tendler’s therapist inside the inpatient care facility. Though he was a man, Tendler felt comfortable opening up to him about her mental health and her traumatic experiences. Part of this comfort stemmed from Dr. Philips’s openness with Tendler about the results of her various psychiatric evaluations. He visited Dalby House several times to discuss Tendler’s results with her, and he recognized that with her background (having studied psychology in undergraduate school), Tendler would feel both more seen and cared for if her results were clearly explained to her. Though Tendler was initially reticent to have male providers, Dr. Philips’s kindness won her over, and the depth of their rapport was illustrated by Tendler’s decision to call him to ask to return to Dalby House after Dr. Karr’s unkindness toward her. While two years after her time in Dalby House, Tendler reads her notes and has an unfavorable view of what Dr. Samuels wrote. She did not find an issue with Dr. Philips’s assessments of her, further illustrating his importance as a positive figure in Tendler’s mental health journey. This is significant given that, later in the memoir, Tendler reveals her current therapist, whom she feels comfortable with, is also a man.

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