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58 pages 1 hour read

Jennifer Weiner

Mrs. Everything

Fiction | Novel | Adult | Published in 2019

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Background

Authorial Context: Weiner as Female Author and Anti-Sexism Advocate

Jennifer Weiner is a longtime advocate for female authors. She’s known as an “outspoken critic of a literary establishment that fails to engage with books written by, for, and about women” (Hess, Amanda. “Jennifer Weiner Critiques Sexism in Publishing, Promotes Self.” Slate, 6 Jan. 2014). Though Weiner writes women’s fiction, or “chick-lit” (a term that tends to be insulting, implying the genre is lesser), she wants her work—and all women’s writing—to be taken seriously. She also wants men to feel at home reading her stories because the themes affect everyone, especially in a historical, poignant story such as Mrs. Everything, which is about equal rights and women’s rights: “I think that for a lot of men it’s like, ‘Oh, [women’s fiction is] all romance,’ or, ‘It’s all fluff,’ or, ‘It's not for me.’ I think that's really unfortunate. I think men are missing great stories” (Williams, Mary Elizabeth. “Jennifer Weiner Was Right About Sexism, Media and Women Writers: ‘We Were Told We Were Lying.’Salon, 17 June 2019). She set out to write about big issues, such as abortion, queerness, gender roles, and racism, when she started Mrs. Everything. Weiner believes she succeeded in writing a book with deep meaning, not one that should be devalued with the typical sexist marketing that the story is only for women; she even regrets that there isn’t a man, like Harold, on the cover (Williams). The book allows all people to have important conversations about the real issues the characters go through, such as sexual orientation, interracial relationships, racism, double standards, and the #MeToo movement. Weiner wanted to bring these issues to the forefront for discussion.

In interviews, Weiner also addresses statistics that reflect sexism in publishing: “Hey, Paris Review, you published 75% of your short stories by men last year. What’s up with that?” (Williams). Weiner believes the industry, like society, is changing how it values women’s talent and women’s issues: “I've seen real progress. For me personally, to see this book called ambitious and to see people call it a great American novel and to see people say, ‘This book has something to say and it speaks to readers,’ that’s just tremendously gratifying and rewarding” (Williams). She knows the publishing industry—and businesses and society at large—still has a way to go to achieve equity in publishing, but with work like Mrs. Everything, she hopes to lead the charge for positive change.

Sociocultural Context: Changing Roles for Women from the 1950s to Today

Women’s roles have changed drastically over time, as shown in this novel, which spans about 70 years. In the 1950s, women were expected to be housewives, to be married young—sometimes right out of high school—and to have babies. Little girls were taught traditional values of proper etiquette, such as wearing feminine clothing and learning to cook, clean, and serve one’s family. If a woman didn’t want to raise children or to marry a man, she was seen “unnatural,” as Sarah says to Jo (119). The novel reflects that women had access to more opportunities in the late 20th and early 21st century when compared to their opportunities in the 1950s. More women started attending university or choosing careers along with child-raising or in addition to their household duties. For instance, Jo starts her fitness classes while raising her kids; her sister, Bethie, starts a successful business with no children; and Jo’s daughter Kim balances her work as an attorney and mother closer to the 2000s.

Because abortion wasn’t legal nationwide until 1973, Bethie has a secret, illegal abortion after she’s raped. She also marries a Black man before interracial couples became widely accepted. Still, Bethie is often questioned about being childless because the societal expectation to marry and have children has not changed significantly over time. Of course, Jo also hides her true lesbian sexuality behind the facade of heterosexuality across the 1950s, 1960s, and 1970s. She doesn’t reconnect with Shelley until the ’80s, though LGBTQIA+ people still faced prejudice in that era. Women, once confined to the role of traditional housewives who weren’t employed outside the home unless in dire circumstances, are now able to have careers and love and marry whom they choose—or choose not to get married or to have children. Though some prejudices still exist, women’s rights have come much farther over time, and the novel addresses major struggles women have faced in each unique era of time.

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