58 pages • 1 hour read
Jennifer WeinerA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: Mrs. Everything includes depictions of sexual abuse of a child, sexual violence, and drug use.
Prologue Summary: “Jo [2015]”
Jo, an adult woman, leaves the movie theater with her wife and three daughters. She gets a call and immediately knows it brings bad news. Over the phone, her doctor tells her that she has cancer again. Jo had breast cancer years ago after finding a lump on her breast; she endured chemotherapy and other treatments, believing she was in remission. She holds her wife’s hand and thinks of her daughters: the eldest teenager, Kim, energetic Melissa (called Missy), and bookish youngest child Lila. With her diagnosis, Jo prays she has enough time to make things right with her family.
At age six, Josette, known as Jo, and her family move into a new house in a nicer neighborhood outside Detroit, Michigan. They moved from the apartment in central Detroit, which Jo loved, to a brick house, which she doesn’t think is special, despite her parents’ excitement. Jo will miss the different kids in their apartment complex, the various ethnic foods cooking, and hearing Italian, Polish, and other languages. Her kindhearted father, Ken, assures her she will learn to enjoy their new home.
Her younger sister, Bethie, at age five, is thrilled, calling the house a “castle,” and Jo thinks that Bethie is the good one, since she’s always well-mannered and ladylike. On the other hand, Jo is reckless and wild; she prefers to wear pants and play baseball than wear dresses and do chores. Their mother, Sarah, dotes on Bethie and often reprimands Jo for her unladylike behavior.
They move to take a family photo in front of their house. Though Jo pleads to wear pants to their move-in day, Sarah insists she don a dress. Jo’s underwear rides up, and when she tries to pull her panties down to ease the discomfort, she rips her homemade dress. Sarah cries, and Ken sticks up for Jo, his little tomboy, as he always does.
Five-year-old Bethie helps her mother (“Mommy”) with daily chores. Each day is designated for different tasks, such as Mondays for washing and Tuesdays for ironing. A maid named Mae and her daughter, Frieda, are hired to come help with domestic chores; they assist Sarah once a week. Frieda and Jo play wildly together, running, climbing trees, and playing battle games. Bethie thinks their play is too rough and doesn’t understand Jo’s aversion to feminine roles.
On Fridays, the Shabbat, Bethie and Sarah visit Bubbe (grandmother) and Zayde (grandfather) to celebrate Jewish traditions. Since Bubbe and Zayde only speak Yiddish, Sarah helps with chores that require English translations. Together, the family makes traditional challah. On Fridays, Bethie learns about her mother’s parents, who were from Russia, and how to keep their Jewish traditions alive. She loves her grandparents’ doting; they give her candy and teach her how to cook. Growing up, Sarah was taunted for being Jewish. Jo had similar experiences and fought someone in the schoolyard over it, but their parents didn’t chastise Jo for standing up for their religion. Bethie tries to follow their faith and be the best little girl she can.
Each night, Bethie looks forward to stories Jo tells her. In every fairy tale, Bethie is the princess, and Jo invents fantastical adventures for her to overcome. The stories always end with Princess Bethie living happily ever after.
When Jo is about 10, a new maid, Iris, comes to clean the house. Jo is flabbergasted Sarah dismissed sweet Mae and her playful daughter Frieda—Jo’s best friend—and hired the taciturn Iris instead. Sarah and Jo argue about the change; Sarah tells her “birds of a feather must flock together” (24), but Jo doesn’t agree. Jo runs away from home with her suitcase, intent on finding Mae and Frieda. Her mother never approved of Jo and Frieda being best friends since Frieda and Mae are Black.
On Jo’s walk to Mae’s house, Ken pulls up in his car and invites her to attend the local Tigers baseball game. Jo is overjoyed because she and her father only listen to baseball on the radio. She has a close and loving relationship with her father, unlike with her mother. Ken surprises her by bringing her glove along to the stadium so she can try to catch a ball.
In the stands, Jo is mesmerized by the baseball game. When Ken asks her what happened, she states that Sarah hates her and that she always does wrong in her perspective. Ken assures her that Sarah loves her, like he does, and that by hiring Iris she only meant to support fellow Jews. Jo argues that just because Mae and Frieda aren’t Jewish doesn’t mean they aren’t great people or should be avoided. Ken agrees but states that Sarah is trying to support their own first. They enjoy the rest of the game together.
At age 11, Bethie embraces traditional femininity even more as she grows up. She adores putting her hair in curlers, makeup, dresses, cooking, and femininity in general. She has gorgeous brown ringlets like Sarah, and she’s already beautiful. The neighborhood dotes on her for being a lovely, proper girl. Bethie—acting prim, earning good grades, and being kissed by two boys—thrives on the approval.
When her Hebrew school puts on its annual play, Bethie auditions for the role of Queen Esther, who is a strong female character who convinces the king not to kill his Jewish citizens because she’s Jewish. Because Esther had won a beauty contest to become queen, Bethie believes her looks and hard work will earn her the role. She memorizes the whole play and cries emotionally during her audition. Cheryl, a sixth grader (from a wealthy family) who played Esther the past two years, is distraught when Bethie earns the part.
On opening night, Cheryl tries to steal the show by dancing across the stage as Vashti, the king’s first wife, but Bethie, as Queen Esther, stands up to her. With humor, she goes off-script and chastises Vashti. Her family congratulates her and gives her flowers afterward, and Bethie feels joyful about her performance. When Cheryl’s dad confronts them, stating that Bethie embarrassed Cheryl and stole her role, Ken defends his daughter. Bethie feels even prouder.
In high school, Jo walks the track for gym class with her closest friend, Lynnette. Although they’re best friends, the two don’t have much in common; whereas Jo doesn’t conform to girls’ traditional conduct or dress, Lynnette is feminine. They both love to be reckless, skipping school, drinking beer, and pushing each other to take risks. Lynnette and Jo often double date with their boyfriends, but Jo is secretly attracted to Lynnette. She has never felt anything special kissing boys, even with her past boyfriend, Leonard, whom she dated for a year. Lynnette discusses oral sex with her boyfriend, Bobby, and Jo asks for details. After talking more about her physical relationship with Bobby, Lynnette invites Jo over for a surprise at her house.
That evening, Jo and Lynnette are home alone. As Lynnette locks the door and puts on music, Jo becomes nervous. Finally, Lynnette shows her a vibrator. She slowly uses it on Jo, who can’t control her rising emotions. She kisses Lynnette with passion, worried she will pull away and shun her. Instead, Lynnette kisses her back, using the vibrator on Jo until she experiences her first orgasm. Next, Jo pleases Lynnette with the vibrator. She revels in her first sexual awakening.
Since Jo is tall, gangly, and athletic, she plays on both the basketball and tennis teams. Her Black teammates LaDonna and LaDrea invite her to a protest for equality at a local segregated swimming pool. Jo lies to her parents about her plans and attends the protest that weekend.
Jo’s character is strong and well-developed from the start, including her passion for social justice and feminism. She is described in specific detail as avoiding the typical feminine ideals, particularly the fashion sense and being polite, quiet, and nonathletic. Unlike most girls her age, Jo talks loudly, roughhouses, and plays sports. She’s messy, active, and unconcerned about her appearance or failing at stereotypically female skills. All of her nonconformist behavior upsets her mother, Sarah, creating conflict and provoking fights between them (developing the theme of Mother-Daughter Conflict). The conflicts between Sarah and Jo begin when Jo is young. The first major conflict occurs when Sarah dismisses Mae and her daughter, Frieda, Jo’s best friend, who is also rowdy and more masculine. Jo runs away from home due to racial injustice; she feels a passionate and personal responsibility to stand up for oppressed people. Her blossoming interest in Feminism and Women’s Rights sets the stage for her later activism and social justice work. If Frieda and Mae had been white or Jewish and not Black, Sarah wouldn’t have fired them, showing the theme of discrimination, another fundamental theme.
Bethie, prim and feminine, is a foil to Jo. She is the perfect “girly girl” daughter whom Jo often envies. Sarah dotes on Bethie and praises both her beauty and her domestic skills. Thus, Jo, who feels her mother hates her and who envies Bethie for being accepted and adored, is much closer to her accepting, affectionate father, Ken. As an opposite to Jo, Bethie doesn’t understand her sister, especially when they are children. Her inability to understand Jo and her “wildness” doesn’t stop them from the bonds of sisterhood: They are kind and empathetic to each other, as shown in scenes of Jo telling her made-up stories each night. Although they have different values, Bethie shows a familiar Jo-like braveness when she stands up for herself during the school play. Perhaps inspired by Jo, Bethie shows courage when she refuses to allow Cheryl to upstage her in their annual Hebrew school play.
Judaism is a central part of the family’s lives. Sarah and Ken value their religion so highly that they send their daughters to Hebrew school and continue traditions such as making challah and speaking Yiddish. Sarah fires Mae in favor of a Jewish maid instead, and neither Sarah nor Ken reprimands Jo when she defends their faith. When Sarah lets Mae go, though it angers Jo, Sarah tries to explain that she values supporting other Jewish people:
‘Birds of a feather must flock together,’ she said. ‘Do you know what that means?’ Jo shook her head. Sarah made her God-give-me-patience face, and Jo heard her take a deep breath. ‘Well. Birds of a feather mean people who are like each other. Flock together means they stay together. So people who are like one another stay with people like them.’ Sarah looked into Jo’s eyes. ‘Mae and Frieda have their own people. People like them. Their own friends. And you have your own friends too.’ […] ‘Do you understand?’ Jo did not. ‘Frieda is like me. She likes to play kickball and marbles and cowboys.’ Jo felt her eyes start to sting (24).
As Jo points out to her father, this thinking is discriminatory. Excluding those who aren’t like them isn’t empathetic or fair, so Jo fights these mindsets through picketing and other means when she’s older; her experiences with Mae and Frieda spur her fight against injustice in the future. Sarah also considers a man’s Jewish faith as a main factor in her daughters’ marriages. Though Ken usually defends Jo or disagrees with Sarah about letting Jo be herself, Sarah approves when Jo physically fights a friend who mocks Judaism. The family won’t tolerate their faith being ridiculed, especially given that both Ken’s and Sarah’s parents fled to America from Poland and Russia, respectively. Their ancestry is introduced in the beginning sections; for example, Bethie and Sarah visit their Russian American grandparents, Bubbe and Zayde, and learn about their Jewish traditions, such as making homemade challah.
By Jennifer Weiner
Brothers & Sisters
View Collection
Family
View Collection
Fiction with Strong Female Protagonists
View Collection
Historical Fiction
View Collection
Jewish American Literature
View Collection
LGBTQ Literature
View Collection
Mothers
View Collection
New York Times Best Sellers
View Collection
Sexual Harassment & Violence
View Collection
Summer Reading
View Collection
The Past
View Collection