53 pages • 1 hour read
Liane MoriartyA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The theme of healing and transformation is explicit throughout the novel. Masha promises her guests that their stay at Tranquillum House will transform them. She believes that they’ll be entirely different people by the time they leave. The implication of her promises is that this transformation will be an improvement, that the treatment she offers will help her broken and miserable guests heal and transform into happier, more functional people. She’s carefully chosen the guests because they’re all uniquely unhappy. Despite the differences between them and the various ways in which their depression or dissatisfaction has manifested, Masha offers them all the same treatment: a combination of various techniques, diets, and counselling sessions. In response to her promise, the guests vary from devoted to cynical. While people like Carmel and Yao are desperate for Masha to be right, others like Heather are suspicious about what Masha promises. Healing and transformation can mean different things to different people, but Masha wants to provide a universal solution to the world’s problems. She wants to heal, she wants to transform, and she wants to receive the credit for improving the world in ways that other people couldn’t.
Masha’s desire to heal and transform others is a way to deal with her own issues. She’s struggled throughout her life. She grew up poor in Russia, dealt with the death of her father, struggled to integrate into Australian society, lost one daughter to tragedy, divorced and abandoned her husband and other child, and suffered from a cardiac arrest. Rather than heal from her pain, she chooses to transform. She turns herself into something else to avoid the raw pain of her past. After losing her family, she becomes a corporate leader. After suffering a heart attack, she becomes a wellness guru. For Masha, healing is transformation. Rather than addressing the substantive pains of her past, she’d rather turn herself into someone completely new. Masha’s cycle of birth and rebirth is a way of avoiding the complicated and difficult tragedies in her life. That she believes she can help others to heal seems questionable, as she’s evidently incapable of helping herself. Instead, Masha’s desire to help others is another way of avoiding her own flaws.
The guests leave Tranquillum House as changed people. Masha’s treatments and her gradual loss of control have shown the guests what they truly value in life. The Marconi family accepts the shared burden of their guilts, Lars realizes that he loves Ray, Frances and Tony fall in love, and Ben and Jessica realize that they’re best suited to an amicable divorce. All these characters are healed and transformed in some respect—but not in the way that Masha intended. Furthermore, she carried out their treatments without their informed consent. In some respects, Masha succeeds in improving the lives of her guests. In other respects, she does so by betraying their trust and subjecting them to abuse and imprisonment. The irony of Masha’s promise of transformation is that she wasn’t wrong. However, the guests are forced to find their own ways to heal once they realize that Masha can no longer help them.
Characters in Nine Perfect Strangers use coded language to confuse and obfuscate their true intentions. The clearest example of this is Masha and her staff, who use wellness jargon to mask their illegal and immoral approach to treatment. From the moment guests arrive, they hear constant platitudes about healing, transformation, and wellness, like promises that a combination of massages, dietary changes, and counselling sessions will transform them into someone better. However, this language proves hollow. Rather than transforming people, Masha is drugging her guests without their consent. The language that she and her team use distract people from the reality of the situation. Most of the guests hear these hollow words and want to believe that Masha’s radical treatments are working. The language distracts them, to the extent that characters like Carmel repeat the empty words in a desperate desire to turn fiction into fact: Carmel is so desperate to engage with and impress Masha that she echoes the empty jargon of the spa staff. Meanwhile, a medical professional like Heather is cynical about the imprecise and elusive language. Ultimately, Heather’s cynicism is vindicated, and Masha’s jargon is revealed as a fraud.
The wellness industry satirized in the novel isn’t unique in its use of jargon. Before becoming the owner and operator of Tranquillum House, Masha worked in the business world. As a corporate leader, she frequently used a similar hollow language to communicate with others. The novel references the similarity between corporate and wellness jargon. Carmel, who also once worked in the business world and who deduces the hollowness of Masha’s language, provides a presentation that says a lot without saying anything at all. Masha nods approvingly as Carmel defends her fellow guests using the vapid jargon of corporate bureaucracy. In doing so, Carmel comes to accept that the wellness jargon she trusted to heal her was as vapid and as meaningless as the presentation she just gave. Her presentation shows the guests for the final time that the language of the spa’s employees was a hollow distraction from reality. By the end of the novel, the guests have moved forward with their lives by abandoning the jargon of Tranquillum House. Masha, however, is still pushing her wellness-speak on national television. While the guests might have learned their lesson, Masha knows that there are many credulous people who are willing to buy into her hollow words on the promise that they’ll be transformed.
The guests arrive at Tranquillum House burdened with the regrets of the past. Whether affected by death, divorce, or self-doubt, they struggle to forgive themselves and others. Until this forgiveness is attained, however, they’ll be unable to heal or grow. As such, the difficulty of forgiveness becomes a key theme. The most pronounced example of this theme is the Marconi family. After the death of Zach Marconi, the surviving family members struggle to forgive each other and forgive themselves. Zoe blames herself for not noticing her brother’s depression, Heather blames herself for not reading the side effects of his medication, and Napoleon blames himself for being asleep when Zach killed himself. They repress their feelings of guilt, by withdrawing from the world like Heather, diminishing the importance of the relationship like Zoe, or actively seeking out every possible cure like Napoleon. None of these techniques provide solace because none of them address the guilt the characters feel toward themselves and others. Zach’s death is such a totalizing event in their lives that forgiveness is difficult to give and receive. Only by being honest with one another can the Marconi family achieve forgiveness. After years of silence, they talk honestly about the difficulty of forgiveness. While they may not achieve complete happiness after the events of the novel, they learn to forgive each other and themselves. This forgiveness allows them to live happily with one another again and recover together after years of misery and depression.
Like the Marconi family, other guests feel a need for atonement. They actively seek out treatments that they may not enjoy to punish themselves for transgressions. Ben agrees to take part in the therapy not only because he loves Jessica but because he feels that taking part in expensive spa treatments is something that rich people do. Participating in expensive but unenjoyable pastimes is a vindication of Ben’s guilt. He doesn’t feel that he deserves the lottery money, nor does he want it. He punishes himself with bad experiences to forgive himself for enjoying life. By spending his money badly, he justifies his desire to be poor again. Lars is also rich, but he feels as though he’s earned his money. He visits the spa to punish himself with exile. After mistreating his boyfriend, Ray, he feels the need to atone for his behavior. He wants to be punished with fasting and strange health treatments to escape his regrets. Neither Lars or Ben can forgive themselves for their current travails, so they embrace strange and punishing spa treatments to atone for their mistakes. Even if they can’t forgive themselves, they can at least punish themselves.
Masha’s approach to forgiveness is blunt. Her life is filled with mistakes and tragedies, but she refuses to address or accept these as her own. Masha reinvents herself whenever she needs to forget the past. Forgiveness is too difficult to achieve, so Masha instead opts for rebirth. She can’t look her ex-husband in the face because he reminds her of her dead child; she can’t accept her second child because she feels guilt about the death of her first child. Masha harbors so many repressed regrets that the burden is too much to bear. Rather than find a way to forgive herself, Masha dedicates her life to helping others find forgiveness. This approach doesn’t make her happy, and it completely affects her mental health as a result. However, Masha doesn’t learn from her lesson. She emerges from a short prison sentence promising that she has learned her lesson, but she continues to offer the illegal and unethical treatments that caused her legal problems. Masha may have served her time to society’s satisfaction, but she’s done nothing to atone for her mistakes or change her behavior. She continues to ignore her past, further removing herself from the past tragedies and denying that they even exist. Masha can never forgive herself for the past, so she invents new futures that are easier to navigate.
By Liane Moriarty
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