53 pages • 1 hour read
Kristin HannahA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Annie Colwater and her husband, Blake, drive their 17-year-old daughter, Natalie, to the airport because she will be spending three months in London. Annie is apprehensive because she has spent her whole adult life as a wife and mother. At 39 years old, these are the roles that have defined her, but she does not know what she will do with herself after Natalie leaves. She and Natalie have always had a close relationship. Trips abroad are not uncommon for girls Natalie’s age with the significant financial means that the Colwaters have. Blake is distracted by his driving, and Annie worries that he is missing out on yet another important moment because of his distraction. Annie is proud of her daughter’s independence when she tells her father that she wants the adventure of flying coach rather than flying first class. When Natalie boards the plane, Annie misses the affection that her husband would have shown her in such moments years ago. Annie wants to go home where all of her belongings are around her to remind her of who she is. On the way home, Annie asks Blake about going to Mystic, her hometown, because she misses it. As they arrive at their gated community, Annie thinks about how they will reunite with each other while it is just the two of them at home. Out of the blue, Blake tells her that he wants a divorce.
Blake tells Annie that he does not love her anymore and that he should have ended things sooner. He has been seeing another woman, Suzannah James, for nearly a year. Annie goes inside the house. She does not know how she put her husband and her daughter first for all of these years and still failed. She has been with Blake so long that she does not even know who she is anymore. Natalie calls when she gets to London, and when Natalie asks to speak to her father, Annie tells her that he is not there. She wants to warn her daughter about how life can fall apart in an instant. Annie’s best friend, Terri Spencer, arrives. She is a soap-opera actress who has been divorced numerous times. Terri used to be a lot more like Annie until her first husband left her for a much younger woman. Terri reassures Annie that she will be there for her whenever she needs it, just as Annie has always been there for her. Terri wants Annie to protect her assets because Blake is a lawyer, but Annie does not want to make the separation about material possessions, and she still trusts Blake. Terri tells Annie that she ought to go back to Mystic.
Blake calls and asks to come over. He thinks about how accepting Annie has always been about his tendency to go out all the time. Unlike Annie, his lover, Suzannah, makes him feel young. He thinks that Suzannah, who is a junior partner at his firm, is smarter than Annie. When Blake gets to their home, which Annie meticulously designed, he sees how awful she looks. He realizes that she must have thought he was coming over to express a change in opinion, when really he only came to give her the separation papers. He is surprised that this hurts him.
Annie wants to know why Blake is leaving her when she always puts Blake’s and Natalie’s needs before her own. She wanted them to always feel both safe and happy. When Annie was young, her mother died, and she has been a caretaker ever since: first of her father, Hank, and then of her own family. Blake tells Annie that he will take care of her financially, and she reminds him of their wedding day: another day that he promised to take care of her. She reminds him that he usually recommends a cooling-off period for a couple seeking divorce, so she asks him to hold off on his divorce plans until Natalie returns to the country. He tentatively agrees, although he does not believe it will make a difference.
Blake believes that Natalie will be fine with the separation because she has many friends with divorced parents. Annie insists that they delay telling Natalie about the issue until she comes home. Annie does not want to ruin her daughter’s trip. She believes that she may have failed as a wife, but she knows how to care for Natalie. One night when Annie cannot sleep, she goes through a box of memories and finds a compass that her father gave her, inscribed with words promising Annie that he will always be home for her. Annie realizes that Blake no longer appeared in any of the later pictures, and she was in almost none of them. She is starting to feel like she never existed. She packs up all their bills and receipts and sends them to Blake to take care of. She wants to return to the person she was before she became a wife and a mother.
As the novel opens, Annie is having a crisis because she has no identity without people to care for. She tries to cope with this discomfort by surrounding herself with her possessions, and this desire demonstrates her lifelong compulsion to build a hollow, outward-facing life without any internal cohesion. When she starts to worry about who she really is, her first impulse is to seeks refuge in things because her interior resources are so depleted. Like many upper middle-class couples, the Colwaters have built their lives around the accumulation of wealth. Blake spends much of his time making it, and Annie spends much of her time managing it. When all of the people she generally cares for depart in a single day, she is finally forced to acknowledge her internal emptiness, and her psychological challenge throughout the novel is to rebuild the parts of herself that have disappeared throughout her years of caretaking. While she has yet to learn The Futility of Trying to Change People, she will soon take the first steps toward changing herself for the better.
Annie’s propensity for people-pleasing becomes apparent when she cannot understand why her strategy of putting everyone else before herself has caused her marriage to fail. At this point in her life, Annie believes that to be a good wife and mother, she must always put other people’s needs ahead of her own. This approach has been her default mode ever since she first met Blake, and she believes that this strategy makes her an ideal wife, mother, and partner. It has not, however, been enough to keep her husband’s love or his loyalty. Her resulting emptiness and sense of failure lead her into a psychological crisis that will force her to reconsider the attributes that make a person both a good partner and a good mother. At this point, she has no definition except eternal sacrifice, and so she is at a loss as to what she could have done differently and what she should do now that she has no one for whom to make sacrifices.
The most obvious differences between Annie and Suzannah point to one area in life that Annie has neglected: ambition. Blake is attracted to the adventurous, assertive aspects of Suzannah’s personality, for although Annie gave up her own ambitions to spend her life taking care of Blake and Natalie, Suzannah has maintained her own boundaries and has pursued a career. In fact, she is a junior partner at the same firm that Blake works at, demonstrating that she is good at her job and ambitious in her pursuits. This makes Blake believe that Suzannah is more intelligent than Annie is, and he respects Suzannah’s personal pursuits more than he respects Annie’s endless sacrifices for his sake. Because Annie gave everything to Blake, he did not have to pursue her or compete with any outside interests. It is the fact that Suzannah has outside interests, however, that partially attracts Blake. In this way, what Annie thought was most important in a marriage is precisely what made Blake decide to leave, and this demonstrates that The Bonds Between Friends and Family are often based upon far different criteria than those that society has programmed women like Annie to emulate.
One key motif that recurs in the novel focuses on the various ways in which people disappear. When Annie looks at her family pictures, for example, she feels as though she does not exist. She does not exist in the pictures because she is always the one taking them, and this pattern emphasizes that she is not the protagonist of her own life, but merely the observer, for she has long since relegated herself to the limiting role of facilitating and documenting the lives of others. In this way, the photos are a physical representation of what she believes she has allowed to happen to herself. Just as she tries to surround herself with possessions when she is unsure of who she is, now she is starting to understand on an even deeper level how empty she has become inside. She does not take this information and just tuck it away, however. She wants to fix it, and this decision demonstrates her strength of character. She has taken good care of her husband and her daughter and has competently managed their daily life together and their significant estate. The question that remains at the end of Chapter 3 is whether she will be able to use these same strengths to develop a new life for herself.
By Kristin Hannah