logo

45 pages 1 hour read

Quentin Tarantino

Once Upon a Time in Hollywood: A Novel

Fiction | Novel | Adult | Published in 2021

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Chapters 11-15Chapter Summaries & Analyses

Chapter 11 Summary: “The Twinkie Truck”

Charles Manson drives up Cielo Drive toward Terry Melcher’s house in an old Hostess Twinkies Continental Bakery truck. Charlie originally came to Los Angeles to pursue a music career. He hoped that recording a song with the Beach Boys would push Terry Melcher into investing in him as a musician. At one point, Terry Melcher agreed to come to Spahn Ranch to listen to Charlie’s songs, but he never showed up. Until that moment, the hippies believed that Charlie’s only goals were spiritual enlightenment and helping humankind. However, when Charlie expressed his anxiety over Terry’s never coming to Spahn Ranch, the Family got a better look at Charlie’s priorities. Melcher eventually contacted Charlie to apologize for not showing up, but Melcher never rescheduled. This is why, in 1969, Charlie goes to Terry’s house in one last attempt to reconnect with Terry.

When Charlie arrives at the Polanski house looking for Terry Melcher, Sharon Tate and Jay Sebring see him walking up the driveway. When they ask what he wants, he says he wants to speak to Terry Melcher. Jay tells him that Terry moved but that Rudi, the owner of the property, lives in the guesthouse and might have more information. Charlie thanks Terry and waves at Sharon as he goes to the guesthouse to talk with Rudi.

Rudi tells Manson that he doesn’t know where Terry moved. This upsets Charlie, but since Rudi is a Hollywood manager, he asks Rudi if he can play him a few songs. When he sees that Rudi isn’t interested, he offers to bring a couple of the girls around to party with Rudi. Rudi avoids Charlie’s offer and asks him to stop bothering his tenants.

Chapter 12 Summary: “You Can Call me Mirabella”

Rick Dalton leaves the hair and makeup trailer with a fake mustache that Sam loves. As Rick explores the set, he thinks about his character, Caleb DeCoteau. Caleb is the leader of a gang that steals cattle from Murdock Lancer. Although Johnny doesn’t know the truth, Murdock spent years trying to find Marta and Johnny after they left, especially when he knew Marta was dead. Years later, he discovered that Johnny Madrid was his long-lost son. He wired Johnny money to travel back to Lancer Ranch to help him fight off Caleb DeCoteau and his gang in exchange for their inheritance of Lancer Ranch.

Rick finds a spot to sit and read his book next to Trudi Frazer, a child actor who plays Mirabella. He knows that they have a scene together later that day in which Caleb DeCoteau kidnaps Mirabella and holds her for ransom. Trudi, who is eight years old, tells Rick that she doesn’t eat lunch before she’s about to film a scene because she thinks it makes her sluggish. She tells him that he should call her “Mirabella” when they’re on set (even when they aren’t filming) because she believes it makes her focus on her character more. Trudi asks Rick the premise of the book that he’s reading, and he tells her that it’s about a man named “Easy Breezy.” Easy Breezy was talented at breaking horses when he was in his twenties, but when he’s in his thirties, he gets injured. At the point in the story where Rick is reading, Easy Breezy is coming to terms with how he’s no longer useful. As Rick explains his book, he chokes up, and Trudi comforts him. After Rick composes himself, Trudi asks Rick to really scare her in their scene later because she wants to put it on her reel. She makes Rick promise that he won’t hold back in their scene.

Chapter 13 Summary: “The Sweet Body of Deborah”

Cliff’s most famous fight was with Bruce Lee. When Cliff was doubling for Rick in The Green Hornet, Cliff encountered Lee bragging about how he’d win in a fight between himself and Muhammad Ali. Cliff laughed at this statement, and Lee challenged Cliff to a fight. Cliff let Lee knock him down the first time to get his guard down, but when Lee tried the same kick a second time, Cliff threw him into a parked car. As they fought, Lee quickly realized that Cliff was a born killer. Randy’s wife broke up the fight and fired Cliff. Randy, the stunt gaffer, was happy to fire Cliff because he believed that Cliff murdered his wife. After the incident, Cliff could no longer get work as a stuntman, so he became Rick’s driver instead.

Cliff takes Rick’s car to go to a movie while he waits for Rick to finish filming. On the way, he sees the same brunette hippie he’s seen before on the side of the road. She asks for a ride, but she isn’t going his way, so he turns her down.

Chapter 14 Summary: “The Wrecking Crew”

Sharon Tate runs errands around Los Angeles. She picks up a hitchhiker and chats with her along the way. Sharon picks up a first edition of Tess of the D’Urbervilles as a present for Roman. She notices that her most recent movie, The Wrecking Crew, is playing at a theater across the street. The Wrecking Crew is Sharon’s first role in physical comedy, and she remembers how nervous she was to slip and fall in front of Dean Martin. Sharon decides to go in and see the movie. The theater manager is thrilled and lets Sharon see the movie for free. As she enters the theater, Sharon thinks about how Roman taught her about the art of filmmaking. Sharon realized that Roman loved the control he had over the audience in the simple choice of camera placement, and this, she understood, was art.

Sharon knows that The Wrecking Crew isn’t a major film like Rosemary’s Baby, but she still enjoys it. During one of Sharon’s pratfalls, the audience roars with laughter, which delights her. She turns around to see the faces in the darkness smiling and laughing, and she feels satisfied with her work. Sharon remembers when she got the role of Freya Carlson in the film. Even though she was nervous to play a slapstick character, the director told her that she was the best part of the movie and that the movie didn’t really start until she came on screen. Sharon hears the audience laugh at another one of her falls and realizes how good it feels to make people happy.

Chapter 15 Summary: “You’re a Natural-Born Edmund”

Rick discusses the character of Caleb DeCoteau with Sam. Sam thinks that Rick should play Caleb as if he were Edmund from King Lear. Rick knows little about Shakespeare but tries to keep up with Sam’s advice. Sam tells Rick that he’d be “a killer Edmund” (195) and that he’d love to direct him in a version of King Lear someday. This flatters Rick, although he knows that he’d have to do a lot of research to master the British accent. Sam tells Rick that even if he hasn’t seen a lot of Shakespeare, many Westerns are based on Shakespearean themes. Sam instructs Rick to think of Caleb’s character as a mixture of Edmund and Hamlet, which still means nothing to Rick.

Chapters 11-15 Analysis

This section explores the character of Charles “Charlie” Manson and his failed attempt to become a musician. Charlie’s rejection ties into the theme of Reality Versus Fiction because the text implies that had Charlie signed a record deal, he wouldn’t have instructed members of his Family to start killing people. Terry Melcher crushes Charlie’s incessant confidence and narcissism when he doesn’t appear for their meeting at Spahn Ranch. The other members of his Family never considered that Charlie would leave them for music because they “believed Charlie had a higher purpose, because he told them he did, and they believed him. It never would have occurred to them that he’d ditch all that horseshit in a minute” (134). The Family’s belief in Charlie’s invincibility shows the power of manipulation that he holds over them. However, rather than rejecting Charlie, Terry strung him along without ever trying to sign him on. The text criticizes this side of Hollywood by quoting the film critic Pauline Kael, who wrote, “‘In Hollywood, you could die of encouragement’” (136). Because of Terry Melcher’s failure to give Charlie a clear answer, he eventually snaps and embraces violence, to the point that he sends his followers into Los Angeles at night to enact vengeance on those who supposedly wronged him.

In addition, this section further develops the theme of The Difficulty in Transitioning to New Phases through the conversation between Trudi Frazer and Rick Dalton. Trudi exhibits a seriousness toward acting that Rick has never had in his career. Her question about the plot of the book he’s reading causes Rick to choke up as he describes it because he sees himself in the character of “Easy Breezy” (a name that represents another example of alliteration). Like Easy Breezy, Rick struggles with his belief that he’s no longer useful in Hollywood because he hasn’t become a movie star. Rick has lost sight of the reason he became an actor in the first place: his love of acting. Instead, Hollywood’s politics and emphasis on popularity have beaten Rick down until he no longer believes in his own abilities as an actor.

The text develops the character of Sharon Tate by expanding her outside the reality of her famous death. In the novel, Sharon shows boundless optimism toward the future of her career. Chapter 14 allows for some reality to sneak in, as Sharon buys a copy of Tess of the D’Urbervilles for Roman Polanski, which she famously gave him before she died. Chapter 14 also touches on the theme of The Decline of Hollywood’s Golden Era as Sharon picks up a hitchhiker because she thinks “Why not?” (180). The text points out that “a year later, the answer to that question would be: because that hitchhiker could murder you” (180). The novel is set at a time when the world is beginning to move away from the counterculture movement of the hippie era toward a more dangerous and frightening reality, a shift that occurred in Los Angeles partially because of the Manson murders.

blurred text
blurred text
blurred text
blurred text