45 pages • 1 hour read
Quentin TarantinoA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The novel uses Hollywood as a motif to represent the futility of fame and the theme of Reality Versus Fiction. Hollywood frustrates Cliff because it pretends to be authentic, but it has never experienced true hardship. Cliff resents that the impact of the war never reached Hollywood. As the rest of the world dealt with the trauma of the war, he claims that in America it was different:
[I]n America—and when I say ‘America’ I mean ‘Hollywood’—a country where its home-front civilians were shielded from the gruesome details of the conflict, their movies remained stubbornly immature and frustratingly committed to the concept of entertainment for the whole family (24).
Cliff understands that while the rest of the world recovers from extreme violence, Hollywood produces movies as if nothing ever happened. In addition, Hollywood represents the futility of fame and the dark side of the film industry. Although Rick wants to become a movie star, he becomes melancholy because he can never catch his “big break.” Marvin is the first person who is brutally honest with him and tells him that he should move to Italian films because Hollywood has changed. Marvin’s honesty saves Rick from staying in Hollywood longer than he needs to since, “in Hollywood, you could die of encouragement” (136). Hollywood’s lack of compassion for the mental health and careers of its actors causes many to drive themselves into the ground because they’re constantly striving for fame that will never come their way.
A motif that represents old Hollywood, Spahn Ranch (a real place where the owner, George Spahn, let the Manson Family hide out) ties into the theme of The Decline of Hollywood’s Golden Era. Hollywood used George Spahn’s ranch to shoot Westerns for years, but as the industry shifted, everyone in Hollywood forgot about him and his ranch. Before long, George Spahn, like Spahn Ranch, was “just lonely and forgotten” (97). As a result, Spahn Ranch falls into disrepair, becoming frozen in time, an homage to a fading version of Hollywood. George has trouble letting go of the past and keeps the house “cluttered to the gills with old western memorabilia, which George can no longer see, representing the ranch back in its heyday” (268). Because no one from Hollywood remembers Spahn Ranch or George, “the old man who was forgotten by the industry has found companionship in Charlie Manson’s ‘Family’” (268). Spahn Ranch becomes home to one of the most notorious groups in Los Angeles because of Hollywood’s lack of support. Even Cliff, who was once a friend of George, has forgotten about him and the ranch until Debra Jo mentions them. Hollywood’s fast-paced nature leaves behind anyone who doesn’t immediately adapt and change with the times. Spahn Ranch’s forgotten quality symbolizes the decline of old Hollywood and the time of Westerns toward a new Hollywood that tries to change and evolve with the surrounding culture.
Rick’s Comanche Uprising painting represents his unfulfilled dream of becoming a Hollywood movie star. Comanche Uprising was Rick’s first film, which he shot while he was still on Bounty Law. The painting consists of Rick’s section of the original billboard, which is a giant image of “Rick wearing a cavalry uniform, grimacing, with a foot on his face” (44). It was a gift from a friend who found it in an antique store and sent it to him to celebrate Rick’s burgeoning success in Hollywood. However, Rick left the painting in the driveway for five years because he never knew where to put it, so every time Cliff drives him home, Rick sees the image of his failed success. Although Rick was excited to do the film, years later “the […] picture was unmemorable” (44), which is exactly what Rick fears will happen to his career. He sees the painting as a symbol of his failure, which is why he tells Cliff to throw it away. The painting reminds Rick of how he ruined his chances on Bounty Law, which he was still filming at the time, because he thought he “had better places to be than this fuckin’ pipsqueak TV show” (18). Rick’s arrogance landed him in his present situation, and the grimacing image of Rick’s film character in the painting is a painful, ever-present reminder of all that Rick never achieved.
Addiction
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Art
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Beauty
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Books About Art
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Books Made into Movies
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Books on U.S. History
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Fate
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Fear
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Historical Fiction
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Horror, Thrillers, & Suspense
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Mental Illness
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Mystery & Crime
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National Suicide Prevention Month
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Nation & Nationalism
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New York Times Best Sellers
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The Power & Perils of Fame
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Truth & Lies
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YA Horror, Thrillers, & Suspense
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YA Mystery & Crime
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