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50 pages 1 hour read

Willa Cather

One Of Ours

Fiction | Novel | Adult | Published in 1922

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Book 5

Book 5 Summary: “Bidding the Eagles of the West Fly On”

Claude witnesses a mixture of raucous and somber activity when his unit arrives in France. He observes the overeager excitement of Americans flirting with French women, trying French cheese for the first time, and attempting to use their newly acquired French vocabulary (often with amusing results). He also observes food shortages, badly injured soldiers with amputated limbs, and soldiers with sickly, suffering faces. When Claude asks where the wounded soldiers came from, he learns that they are survivors of the brutal Battle of Cantigny.

As the soldiers march through the fields of France, Claude is struck by the mixture of familiarity and unfamiliarity within the landscape. The Old World thatched roof houses, vibrant cornflowers, and poppies are completely new to Claude. He sees a number of familiar plants and trees, however, including cottonwoods. Claude reflects that this familiar tree somehow appears more beautiful growing in France than it ever did in Nebraska. In addition, Claude sees boxes of produce that have been shipped in from the midwestern United States, bearing stamps and labels he recognizes. He feels proud that soldiers and French villagers are being fed by hardworking farmers “back home.”

Captain Maxey, a small, frail man who comes from a poor family in Mississippi, is appointed first officer of Claude’s unit. Prior to the war, Claude was vaguely acquainted with Maxey through the Erlich family in Lincoln. He didn’t like Maxey when he was in school, and this dislike persists in the army. Although determined to “be somebody,” Maxey proves an inadequate leader. His men are deemed “soft,” and they are ordered to build barracks and extend the sanitation system. It quickly becomes clear that several of his men are not sure what they’re doing.

A new soldier, Lieutenant David Gerhardt, joins Claude’s unit. Gerhardt used to study music in Paris and is therefore deeply familiar with the country. Initially, Claude feels jealous of Gerhardt’s fluent French and cultured background as a former professional violinist. Both Claude and his fellow soldiers grow to respect Gerhardt, however, when they learn that he volunteered to be a soldier on the front lines. Though Gerhardt struggles to keep up with their training for trench warfare, they realize “he could have had a soft job as interpreter or as an organizer of camp entertainments,” and they admire the fact that he “could have wriggled out and didn’t” (582).

Gerhardt introduces Claude to an elderly couple, Mr. and Mrs. Joubert, and they stay in the Joubert home for several nights. The Jouberts treat both men as family, offering clean beds, warm baths, and pajamas, and preparing their favorite foods. Claude later learns that the Jouberts’ own son, a young man the same age as him, was killed in a battle with the Germans.

On their march to the trenches, the unit encounters a starving French woman with a son, a daughter, and a baby. The daughter, Toinette, speaks enough English to communicate with the soldiers. She tells them that her father died in the war, and the baby was fathered by a German soldier. The American soldiers carry the starving woman and her children to shelter, where they provide food from their rations.

When they reach the trenches, the men commiserate with a group of very young British soldiers from a “Pal Battalion” (teens who enlisted together just out of high school). Through these British soldiers, Claude learns that Victor died in an air battle with eight German aircrafts. His plane went down in a blaze after he himself shot down three German planes. The soldiers also describe the mass death they faced in the Battle of the Somme. One thousand men marched to battle on their side, and only 17 returned.

Seeking some feminine company, Claude goes to see Mademoiselle (Mlle.) de Courcy, a French woman who often “entertains” American soldiers. Claude visits her with a letter of introduction, but she proclaims that his American army uniform is enough. Mlle. de Courcy explains that she is grateful to the Americans for their help liberating her village from the Germans. Curious about where Claude comes from, she asks him to draw a map of Lovely Creek. She muses, “This war has taught us all how little the made things matter. Only the feeling matters” (631).

Claude and his unit experience the disturbing atmosphere of death firsthand. They see numerous graves for unnamed soldiers in the countryside. As they bathe in the river, they disturb dead bodies underwater. When they come to a village the Germans have just left, earning a warm welcome from all the French residents, they are surprised by a German sniper, and many innocent civilians die. Even through his most harrowing experiences, Claude remains strong in his positive convictions and his sense of belonging with his men.

While staying with a family that asks Gerhardt to play the violin, Claude inquires about his hesitance to play. Gerhardt explains that he never plans to return to his former profession, insinuating that he will never return home from the front. He feels it would be impossible to return to the life he led before the war, and that his existence would lack purpose and meaning.

Claude is placed in charge of a company at the Boar’s Head section of the Moltke trench. They quickly become engaged in a dangerous battle with the Germans. During battle, he sends Gerhardt back with a message and prays that he survives, begging God to spare him and take his life instead. Though Claude is shot and killed as the Germans advance upon them, he dies without learning that Gerhardt has been killed as well.

The surviving members of Claude’s unit sail homeward: “Some look thoughtful, some well contented, some are melancholy, and many are indifferent, as they watch the shore approaching. They are not the same men who went away” (748). Mahailey and Claude’s mother continue to feel love for him even after his death, cherishing his memory “beyond everything else” (751). 

Book 5 Analysis

In Book 5, Cather continues to reveal autobiographical connections to her own experiences, which suggests her complex feelings about the war. Her most telling autobiographical reference is the moment wherein Claude observes several soldiers who are gravely ill and injured, with missing limbs, yellowed skin, and sunken eyes. When Claude asks a fellow soldier where the men have come from, he learns that they have just returned from the Battle of Cantigny, the battle in which Cather’s cousin Grosvenor, the inspiration for Claude’s character, died.

Book 5 features several passages that vividly depict the hardships of war, including the actual deaths Claude faces in battle and the accumulating atmosphere of death: the unmarked graves of fallen soldiers, the piles of bodies, and the dead soldiers gruesomely “bubbling” under the water. Book 5 also poignantly depicts the wastes and iniquities of war with passages such as Claude’s encounter with the Battle of the Somme “Pal Battalion” (of which only 17 men survived). Cather’s account of the separation of families and loved ones, food shortages, the physical strains of marching, and the war’s devastation of the beautiful landscape, could be read as counternarratives to the criticism that One of Ours glorifies war.

Rather than focus on the grim value of these deaths, Claude derives a kind of appreciation for life from them. He continues to find a sense of purpose in war above and beyond his experiences in Lovely Creek. He draws strength from helping the starving French woman and her family, and he revels in the heroism of Americans. This perception of the Americans as heroic is further affirmed with Mlle. de Courcy’s gratitude toward the Americans and her immediate acceptance of Claude, declaring his American uniform “is enough.” The war also develops Claude’s American identity by dissolving anything that remains of his capitalistic American dream and the materialistic cleaving to objects as signs of true wealth. Through the war, Claude discovers the kind of minimalism and appreciation of the environment that the Havels embodied back home.

Book 5 continues to make emotionally complex connections between Claude’s home landscape and the landscape of France, using the repetitive motifs of vegetation/harvest and maps. Although Claude observes several differences in the foreign French landscape, he also appreciates elements that remind him of Lovely Creek, including the cottonwood trees, the fields of grain, and the boxes of food shipped in from the American Midwest. Situated in a new environment with a newfound sense of purpose, Claude comes to appreciate these familiar elements of home. Likewise, Claude seems to take pride in drawing a map of Lovely Creek for Mlle. de Courcy, though he tellingly feels surprised that he remembers the contours of this landscape by heart, suggesting he feels a bittersweet sense of connection to and alienation from home.

Cather continues her nuanced investigations of manly purpose, duty, meaning-making, and masculine identity with David Gerhardt’s character. Gerhardt is a particularly interesting subject for Cather because he sacrifices many of his “feminine” and refined traits—his violin playing and his delicate figure—in favor of a greater struggle. The novel has a mixed point of view toward Gerhardt’s devotion to the war at the expense of his special talents. With Gerhardt’s certainty that one more violinist in the world won’t be missed, and his certainty that he could never return to his old life, Cather foreshadows the grim reality that Claude and Gerhardt will not return home from the front, and that even if they did, they would not feel at home in their old roles and identities. More than any other passage in One of Ours, this moment questions the Great War’s efficacy, and whether that sense of finding purpose and glory in war can last in peacetime.

Continuing the metaphor of transit as transition, the novel closes with another in-transit scene on the ship home from France. With its return to present tense and close sensory examinations, this moment serves as a flipped version of Claude’s train journey in Book 2, though Claude is now eerily absent from the scene, having perished in battle. Although open to numerous readings, this passage evokes a simultaneous sense of loss and satisfaction, a circle coming back to where it began. This combined sensation of loss and resolution is further emphasized in the final pages of the book, when Mahailey and Mrs. Wheeler pine for Claude. This final scene mirrors the earlier scene in which Mrs. Wheeler watches him leave, feeling she has already lost her son.

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