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58 pages 1 hour read

Montesquieu

Persian Letters

Fiction | Novel | Adult | Published in 1721

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Letters 113-137Chapter Summaries & Analyses

Letters 113-137 Summary

Rhedi writes to Usbek on the decline in the world’s population, especially in Europe and Asia: “It’s as if I am witnessing the aftermath of plague, and of famine” (150). Usbek replies by delineating the creationist concept of time and ponders “that such cataclysms have occurred frequently on earth, ever since the creation of the world” (152). He next writes about how the Muslim precept that a man will have at least four wives—“who are more likely to exhaust than to satisfy” (153)—must enfeeble his virility, rendering him less productive. Additionally, eunuchs and virginal female slaves all contribute to lower reproduction. In his succeeding letter, Usbek notes that Christian slaves were encouraged to reproduce and organize communities, each having a trade, thus enabling both master and slave to pursue their sexual desires without having to keep women hidden or retain many guards to watch them.

Usbek next talks about the Catholic tenet of forbidding divorce, which has negatively influenced populations as couples are forced to spend their whole life “burdened with each other” (155) instead of pursuing other people once their match is spent. He claims the Spartan practice of exchanging wives would be quite beneficial and writes that the many priests, monks, and nuns vowed to chastity in Catholicism are another cause for decreased population. This he contrasts with Protestant countries and the changes made by reviewing the roots of the common Christian religion in allowing priests to marry. Thus, “the Protestants will become richer and more powerful, and the Catholics weaker” (158). Protestant countries are better populated, gather more tax, and better cultivate their lands. In Catholic countries, the clergy own most of the land and wealth, which renders it useless: “No longer is there any circulation, or any commerce, or any arts and science, or any manufacturing” (159).

In his next letter, Usbek turns to Africa. He associates selling people into American slavery with reduced population, which he compares with the fact that America does not gain much because the slaves die by the thousands there. He condemns the American desire to mine for gold and silver, which are useless and only symbolic of stature. His next letter turns to the Jews and how their religious hope of begetting a second Lord keeps them from vanishing, although many peoples have persecuted them throughout history. China is populated because the children “look upon their parents as gods” (160). Muslims see themselves as travelers and rarely stay in one place. In Europe the rule of primogeniture makes people care only for the first-born child. Furthering the argument, Usbek looks at the savage peoples and their reluctance to do any work, which often causes famines. Their villages are additionally very isolated, and women have a “brutal habit” (161) of aborting children. He then speaks against colonization. Usbek’s idea is to send Indians to Spain instead of the opposite, to eliminate the vacuum left by the Moors leaving Spain. As to “distant conquests” (163), he describes how Spaniards have killed most American Indians, which allows them to retain the now empty territories. The Portuguese were benevolent but soon chased out of the countries they colonized. The Dutch urged locals to rebel and used that against them. In his final letter on population, Usbek continues with examples of Holland and Switzerland, where liberty, tolerance, equality, and wealth are conducive to the “propagation of the species” (164). He claims “such is not the case in countries subject to an arbitrary power” (165).

After his detailed thoughts on declining population, Usbek writes a brief note to Mehemet Ali, asking about the separation of Muslims into Sunnis and Shiites and expressing hope that such divisions can be healed. He also sends a letter to Rhedi on monarchs and insatiable men who seek their favor. Usbek voices a sarcastic idea that to satisfy the greed of many, food for the poor must be rationed, lands should not be cultivated, and coats should only be bought every four years.

Rica writes to *** that it is a “delicate matter to portray the pleasures” (166) of heavenly rewards in religions. He recounts a story of an Indian woman who wants to immolate herself after her husband’s death, even though the custom was abolished when the Muslims took over that part of the country. In conversation with a Muslim priest and governor, she learns that her reward for continuing to live will be reunion with her husband. She quickly reconsiders and becomes Muslim instead. In a note to Usbek, Rica avers that princes in power require respect and not affection; sympathy is for when they fall from grace. He then writes to Ibben about the persuasive and corruptive role of ministers, since “if the prince commits an evil deed, it has almost always been suggested to him” (169). Ministers use the princes’ passions to misguide them according to their own devious plans.

To Usbek, Rica relates meeting a geometer who is so preoccupied with his craft that he never cares about the human implications of seeking precision and perfection, nor does he respect the efforts of others who possess different skills. Where one sees a beautiful castle, the geometer sees a lack of proportions; as another complains of ruin by flood, the geometer is satisfied that he was proven right. In the final instance, the geometer criticizes a translator for using his own words to express other people’s thoughts, comparing him to a copper version of a gold coin.

To ***, Rica talks of “newsmongers”—sophisticated gossips who handwrite news they like and exchange papers in the park. He attaches one such letter to a minister from a newsmonger who claims to have predicted all the major events occurring in Europe.

Rhedi writes to Rica on the origins of republicanism. In the melting pot of nations “arose, out of the debris of many monarchies, those republics that brought such glory to Greece” (175). As opposed to Europe, “Asia and Africa have always been oppressed by despotism” (175). Rome and Carthage are examples of once powerful republics.

Rica’s next letter is to *** details meeting an assortment of men in a coffee house: a landowner with no ready cash; a man with money but no lands; one who borrowed money and is desperate now he has it back, as paper money has depreciated. Rica also sees a genealogist who “imagines he’s going to create as many gentlefolk as he chooses” (177), a pessimistic journalist, and a similar philosopher.

In his five succeeding letters to ***, Rica describes a monastery library and a monk surrounded by many books that he never reads or cares about, but who keeps a “useless” librarian who does no work for the monastery but study these books. The next day Rica gets the librarian to tell him about the books in the library. The librarian first mentions interpretations of the holy book: “There are nearly as many points in doubt as there are lines” (179)—all attempts by interpreters to confirm their own beliefs. There are also books by casuists, ethicists, and mystics. The rest of the library contains books by grammarians, glossarists, exegetes, orators, and geometers. Topics covered include metaphysics, physics, medicine, anatomy, chemistry, science (“occult ignorance” [181]), and astrology. All these are somewhat ridiculed in the librarian’s speech. In the next room there are books on modern history (church and popes), the Roman Empire, Germany, France, Spain, England, Holland, Italy, Switzerland, Venice, Genoa, and Poland. Again, the librarian has ironic comments for most of these texts. Then come the poets: epic poetry, dramatic poetry (“masters of the passions” [184]), comic and tragic, lyric poets, writers of idylls and eclogues, and the most dangerous—writers of epigrams, “tiny, sharp arrows that inflict deep wounds” (184). Finally there are novels (they are the worst—unnatural).

Letters 113-137 Analysis

Rhedi’s question about the perceived decrease in world population heralds the longest single-themed strand of missives in Persian Letters. In a 10-letter sequence (Letters 114-123), Usbek addresses the potential causes of this issue by aligning his thoughts and arguments with opinions popular among scholars of the time (although the myth of depopulation has long since been disproved). During the late Renaissance and early Enlightenment, the science of demography (the statistical study of populations) became less based on the ancient Greek and Roman models and came into its own. Presumably, this is one of the reasons why Montesquieu dedicates a large portion of his novel to the apparent population decline, working especially methodically at discovering its multifaceted causes. It should be remembered that this historical period was primarily interested in the rule of reason and reasonable explanation; Usbek’s systematic exploration of the topic represents one of the early peaks in analytical reasoning in the modern era.

Usbek’s mention of the multitude of catastrophes that the world has suffered indicates Montesquieu’s examination of the creationist concepts of how old the planet actually is. The biblical dating (making the planet around 6,000 years old) became a topic of disputation during this period. While thinkers of the time did not argue the theological reasoning behind the creation of the world, many, including English intellectuals Isaac Newton, Thomas Burnet, and John Beaumont (one of the early geologists), wrote that Earth’s geological structure supports the idea that it has existed for a longer period of time. The thought was considered sacrilegious at the time, which only emphasizes how advanced and bold Montesquieu’s thinking was.

Furthermore, the author yet again displays boldness in giving Usbek, a character of Muslim denomination, ideas that oppose the precepts of Islam. His thoughts on polygamy reducing male reproductive power are, however, consistent with the wider doubts and worries he expresses about keeping his seraglio in order and the many duties that constitute a Muslim man’s burden. As stated elsewhere, Usbek’s religion is a useful point of juxtaposition to Christian faith, which Montesquieu criticizes from the perspective of Catholic refusal to grant divorces (to this day divorce is considered a serious transgression of natural law in the catechism of the Catholic Church). Moreover, Montesquieu’s critique of celibacy (reflecting a widely discussed issue in the 17th and 18th centuries) and his obvious affirmative slant toward Protestantism were considered highly problematic in France, especially in light of the then-current Edict of Fontainebleau, issued in 1685 by Louis XIV, which revoked Protestants’ right to observe their religion without state persecution.

Montesquieu’s views on Jews, the Chinese, Africans, and “savage” peoples are very much the product of an era that was only very slowly working toward a less Western-centric understanding of civilization. (Viewing distant foreign cultures, especially those east of Central and Western Europe, as alien and representative of uncomfortable otherness was termed “Orientalism” in 1978 by thinker Edward Said and associated with imperialist tendencies.)

Like with Usbek’s letters, Montesquieu continues to structure Rica’s letters with a lighter style, relieving them of the burden of thoughtful argumentation. Rica’s character is kept more superficial in thought to mine the rich vein of anecdotes, stories, and vivid imagery that illuminates certain aspects of French culture. The tale he recounts to illustrate the presentation of afterlife in various religions is comical in tone, although the topic is somewhat macabre (Letter 126). The character of the widowed woman is made colorful and vibrant through the use of monologue, in which she laments her inability to join her husband in death, and the dialogue with the priest and the governor displays a glimpse of absurdist brilliance within her swift reversal of decision. Similar devices are used in the tale of the geometer (Letter 129), which additionally utilizes satirical tone, contrast, and hyperbole to great effect.

As in earlier letters, though, Montesquieu gives Rica room to offer more serious-minded commentary, thus placing his character more in relief and adding dimension to his profile. This is partly motivated by a given letter’s recipient, and when Rica writes to Ibben (the addressee of some of the novel’s most astutely observed epistles), he tends to be more thoughtful. When informing Ibben of the recent assassination of the Swedish King Charles XII and the execution of his chief minister Georg Heinrich von Görtz, whom many thought responsible for the king’s death, Rica is inspired to share his desire to become a more thoughtful and wiser person who will serve his master well and prudently (Letter 128).

The pièce de résistance of Rica’s wit and ingenuity, however, is the sequence of five letters sent to an unknown addressee, grouped by Montesquieu close to Usbek’s sequence of 10 argumentative missives in an attempt to achieve parallelism and analogy of structure and notion rather than theme (Letters 133-137). Rica’s epistles describe in great, sardonically comic detail the contents of a library that most probably belonged to the Abbey of Saint-Victor in Paris. After a period of glory and rich endowments, the institution had by the 18th century fallen out of favor with the Catholic Church and was increasingly associated with Protestant thought. It was destroyed during the French Revolution.

Rica’s entry into the library is not promising: The first “dervish” he meets proclaims that he is a foreigner among books, in ironic allusion to Rica’s origin. Once he has met the librarian, however, things progress, although perhaps not as the reader would expect. Montesquieu obviously enjoys confounding readers’ expectations, a device long utilized in drama, and one that would become intrinsic to novelistic writing from the 18th century onward. Instead of praising the books, the librarian obviously holds most of them in contempt. Rica’s role as a naïve foreigner in this matter, as in many others, gives the librarian permission to be as dismissive and ironically insulting as he feels, since with strangers one feels less reticent in expressing honest and bold opinions, presuming as one does that they will never meet again. Interestingly, the only thing Rica takes issue with (and the rare time he interrupts the librarian’s monologue) is the way he, in Rica’s view, trivializes astronomy, which Persians deem a worthy science. This is an unusual example of Rica losing temper and showing a new, sterner side, through which one may glimpse his future role as a Persian nobleman.

It has already been established (and is repeated in Rica’s letters about the library) that Enlightenment thinkers did not have much respect for poetry. Indeed, they considered poetry and every other form of creative writing (except possibly drama) to be of lower intrinsic value since it did not necessarily educate or nurture thought and reasoned argumentation. This is one of the main reasons why, even though Montesquieu adopts the novel’s form to make Persian Letters more popular and accessible, he structures the letters as essays and deliberations on various philosophical, cultural, and political questions whose main purpose is to edify and instruct the reader. As he showed in the beginning, so he will make clear at the end: The narrative, novelistic frame in essence remains just that, a framing device.

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By Montesquieu