17 pages • 34 minutes read
Nikki GiovanniA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
“Quilts” is a short lyric poem. Lyric poetry is one of three key poetic genres laid out by Aristotle: lyric, epic, and dramatic. This genre schema is still used today, though English language poetry is often broken down into further subgenres. A lyric poem is usually short, though it can build up to hundreds of lines. Modern lyric poetry focuses on the observations of a speaker or voice in the poem; the poetic topics are ordinary and can be personal, in contrast to the lofty topics of dramatic and epic poetry.
“Quilts” is in free-verse. This means that the poem is unrhymed and nonmetrical. The poem also has sparse punctuation, with only one colon (:) used to demark where the speaker makes her plea to the reader; this singular punctuation mark stands out as a way for the poet to speak directly to her reader. Giovanni instead uses line breaks to show the reader where to pause. Her long lines are usually followed by shorter ones so that these pauses are staggered. This structure further emulates the image of a frayed tablecloth when read on the page; the staggered lines look jagged and somewhat tattered like the edges of worn-down cloth. However, the design structure is loose, and this poem is not meant as a shape poem.
The whole poem is an extended simile, where the speaker identifies with a worn tablecloth. A simile is a type of figurative language that compares two unlike things using like or as to compare. A simile is sometimes considered a type of metaphor—or a comparison where one image represents another image or idea. A pure metaphor does not use like or as but says that two unlike ideas are the same. For example, Emily Dickinson’s poem “Hope is the Thing with Feathers” uses the characteristics of a bird to represent hope.
In lyric poems, extended metaphors are more common. Extended metaphors are complex and expand over multiple lines or stanzas, often intertwining similar metaphors into the original one. “Quilts” may be built on a simile from the first line, but this simile extends out over the entire poem, comparing the lifespan of a tablecloth with the stages of human life. The simile spills over into the tablecloth and the speaker, becoming part of a quilt. In this case, it appears that Giovanni is in the group that considers simile a type of metaphor rather than a completely different type of figurative language.
The succinct imagery that applies to the aging process enhances the figurative language in “Quilts.” Giovanni uses images to represent a complex idea in each line. For example, “tables filled with food and laughter” (Line 3) evokes family dinners, parties, and the intimate act of eating together. The speaker does not need to elaborate on these images because they lightly evoke specific ideas.
Throughout “Quilts,” Giovanni uses words associated with aging to tighten the parallel between the speaker and the tablecloth. In the beginning, the images are of wear and tear (“My seams are frayed my hems falling” [Line 4]) to demonstrate the age of the tablecloth. These images unfold into the transition from the cloth to the quilt. Once the speaker imagines becoming a quilt, the imagery is warm and positive:
And some old person with no one else to talk to
Will hear my whispers
And cuddle
near (Lines 20-23).
The imagery assures the reader that this new purpose as a quilt gives the speaker new life and closeness with others.
By Nikki Giovanni