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Isaac AsimovA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Isaac Asimov was born in the rural town of Petrovichi, Russia, and immigrated with his family to the US in 1923. His actual birthdate is uncertain because his mother enrolled him in school early by stating that his birthday was in September 1919, but Asimov himself insisted that he was born on January 2, 1920. He became a naturalized US citizen in 1928.
The Asimovs were from a family of Russian Jewish millers, and their family name means “winter grain.” When the family arrived in the US, Asimov’s father spelled the name with an S, believing this letter to be pronounced like Z. This pronunciation error is referenced in the title of one of Asimov’s short stories, “Spell My Name With an S.” An interest in language, labels, and meanings is likewise present in other works by Asimov, including the short story “Jokester,” in which characters remark that puns are the only original jokes. In “Rain, Rain, Go Away,” the family name Sakkaro is a pun on “saccharine,” or excessively sweet.
As an immigrant of Russian Jewish ancestry, Asimov encountered some of the anti-immigrant attitudes common in the early 20th-century US, and conflict resulting from prejudice and scapegoating later became key themes in the author’s work. I, Robot, his collection of interrelated short stories famous for setting out the rules of human-robot interaction, is perhaps the best known of his works that deal with these themes. Suspicion of people of unknown origins and “othering” is similarly evident in the Wrights’ attitudes toward their neighbors in “Rain, Rain, Go Away.”
The earliest influence in Asimov’s career as a member of the “Big Three” of science fiction writers (along with Robert Heinlein and Arthur C. Clarke) came from working in his family’s candy stores, where he had a free supply of pulp fiction magazines to read. Inspired, he began writing his own science fiction stories at age 11, and had sold his first story by age 18. His earnings from story publishing helped pay for his education at Columbia University, where he received a Master of Arts in chemistry in 1941 and a PhD in chemistry in 1948. His career included work as a civilian chemist at the Philadelphia Navy Yard’s Naval Air Experimental Station during World War II and, later, as a professor of biochemistry at Boston University.
Asimov’s fiction works are notable for their Humanist philosophies and straightforward writing style, both of which allowed him to blend science fiction with other genres. His Foundation series follows protagonist Hari Seldon, who develops a theory of “psychohistory,” a mixture of history, sociology, and mathematical statistics, which he uses to make predictions about the future. In this way, Asimov freed himself to write about conceptual ideas that encompass scientific fact but also abstract questions about what it means to be human and how people pursue control as a way to alleviate fear.
While set firmly on Earth, “Rain, Rain, Go Away” addresses these questions while blending aspects of science fiction, fantasy, and wordplay. In his autobiography, It’s Been a Good Life, Asimov addressed his desire to avoid flowery language: “I have therefore deliberately cultivated a very plain style, even a colloquial one, which can be turned out rapidly and with which very little can go wrong” (153). Among his more than 500 published works, “Rain, Rain, Go Away” stands out for its clipped, fast-paced structure, composed mainly of lines of dialogue between a husband and wife. This structure helps readers imagine the motivations of the Wright family as they experience the petty curiosities and illusions of everyday life.
In the 1950s, the US experienced post-World War II growth. This growth was a boom like none the nation had seen before. Between 1950 and 1970, the suburban population of the US nearly doubled to 74 million. Simultaneously, the average family income grew as much in 10 years as it had grown in the 50 years before that. The standard of living increased, newly manufactured products (including the artificial sweetener saccharin, referenced in “Rain, Rain, Go Away”) were widely available, and many people believed that US society was becoming more equal. However, at the same time, advertising and societal expectations were increasing the pressure to conform, and the Cold War mobilized anti-immigrant sentiment and fear of spies. It was in this cultural climate that Isaac Asimov wrote “Rain, Rain, Go Away”—and the concerns of the story’s main characters demonstrate the prevailing attitudes of the time.
“Rain, Rain, Go Away” is not explicitly set in a particular place, except that it is distinctly not in Arizona or other (ostensibly drier) places that the Wrights speculate the Sakkaros may have moved from. However, it has all the hallmarks that differentiate suburbs from urban and rural areas: The houses have wide lawns that are close enough together for neighbors to keep an eye on one another, but local attractions like Murphy’s Park are distant enough that an automobile is necessary to get there.
Both the Sakkaros and the Wrights represent the idealized domesticity of the 1950s: close-knit families, where the wife represents the “happy homemaker” stereotype and the man has some kind of job, even if what that job is remains unclear. Additionally, the Wrights represent gendered stereotypes of the time. In the first scene, he’s watching baseball and drinking a “king-size Coke [...] freshly opened and frosted with moisture” (128). In the next scene, she’s mainly concerned with the finer domestic points of the Sakkaro house, relating to him details about “the color-scheme [and] the bedspreads” (129). These details represent the conformity that was a hallmark of 1950s suburban life.
However, these idealized values contrast with the slightly more sinister reason behind the Wrights’ curiosity about the Sakkaros. She schemes to get to know their new neighbors better only because they keep to themselves and don’t share details about where they came from or what they do. George, previously uninterested in the origins or business of the Sakkaros, is irritated when Mr. Sakkaro dodges his questions about what he does for a living and turns down his offer of a hamburger, that most traditional of American fare. When Mrs. Wright comments that Mr. Sakkaro has “some kind of accent, you know” (131) and the couple speculate about whether the name is Spanish or Japanese, they’re attempting to categorize their new neighbors in order to decide how they should feel about these people who could be from anywhere, with any sort of motives, moving in next door.
By Isaac Asimov
Class
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Class
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Community
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Education
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Fear
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Good & Evil
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Jewish American Literature
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Nation & Nationalism
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Order & Chaos
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Safety & Danger
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Trust & Doubt
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