50 pages • 1 hour read
Colleen HooverA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Three days later, Ledger returns to the grocery store, as much for supplies as to see Kenna. He has been comparing Diem to Kenna, trying to find elements of the child’s winsome and ever-curious personality in the sad and lonely Kenna. As he sits in his truck in the parking lot, Grace knocks at his window. She is with Diem. He tells Grace emphatically to come back later: “She’s on shift right now” (134), he cautions. Even as Grace and Diem pull out of the parking lot, Kenna comes out of the store and rushes after the car. She collapses sobbing when she understands the car will not stop for her. Too upset to return to work, Kenna allows Ledger to drive her home. As he helps Kenna gather her things from the break room, he sees an unfinished letter addressed to Scotty.
At her apartment, Kenna castigates Ledger for warning Grace. Ledger assures Kenna that neither Grace nor her husband are strong enough to meet her: “They’ve given Diem a good life. She is happy. Is that not enough?” (138).
The question takes Kenna aback. She tells Ledger all she wants is to see her child. Relenting, Ledger shares videos of the child he has stored on his phone, aware of how he is breaking the Landrys’ trust. Kenna weeps as she watches the images. Ledger is touched: “I feel like an absolute fucking monster for not helping her experience this moment sooner” (140). When Ledger helps Kenna to her apartment and notices the lack of food, he takes her to dinner.
Kenna appreciates Ledger buying her dinner. They eat hamburgers in his truck, neither interested in going in and raising eyebrows. Hesitatingly, Ledger tells Kenna how people in the town, himself among them, judged her as unremorseful and indifferent based on her appearance in court and her disinterest in her own defense: “I thought you were the most disgusting person I had ever met” (146). Kenna struggles to explain her emotional state, how devastated she was after Scotty’s death: “I was shattered” (148). Ledger assures her that Diem is happy and that needing to see the child is more about Kenna than it is about Diem.
Understanding now exactly what she is up against, Kenna, her heart heavy, agrees that as soon as she can save up the money she will return to Denver. To help, Ledger offers her weekend dishwasher work at the bar.
The night Kenna arrives to work in the kitchen, Ledger introduces her as Nicole. He tells only Roman, the bartender, the truth. Kenna will stay in the kitchen away from the customers.
That night, Diem is in a dance recital, and Ledger heads out early to attend. After the show, Grace asks Ledger about progress on his new house out in the country. Diem is upset over the house. She fears she will lose Ledger when he moves so far away (all of eight miles). Grace takes Ledger aside and tells him they have filed for a restraining order against Kenna because, to them, the encounter in the parking lot revealed that Kenna might be a threat.
While she works in the bar kitchen, Kenna enjoys conversations with the staff. One of the servers, Mary Anne, is curious over why Ledger hired someone with no restaurant experience. Kenna has not told anyone about her five years of experience in the prison kitchen because it makes her uncomfortable to talk about it. Mary Anne shares that Ledger was engaged to be married, that the wedding was to have been this week, and that the bride called it off at the last minute. Hiring Kenna, she says, is logical: “You’re gorgeous. He’s heartbroken” (161).
On a break, Kenna visits with Roman the bartender and finds out that he was in the pros with Ledger, that he suffered a career-ending leg injury, and that Ledger helped him through what became a substance use disorder. Later, Kenna asks Ledger about the engagement, but Ledger stays vague. He hints the bride was not happy with Ledger’s fondness for Diem. When Kenna insults Ledger’s ex-fiancée to defend him, he says: “Look at you, an overprotective mother” (165). Kenna is thrilled to be called a mother.
Later, as they finish washing dishes together, Ledger asks Kenna about the letters she writes to Scotty. She admits she has written more than 300 and that they have helped her cope. Ledger tells her that Diem also has a “wild imagination” (164). He asks to read a letter about the night of the accident, but Kenna refuses. Ledger drives Kenna home but leaves before anything happens.
At the T-ball game the next day, mothers confront Ledger; they are concerned over the rumor that Kenna is back in town. They remind Ledger about Kenna’s coldness at her trial and rumors that she is still drinking and thus poses a threat to Diem. Ledger says little, uncertain how, or if, he should defend Kenna.
Later that day, Ledger picks up Kenna from work and tells her as gently as he can about the restraining order. He knows she has “done nothing” (175) to deserve a restraining order. To help, he shares with Kenna more videos of Diem. Kenna says nothing. Kenna heads into work equipped now with ear buds. She wants to block out the music the dishwasher plays. She tells a bewildered Ledger, “I hate music […] Because it’s sad” (176).
When Kenna receives her first paycheck from the store, she buys a phone. Lucy introduces Kenna to her mother, Adeline. Not realizing who Kenna is, Adeline invites Kenna to a small neighbor gathering this Sunday to celebrate Mother’s Day.
Kenna promises Adeline to see whether the bar might lend a table and chairs for the lunch. Kenna secures a table and chairs with Roman’s help. They are stored in his apartment over the bar. When Ledger meets them as they are hauling out the table from Roman’s apartment, Kenna senses that Ledger is jealous, but Ledger says nothing: “Almost like he’s doing everything he can to keep me from knowing his thoughts” (185).
Because events are now moving toward Kenna’s redemption, these chapters center on a single critical idea: the disparity between who a person is and how a person is perceived. The novel argues that Kenna is not the person that the town, Ledger, and Scotty’s parents believe she is. Similarly, Ledger reveals that, like Kenna, he is not as he appears to be; he holds back emotionally and maintains a careful moat around his past. Both Ledger and Kenna will learn to stop hiding behind masks. That movement toward authenticity begins in these chapters.
Kenna, in accepting the job at the bar, seems intent on not being true to herself, to play the unfeeling monster the town believes she is. After all, she surrenders to the notion that she cannot be part of her daughter’s life despite her feelings. She accepts that she must leave town. The charade is further suggested when Kenna still introduces herself as Nicole and agrees to stay back hiding in the kitchen.
That denial of her authentic self is further underscored by the earbuds she wears while in the kitchen. Disturbed by the dishwasher’s insistence on livening up the kitchen with music, Kenna dismisses music. Ledger cannot believe that Kenna hates music. Scotty was always playing music when he and Kenna dated. In fact, in the letters that Kenna writes to Scotty that recall their dating, music is always playing: “Music,” Ledger says, “is the one thing that grounds me” (176). The earbuds represent Kenna’s continuing pretense, how in not being herself she isolates herself. She allows herself to play into the perception the town has of her, that she is antisocial, arrogant, emotionless. She reveals to Ledger only later that she hates music because every song, happy or sad, reminds her of Scotty. The loss is still that fresh, her heart still that wounded. In the kitchen, isolated by her earbuds, Kenna only appears to be cold and unfeeling. Here at the novel’s midpoint, Kenna appears resigned to allowing the perception of others define who she is.
Ledger is living essentially the same kind of life as Kenna, which comes as a surprise in these chapters. To this point, he has seemed like a reliable if taciturn character who is exactly what he appears to be. He deals with patrons of the bar the same way he deals with his employees and Kenna. He appears straightforward. Only in these chapters does Kenna begin to understand the stoic Ledger is not without secrets. Ledger is in his own way a calculated performance piece masking his authentic self. His friendship with Roman stems from Ledger’s own involvement in the practice play that crippled Roman and then sent him spiraling into a substance use disorder. That incident parallels Kenna’s own sense of responsibility for Scotty’s death. That parallel is further underscored when Kenna learns that Ledger abandoned his wedding because of his fondness for Diem. Neither Ledger nor Kenna wants to live without Diem. Kenna realizes that with Ledger she has a kindred spirit, a potential ally. In the same way, Diem’s welfare means much to Ledger, a tie strong enough that he sacrifices his wedding plans (and later the country home he is building) for the child.
It is his response to Kenna’s spending time with Roman that suggests how tightly Ledger controls his emotions. There is no doubt Kenna is drawn to Ledger, as she acknowledges: “His presence always creates this hum under my skin” (164). However, when Kenna goes to Roman’s apartment to retrieve tables and chairs for the Mother’s Day luncheon, Ledger sees her coming out of the apartment and gives her an odd stare. Kenna cannot tell what he is thinking: “Almost like he’s doing everything he can to keep me from knowing his thoughts” (165). Like Kenna, he seems now wrapped in shadows, at once there and yet not. That describes Kenna/Nicole as she works at the grocery store and the bar hoping no one will recognize her. With Kenna and Ledger both pretending, both ignoring their emotions, both playing games with each other, this section closes with Ledger quoting a Jason Isbell song, “If We Were Vampires,” a dark love song in which the singer laments if we were vampires and could live forever, these games we play might be fun: “Maybe time running out,” the song says, “is a gift.”
By Colleen Hoover
Appearance Versus Reality
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Daughters & Sons
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Family
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Forgiveness
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Friendship
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Grief
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Guilt
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Memory
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Mothers
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Music
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Romance
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The Past
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Trust & Doubt
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Valentine's Day Reads: The Theme of Love
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