56 pages • 1 hour read
William ShakespeareA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Prophecies are a recurring motif in Richard III. Throughout the play, numerous characters experience prophetic dreams that foreshadow plot events. The use of prophecies suggests that the political future of England is all leading toward a divinely sanctioned event: the emergence of the Tudor dynasty.
Prophetic dreams appear several times throughout Richard III, mostly as warnings of impending mortality. At the beginning of the play, George tells his jailor that he dreamed that he and his brother Richard were on a ship together:
Methought that Gloucester stumbled, and in falling
Struck me, that thought to stay him, overboard
Into the tumbling billows of the main (1.4.19-21).
George’s dream foreshadows information that he himself does not know yet—that his brother is seeking to harm him, despite appearing to be his ally. Similarly, Hastings is warned by Stanley about Richard’s danger when he describes a dream where a “boar had razèd off his helm” (3.2.11). These dreams hint at Richard’s coming betrayal, but neither George nor Hastings heed the warning, and they lose their lives. At the end of the play, Richard himself dreams of all of his victims predicting that he will die in the battle of Bosworth Field. These dreams imply that there is something providential or fated by God in the actions of the play.
Richard also recounts prophecies about the political future of England that relate to his relationship with Richmond. When he learns that Richmond is planning to attack, he suddenly recalls, “Henry the Sixth / Did prophesy that Richmond should be king / When Richmond was a little peevish boy” (4.2.98-100). By ascribing this prophecy to the previous Lancastrian king, Henry VI, William Shakespeare suggests that Richmond is a monarch sanctioned by the House of Lancaster, despite his distant relationship to their bloodline. Similarly, Richard recalls, “a bard of Ireland told me once / I should not live long after I saw Richmond” (4.2.109-110). This prophecy from a bard of Ireland evokes British mythology about figures like Merlin, who helped legendary monarchs like King Arthur to the throne. Through this prophecy, Shakespeare draws attention to Richmond’s seemingly divine right to take the throne of England.
Historically, Richard III’s personal symbol and heraldic device was a boar, an animal frequently associated with British kings. Boars were commonly hunted by the nobility and represented martial prowess. Shakespeare reinterprets this symbol, using the boar to hint at Richard’s violent disposition and porcine greed.
When Stanley sends Hastings a message about his dream that a boar attacked him, implicitly warning him to beware of Richard, Hastings draws upon the animal’s behavior to inform his plan. He decides, “To fly the boar before the boar pursues / Were to incense the boar to follow us / And make pursuit where he did mean no chase” (3.2.29-31). Hastings ignores the danger, but he symbolically associates Richard with aggression.
Likewise, Richmond draws upon the symbol of the boar to affiliate Richard with violence and the ruin of prosperity. Rather than treat the boar as a noble or impressive animal, Richmond focuses on the animal’s destructive habits:
The wretched, bloody, and usurping boar,
That spoiled your summer fields and fruitful vines,
Swills your warm blood like wash, and makes his trough
In your embowelled bosoms—this foul swine
Is now even in the center of this isle (5.2.8-12).
By focusing on the dirtiness and destructiveness of boars, Richmond makes the case that Richard has proven a poor steward of the realm and befouls the throne with his actions. This symbolic connection is furthered by other characters often referring to Richard as a hog or a swine rather than a boar, placing the emphasis on his pig-like nature.
Shakespeare uses the seasons in Richard III to symbolize the temporary period of decline that England faces during Richard’s reign. Since seasons are cyclical, the metaphor of Richard’s reign as a “winter” indicates both its damaging impact upon England, but also hints that his successor will restore England to a more fertile and mild state. This serves Shakespeare’s larger purpose of supporting the ascendancy of the Tudor dynasty.
The first lines of the play introduce the symbol of the seasons, with Richard himself declaring that his malevolent mood represents winter while his elder brother, King Edward IV, represents summer. He begins his soliloquy, “Now is the winter of our discontent / Made glorious summer by this son of York” (1.1.1-2). The line contains a play on the word “son,” referring to Edward IV’s being a son of the Duke of York and to the sun (which also represents the emblem adopted by Edward IV, the sun in splendour). While summer is a prosperous season for England, it ends in decline rather than renewal like spring, suggesting that King Edward IV has been a capable monarch but his death will lead England into a worse situation than before.
Once King Edward IV dies, the citizens of London use the symbol of the seasons to represent the inevitability of a dark period of England’s history occurring. While some citizens are optimistic that the young Prince Edward might grow up to be a good monarch, the third citizen warns them that he has seen periods of political upheaval before and fears another is imminent:
When clouds are seen, wise men put on their cloaks;
When great leaves fall, then winter is at hand;
When the sun sets, who doth not look for night?
Untimely storms make men expect a dearth.
All may be well; but if God sort it so,
’Tis more than we deserve or I expect (2.3.35-41).
This speech points out that common citizens have very little ability to impact the politics of England and that the ascension of new monarchs is as unalterable as the seasons are. The third citizen puts the power only with God to either save England or allow it to destroy itself.
By William Shakespeare
Appearance Versus Reality
View Collection
British Literature
View Collection
Challenging Authority
View Collection
Family
View Collection
Fate
View Collection
Historical Fiction
View Collection
Order & Chaos
View Collection
Plays That Teach History
View Collection
Power
View Collection
SuperSummary Staff Picks
View Collection
Truth & Lies
View Collection