50 pages • 1 hour read
Curtis SittenfeldA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
In July 2020, at the height of the global COVID-19 pandemic, Noah sends Sally an email asking if the address is still hers. Sally confirms that it is and hopes Noah is doing well in quarantine. Noah is in Los Angeles and Sally is in Kansas City, Missouri, quarantining with her 81-year-old stepfather.
Noah writes to Sally and tells her that while sick with COVID, he started thinking about his life and regretted how things ended between them in 2018. Sally writes back that she hasn’t had COVID yet, but her friends Viv and Henrietta, now both pregnant, did. They write to one another about the Black Lives Matter protests, and their complicated feelings about attending. On the one hand, they don’t want to perform wokeness, but on the other hand, they genuinely care about the movement. Sally also apologizes that they ended their time together at TNO on a tense note. Noah writes back insisting on his own apology, especially for going out with Annabel so soon afterward.
Sally writes that her stepfather, Jerry, is the closest paternal role model she has, though it’s still boring and difficult to be spending so much time in Kansas City. She spends her pandemic days trying to write her screenplay and watching television with Jerry. She tells him that the whole Annabel thing is well behind them, especially because Danny is in a happy relationship with Nigel’s beautiful and smart daughter Lucy.
Noah writes that although he’s performed in Missouri before, he’s never explored Kansas City. He also has a complicated relationship with his WASP parents, who don’t approve of his career. He’s grateful he is close with his sister Vicky. Noah spends his days working out and making music with a band. He sees people, but they work outdoors and stay six feet apart.
Sally writes that she’s been listening to his music more since they met on TNO and wonders if the songwriting process is similar to her own writing process. She tells him that the screenplay she’s working on is still in its earliest formation and she doesn’t yet know what it’s about. Sally admits that she’s staying on at TNO, even though a couple of years before, she had told Noah that she was planning to leave within the next year or so. The reliability of the pay and the joy of the writing has kept her re-signing her contracts. She reveals that her father and mother had divorced when Sally was young enough never to have known them as a family unit. Her father had been depressed and treated himself with morphine prescriptions he wrote for himself, until he died of an overdose when she was in the second grade. From her mother Sally learned the importance of having a private self and a public self. It’s one of the reasons why Sally thinks her time at TNO is coming to an end; all of the young up-and-coming writers don’t believe in a private or a public self and are willing to put everything and anything out there. In a previous email, Noah had asked her about her drinking habits, and Sally admits that she sometimes uses a cocktail as a crutch for social anxiety, but that she had never been a big drinker.
Noah writes that he’s also watched all of her sketches, admitting that he had to do a deep dive on the internet to find out which sketches were hers. He reminds her that even though she teases him for being a star, Sally has a lot of fans who adore her work. Noah writes about his past abuse of alcohol, and how the drunken death of one of his bandmates made him rethink his relationship with drinking and go to rehab. He also admits to having an unhealthy relationship with his weight.
Sally writes that she can understand his unhealthy relationship with his body after years of being dissected in the public eye. She also reveals that she’s started questioning the sexist lessons she’s internalized at TNO because the younger writers are so much less concerned with gender identification. She tells him about her other pen pals but assures him that he’s been her favorite. Sally wonders if it’s healthy to get to know a person through writing only, kind of like how online dating can skew your perception of a person before meeting them.
Noah writes that he’s tried online dating but didn’t like it. He asks her for more information about her marriage and divorce, but immediately sends her another email apologizing if the question was too forward or made light of a serious situation for her. Sally genuinely laughs it off, especially because her marriage was, according to her, boring. Noah and Sally exchange emails about losing their virginity. When Sally admits that she’s wondering why she feels the need to entertain Noah, Noah assures her that he’s a person like her and doesn’t need attention so much as he needs connection. Sally asks Noah if he was trying to seduce her the week he was on TNO. Noah says that he wasn’t trying to seduce her, but he was trying to impress her.
Sally tells Noah the story of her marriage and divorce. Sally went to college at Duke University, where she worked on the student newspaper and met Mike. They got married young, right after graduating from their senior year. Sally reflects that she likely married Mike so young because she was scared of the unknown challenges of the adult world post-college. She and Mike moved to Charlotte, North Carolina, where Mike was a lawyer and Sally worked as a writer for a high-end credit-card magazine. At the time, Sally had started sending sketch packets to television shows, dreaming of working at TNO. Five years later, TNO interviewed and hired her. Mike didn’t want to move to New York City and expressed surprise that Sally got her dream job. The decision to get a divorce was quick. Sally also writes to Noah about falling in love with and being disappointed by Elliot.
Sally admits that she’s starting to get confused about her pen-pal relationship with Noah because she doesn’t want to confuse it with romance. When Noah asks why their exchanges can’t be romantic, she brings up the “Danny Horst Rule”: a theory she developed that attractive and famous men don’t date average women like her. Noah tells her he’s been attracted to her since he first met her and asks if he can call her.
In Chapter 2, Sittenfeld turns from Sally’s first-person point of view to a third-person perspective, using the rhetorical tool of emails between Noah and Sally to reveal their respective perceptions of each other and the world. With this structural transition, Sittenfeld gives deeper insight into Noah’s character on his own terms, whereas in Chapter 1, he was described purely from Sally’s perspective. With this additional space for his own narrative voice, Noah is revealed to be a character who is kind and vulnerable and who struggles with his own insecurities. Despite his fame and wealth, Noah experiences deep isolation, emphasizing the pressure of Celebrity and Its Impact on the Individual. He finds human connection difficult because most people only want to know the public persona of Noah. Proximity to Noah ascribes social power and influence to anyone who dates him or befriends him, so he is necessarily cautious in his love life. Through his emails, both the reader and Sally discover that Noah has a depth to him that contrasts with the superficial celebrity Sally originally assumed he was. Noah is a complex character, as is Sally. By sharing both perspectives in Chapter 2, Sittenfeld fulfills a classic romantic-comedy trope of in which the male lead defies the preconceived assumptions of the female protagonist and proves himself to be special, unique, and worthy of her attention. In this case, Noah does so, not through demonstrations of strength or dominance but via vulnerability and honest communication, allowing Sittenfeld to frame the trope through a feminist lens.
Both Sally and Noah experience isolation and a tendency to distrust. Both have built their own armor to keep others at a distance—Noah to guard himself from the depersonalization and exploitation of his celebrity status, and Sally to arm herself against a workplace and a dating landscape that is often hostile to her as a woman. Noah has a tense relationship with his parents, who are conservative and never supported his career even with all his success. Sally never really knew her father, and her mother’s death left her fully alone in the world. Although they each have support structures (Noah finds deep family connection with his sister, while Sally has her beloved stepfather, Jerry), it’s this very isolation and tendency to distrust that forms their common ground and bonds them. Sharing their pasts and present anxieties in their emails allows them to experience vulnerability, a rarity in both their lives.
Importantly, Noah and Sally find this vulnerability in a virtual space, which preserves a sense of safety for them. They’re sharing with and caring for one another, but they can cease communication at any time. What’s more, they can edit, revise, and review their conversations, deepening their ability to connect and share their words, emotions, and vulnerabilities. The email exchange between Sally and Noah evokes the classical motif of love letters, but instead of handwritten epistles, their emails give the motif a modern twist. In Sittenfeld’s contemporary world, online dating has largely replaced the “meet-cute” trope of the romantic comedy, in which two future lovers run into one another in the real world in random and poetic ways. Online dating has been successful in creating couples, and people have become more comfortable with the idea that they can portray the person they want to be to their future dating partners. What’s more, online dating offers a wide variety of choice. But online dating can also be problematic because people can be a certain constructed version of themselves online, potentially misleading their dating partner about who they are in real life. But virtual connection has become a necessity in our technology-driven world. What’s more, Noah and Sally reconnect online during the height of the COVID-19, when people were forbidden from seeing one another in person. Thus, the email exchange becomes a necessary rhetorical tool, reflecting the novel’s contemporary reality.
In Chapter 2, Sally’s arc progresses in tandem with her relationship with Noah. As she becomes more vulnerable and honest with Noah, she’s able to find more clarity about her dissatisfaction with her job. As she gets older, new writers enter the TNO workspace with a younger perspective and social norms that didn’t exist for Sally when she was younger. Sally realizes that internalizing the gender norms of her youth has made her resentful and stuck, but the younger writers at TNO don’t subscribe to those norms. For them, identification with gender stereotypes is a choice, not a given necessity, which allows Sally to rethink her own relationship to internalized sexism and genderism. While prejudice based on gender is real, Sally learns that her own criticism of that prejudice is partly based on her internalization of it. The younger writers also help Sally understand the generation gap regarding the value of privacy. Noah is inherently private because his job forces him to be so public with his image. Sally is private because she was raised to understand the private self as separate from the public self. Social media has made younger generations more public about their private selves, dissolving the boundary between private and public. This is a realization that Sally struggles with because she can’t help but want to keep certain vulnerabilities to herself. Noah’s reality of being constantly overanalyzed by the public is frightening to Sally, who doesn’t want to deal with the judgment of the world around her. But the private vulnerability they share together allows Sally to feel protected within their relationship rather than exposed by it.
Sittenfeld’s structural use of Noah and Sally’s email correspondence builds tension as well as anticipation for the lovers’ eventual in-person reunion. Noah and Sally develop intimate connections through email, which accelerates their ability to feel comfortable being vulnerable but also creates a kind of protective bubble that they will inevitably have to leave. The emails are intimate enough to develop a deep friendship, but they are distanced enough to create certain mystery around the nature of that friendship. Does Noah want something romantic out of these email exchanges? Can Sally let her guard down enough to be up-front with her feelings for Noah? These questions develop romantic tension and anticipation a complex, conflicted romantic relationship that will develop when they are finally outside the bubble of their emails. Chapter 2 is the key midnovel transition in which Noah and Sally can start making decisions that will bring them closer together.
By Curtis Sittenfeld