65 pages • 2 hours read
Carlos HernandezA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Gabi informs her family about her and Sal heading to Culeco. Despite initial skepticism from American Stepmom, Gabi’s family reveals her routine of coming and going from school with her own set of keys. Addressing American Stepmom’s concerns about the late hour, Gabi convinces American Stepmom to agree.
Inside the building, Gabi reveals that the cameras at Culeco are deactivated. Armed with the entropy sweeper, they head to Yasmany’s locker. As they contemplate the risks and benefits of Sal inhaling calamitrons to close the hole, Sal takes on the responsibility and inhales three calamitrons before Gabi intervenes. Realizing the need for caution, they decide to have Sal checked at the hospital before proceeding.
Searching the multipurpose room for calamitrons, they come across a stack of gym mats and a teddy bear, identified by Gabi as “oso amoroso.” Gabi promptly texts Yasmany, who expresses astonishment that they’ve found him.
Gabi and Sal discover Yasmany in the bathroom, brushing his teeth. Accusations fly as Gabi confronts Yasmany. Feeling hurt, Gabi questions why Yasmany ran away from home without telling her. Seeking support, Yasmany looks at Sal, who diffuses the tension with a well-timed fart, transforming the atmosphere into one of laughter, filled with fart jokes and giggles. Despite the lightened mood, they decide to bring Yasmany to the hospital, ensuring his well-being with a meal and a safe place to sleep.
Gabi, eager for answers, attempts to pry into Yasmany’s ordeal, but Sal intervenes, recalling his past trauma. Sal understands the importance of giving Yasmany space. He reminisces about the clown who, with a magic trick, once momentarily lifted Sal’s spirits and inspired him to become a magician.
A search for calamitrons in the bathroom reveals none. In the multipurpose room, the climbing wall has reverted to its effortless form from before Sal’s switch. Fortunately, no calamitrons are present. The entropy sweeper begins to explain the anomaly. Sal shuts it down, heading back to the hospital with Yasmany in tow.
Gabi’s family warmly embraces Yasmany, offering him food and engaging in playful activities. Cari-Dad, a doctor, discreetly conducts a brief examination to ensure Yasmany’s well-being. After, Cari-Dad and Gabi’s mom meet with police officers. Sal attempts to observe, but Gabi cautions him against drawing attention, revealing that Yasmany’s mom is involved in wrongdoing.
After Sal’s parents depart, Nurse Sotolongo arranges a room for Sal and Yasmany to spend the night. Yasmany quickly develops a crush on the nurse. As they lay awake, Yasmany shares his struggle to comprehend his impulsive actions. He regrets his behavior, acknowledging that he often acts without forethought. Yasmany seeks advice from Sal on how to think before speaking, to which Sal admits that his tendency to overthink leads him into trouble as well.
Sal and Yasmany feign sleep, but Sal overhears Yasmany softly crying and whispering apologies to him. The vulnerability in Yasmany’s quiet remorse hangs in the air.
Gabi initiates a text conversation with Sal at 5:30 a.m. Soon after, Nurse Sotolongo insists Sal rise. Gabi and Sal dive into their “Everyman” play but quickly realize they need assistance. Sal reaches out to his parents, who promptly join the creative session. Together, they brainstorm ideas to make their play about death frightening and entertaining. It is vital to Gabi that Death does not win in the performance.
The next update on Iggy brings relief; Ms. Real announces he is stable and eagerly joins the effort to bring the play to life. The dads become part of the creative team too, offering their skills for costume design. Aventura, a talented cosplay artist, contributes a sewing machine and aids in crafting costumes.
During the collective effort, one of Gabi’s dads expresses gratitude to Sal for providing comfort and distraction to the family. In a lighthearted moment, they declare Sal an honorary dad and brainstorm a fitting dad name. Sal settles on “Presti-Dad-gitation.”
The dads attempt to tease Sal, pivoting the conversation to Sal’s relationship with Gabi. Sal states that he is “not a sexual being yet” (327), quite aware that his mature response will embarrass the dads.
Yasmany gradually integrates into the group, visibly unwinding in the warmth of Gabi and Sal’s families. He approaches Sal, requesting to borrow his phone, as Yasmany’s mother destroyed his. Gabi and Yasmany call Principal Torres, and afterward, Yasmany returns the phone. The boys share a bonding moment, sealed with a hug.
Later, Principal Torres arrives, accompanied by a police officer. Expressing gratitude to everyone for looking after Yasmany, she escorts him to his aunt’s house.
Gabi completes the script. After reading it, Sal deems it remarkable.
Sal and Gabi perform their play, Death Always Wins, for the hospital. Nurse Sotolongo is the narrator until Sal, playing Death, kills her. The performance uses impressive visuals and revolves around Gabi, the Everyman character, taunting and teasing Death. Although Death comes to everyone, Gabi tells the audience to ignore it and live each day to the fullest.
During the happy car ride home, American Stepmom and Papi praise Sal for his performance. The conversation is interrupted by a message that prompts the family to return straight to the hospital.
Iggy’s immune system is shutting down. A heartfelt exchange ensues between Gabi and her mother, with a subtle disagreement over “God’s will.” Gabi requests a moment alone with Iggy to bid him farewell, though she asks Sal to remain by her side.
In a private plea, Gabi beseeches Sal to use his abilities to save her brother. Sal attempts to convey his lack of knowledge on the matter, explaining that the best he could do is replace Iggy with an alternate-universe version, an unacceptable solution. The two engage in a brief argument until it occurs to Sal that there may be another solution that he doesn’t even know about, something in the vast multiverse that could help. Together, they decide to explore the multiverse.
Gabi and Sal plunge into the vast expanse of the multiverse, traversing myriad possibilities simultaneously. Sal imparts the art of relaxation and meditation to Gabi, enabling her to exert some control over the unfolding realities. Slowly mastering this skill, they arrive in an alternate universe where Mami Not-Muerta leads Gabi’s family in prayer. The families seem unable to see or hear them.
Sal becomes increasingly frustrated with the discourteous alternate version of himself, who doesn’t respect the gravity of the situation. Losing his temper, Sal smashes his alternate self’s phone. While the others panic, suspecting ghosts or spirits, Mami Not-Muerta is able to perceive Sal and Gabi. Offering an apology, Sal contends that he and Gabi are well intentioned.
Alternate Mami implores Sal and Gabi to save Iggy. Though Sal and Gabbi express their helplessness to save their own Iggy, Mami calls their attention to the incubator. Two Iggys seem to be present at once, one from each dimension. While Gabi and Sal’s Iggy has an immunodeficiency disease, alternate Iggy has neonatal meningitis. Introducing the virtuous remembranation theory, Alternate Papi elucidates how two beings across universes can blend; based on this theory, Alternate Mami instructs Sal on assisting both babies.
As the room collectively engages in meditation led by Gabi, Sal endeavors to connect the babies across two universes. The objective is to allow their healthy aspects to mutually contribute to each other’s well-being, creating a symbiotic healing process.
Sal recounts his week at school, highlighting the success of the play he and Gabi created, which earned them top marks. Aventura also received extra credit for her assistance. Yasmany’s return to school is accompanied by news of his improved living situation, leading to positive changes in his behavior and a notable achievement in conquering the most challenging section of the rock climbing wall. Sal continues to close the hole in Yasmany’s locker by inhaling several calamitrons daily.
On a Sunday night, Gabi insists on an immediate visit to Sal’s. She brings Iggy, who is now in perfect health, and a cat. The cat effortlessly navigates between the universes using Iggy as a sort of portal. Sal scans the cat and Iggy, finding no trace of calamitrons.
Expressing gratitude, Gabi thanks Sal for saving her brother and expresses her willingness to help him bring back Mami. Sal, however, deflects the suggestion, emphasizing the importance of being smart over being brave. As they talk, Sal discreetly stamps Gabi’s hand with the “gotcha” stamp.
“Death Always Wins: A Comedy” in Sal and Gabi Break the Universe serves as a multifaceted element within the narrative. In addition to being a school assignment, the play is a bonding opportunity and a symbolic exploration of the characters’ emotions in the context of the theme of The Importance of Dealing With Grief. While it might seem initially disruptive, the play has significant functions within the broader storyline.
Though the play begins as a seemingly insensitive homework assignment, given Sal and Gabi’s personal experiences with death, the characters approach it with creative enthusiasm. The way in which they embrace the assignment, utilizing it to cope with their emotions surrounding mortality, reflects the novel’s general emphasis on the value of the arts. The assignment then transforms into a collaborative effort involving families and friends, illustrating various coping mechanisms.
The initial step involves heeding American Stepmom’s advice, prompting Sal and Gabi to turn their homework into a collective effort. Both families and friends join forces, engaging in tasks that play to everyone’s unique strengths. Papi’s contribution includes drafting a costume for Sal, incorporating poles, bungee cords, and jumping stilts to create the illusion of Death soaring across the stage. The collaborative effort extends to the sewing of costumes, with everyone immersed in simple tasks that, as Sal notes, make the world seem to “shrink and calm down” (324). The effort provides a visualization of The Foundations of Friendship, demonstrating how collaboration, trust, and respect can transform shared vulnerability into productive strength.
While the majority of the group discovers solace in these activities, Gabi grapples with maintaining focus, exemplifying the diverse ways individuals cope with grief. For Sal, deliberate and methodical work serves as a coping mechanism; for Gabi, it becomes a source of frustration. She seeks tasks that fully engage her mind, leading her to work on the script while actively listening to music. The group recognizes her need and, in turn, supports her redirecting her energy.
Lightning Dad, one of Gabi’s honorary fathers, adopts a distinct approach to handle his grief. Instead of partaking in sewing or writing, he assumes a nurturing role, providing comfort not only to the family but also to himself. Lightning Dad cares for everyone, providing everything from coffee to moral support. Expressing gratitude, Lightning Dad acknowledges Sal for “giving of [his] time and [his] heart to bring [them] comfort in [their] time of need” (325). Recognizing how Sal distracts the family from dwelling on grief and future concerns, Lightning Dad quickly soothes any awkwardness regarding Sal’s relationship with Gabi: “Don’t let the awkward silence fool you. Everybody here is behind you. You get to be whoever you want to be in your own time. You do you” (327). In short, Lightning Dad assumes a caretaker role within the group, aiding his own coping process.
In summary, Sal, Gabi, and Lightning Dad exemplify three distinct coping strategies for dealing with grief, loss, and powerlessness. While Sal and most adults find distraction in physical tasks, Gabi requires more sensory engagement. Lightning Dad, in comparison, eschews specific tasks, embracing a caretaker role and providing whatever is needed—whether it’s caffeine, food, or moral support. Sal and Gabi’s play becomes a narrative vehicle, exploring various coping mechanisms for navigating grief and powerlessness.
Beyond showcasing coping strategies, “Death Always Wins” symbolizes the characters’ attitudes toward death. Despite the impending loss of Iggy, the play encourages finding joy in life. Gabi’s script explicitly advocates for rejoicing in life despite the inevitability of death, emphasizing the importance of savoring each moment: “Sorry, I must go / Death is the end of every show. / But here’s the trick: We are not dead! / Not yet. Don’t act like it! Instead, / enjoy each moment to the max […] rejoice in life. time and again” (341). However, before Gabi says these words, there are multiple examples of people finding joy in the shadow of death.
The play also serves as a platform for characters like Reina Real to find joy amid adversity. Reina provides an excellent example of someone processing their grief. Through her grief, as she is often literally crying, she nonetheless accepts the love of those around her and simultaneously offers her own in return. She ensures that everyone around her is cared for and maintains a positive atmosphere. Despite the somber setting, the group focuses on joy rather than grief, illustrating resilience in challenging circumstances.
Ultimately, “Death Always Wins” may appear as an interruption initially, but its functions within the story are diverse. It illustrates various coping mechanisms, reflects resilience, and encourages finding meaning and joy in adversity. The play becomes a transformative experience for Sal and Gabi, fostering a sense of solidarity and providing a powerful tool for processing grief within the narrative. In turn, it reflects the theme of The Implications of the Multiverse by highlighting how even minor choices can profoundly affect who people are.