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57 pages 1 hour read

Ron Hall, Lynn Vincent, Denver Moore

Same Kind Of Different As Me

Nonfiction | Book | Adult | Published in 2006

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Symbols & Motifs

Family

At the beginning of the book, there is a traditional definition of family: blood relations. Denver Moore and his brother live with their grandmother in Louisiana, and Ron Hall grows up with his family in Haltom City, Texas, and spends summers with his grandparents on their farm. Later in life, Moore’s lack of his own family is presented as a significantly-missing component of it, while Hall’s wife and two children indicate his successful integration into American social life.

As the story progresses, though, these blood ties become more ephemeral. After his grandmother dies, Moore and his brother are split up to live with different relatives, and they lose their bond because of it. After leaving prison, he returns to Fort Worth to live on the streets,instead of staying with his sister, Hershalee. By the time he and Hall go to Red River Parish, Hershalee’s house is long since abandoned, and a distant aunt’s life of squalor in a shack in the woods demonstrates how little Moore has in common with her or his other relatives there.

Much of Hall’s life is spent moving up rungs of the social ladder as quick as he can, and his family suffers because of it. After he transfers to TCU, almost no mention is made of his parents, brother, or grandparents again. The drive for material success through his career as an art dealer almost wrecks the family he creates with his wife and their two children as he’s almost always on the road making deals, and this leads to an affair. In fact, he’s ready to be divorced and move on, but his wife doesn’t allow that to happen. 

As the story progresses, the idea of family becomes as much a social construct as being based solely on shared genetics. Moore first becomes a member of the “family” of the Union Gospel Mission, which consists of the staff there and the homeless people they serve. He informally “adopts” Mr. Ballantine, a hateful old man, and looks after him, despite the abuse he receives in return. By the end of the book, Moore has become a full-fledged member of the Hall family.

Much as the concept of friendship in the book ultimately requires significantly more thanmerely being social acquaintances, family comes to be more complex than blood relations alone. That is, being related to someone doesn’t automatically create an unbreakable bond. Instead, being family requires an ongoing commitment to and responsibility for another person. In that sense, Moore and Hall can be seen as brothers by the book’s conclusion because of their commitment to each other. 

Mobility

For much of the book, the concept of mobility—having the ability to move from one place to another—is equated with freedom, and the lack of mobility is seen as entrapping people. This idea of mobility also applies to the social order: people can move up the social ladder through sheer force of will or move downward due to a lack of it. By the end of the story, though, this mobility turns out to be a way of avoiding life’s issues, instead of dealing with them.

After three years of scrimping and saving as a child, Moore earns the bicycle he so desperately wants but really has no place to go on. A train takes Moore away from his static life on the plantation, but despite making it as far as California, he doesn’t find happiness. Having access to a car allows him to seek vengeance on the thugs who try to beat and rob him, but this also leads to his eventual ten-year prison sentence after trying to rob a city bus. 

Hall is always on the move, physically and socially. He rides on private jets to make art deals and drives fancy cars, but this only takes him further away from his wife and children. Hall wants to prove to his classmates from high school he’s made something significant out of his life, but he can’t leave a nagging sense of inferiority behind. He’s convinced success is the next deal, one more trip away, or something else just over the horizon, as opposed to what might be right in front of him. 

The counterpoint to this is Deborah Hall, who’s happy in her faith and to be exactly where she is: in the life she has created for her family. When her husband wants out of their marriage, she doesn’t allow him to leave. Instead, they spend years together rebuilding their marriage. And as Moore tries to avoid her entreaties at the Union Gospel Mission, she helps him become integrated there, as opposed to letting him run away yet again.

Ultimately, frenetic activity is shown not to be the same as actual progress. Moore and Hall are both convinced for much of the book that happiness is someplace just out of their reach. In contrast, Deborah teaches them to look within, slow down, and grow wherever it is they find themselves. Mobility can be a trap, instead of being freedom, because people cannot escape or change who they areby running somewhere else. Instead, they must take a stand to create a better life for themselves.

The Supernatural World

Supernatural emissaries show up repeatedly throughout the book: angels, demons, and voices from on high. In modern storytelling, these types of events are usually metaphorical or an indicator of a character’s internal psychological state. In this case, however, all these episodes are presented as actual physical manifestations of the supernatural realm.

Much of the book is a demonstration of Christian faith in action. This faith goes beyond just believing in something which cannot be seen; instead, this spiritual world is just as real as what people see right in front of them. Deborah Hall has a dream about Denver Moore before she ever meets him. During her illness, Moore receives direct messages of comfort from God. As she’s dying, Deborah speaks to Jesus and sees angels in her bedroom. After her death, she comes to Denver in a visitation, which he insists is no dream.

There are also other supernatural beings and forces at work. Moore’s aunt conjures up a thunderstorm on demand and hints at other things she has the power to do. Moore also warns Ron Hall that his wife is so valued that she’s become a target of Satan, almost immediately after which she is diagnosed with cancer. And as the two men walk through Moore’s sister’s abandoned house, a frightening supernatural presence they cannot explain causes them to run outside.

In the end, faith is not some theoretical construct or epistemological argument. Instead, it’s an opening of the eyes to what is already present, but which most people don’t have the ability to see. It’s remembering what is unknown is infinitely greater than what is known, and that it’s important to be receptive to additional ways of understanding this world. The evidence, the book would posit, is right there all the time, thanks to these continual messages from and interactions with the supernatural, whether or not people want to admit it.  

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