59 pages • 1 hour read
Susan MeissnerA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Emmy’s bride sketches are both a symbol of Emmy’s dream of becoming a dressmaker and owning her own bridal shop and a motif driving The Conflict Between Personal Ambition and Responsibility. They give her hope that she will someday open her boutique, and this pushes her to ask Mrs. Crofton for a job. When Mrs. Crofton gives her the opportunity to show her skills and promise as a fashion designer, Emmy’s bride sketches become even more important. This pits her against her mother, who believes that her dream is unrealistic, and that she must focus on taking care of Julia amid the war. Though she loves Julia, Emmy resents the responsibility that their mother puts on her for Julia’s care. She wants to assert her independence and holds onto her sketches all throughout her evacuation to Gloucestershire. For these reasons, she only allows Julia to look at the bride sketches when she is around. When Julia hides the sketches and replaces them with her book of fairy tales, she hopes, like the sketches, that Emmy will replace her dreams to leave and become a dressmaker’s apprentice with a renewed connection with her younger sister.
After Emmy and Julia are separated, Emmy gives up her dream of being a dressmaker and boutique owner to focus on finding Julia. In her crushing guilt and bitter resignation that she will likely never find her, Emmy gives up completely on her dream and even considers burning her sketches if she finds them. Instead, she begins painting, letting the bride sketches and her old dreams go.
In her journal entries, Julia reveals that she feels immense guilt for switching Emmy’s bride sketches and, like her sister, she feels like she does not deserve to be happy. She soon believes that if she can find Charlotte’s house and the bride sketches that she can atone for her actions. The bride sketches symbolize Julia’s desire to make things right with her sister and reunite with her. This leads her and Simon to go on a two-month search for the house. When she finds it and Gwen finds the sketches, Julia feels she can finally forgive herself. She uses one of Emmy’s dress designs in her wedding and tries to get others approved and sewn to accomplish Emmy’s dream. When she gets one of the bride sketches made into a real dress and fits it for her wedding, she finds peace and feels her sister’s presence for the first time in over 18 years.
Charlotte Havelock’s Thistle House in Stow-on-the-Wold is a symbol of safety and responsibility, as well as of Charlotte’s desire to be a mother figure to Emmy and Julia. It is also a motif supporting The Impact of War on Personal Destinies and The Conflict Between Personal Ambition and Responsibility. When Emmy and Julia arrive, they soon establish a routine of work and leisure and begin to establish a familial relationship with Charlotte and Rose. Though Emmy and Julia love the house and find refuge in it, Emmy is determined to go back to London and become Graham’s apprentice. After her flat and Primrose Bridal are destroyed in the Blitz, however, Emmy returns to Thistle House. There, she is safe from the war and further loss, and Charlotte’s company comforts her.
Soon, Emmy cannot see a life away from the house, even as the war draws to a close. When she becomes pregnant with Gwen, she is reluctant to marry Mac and go to America with him. Even though she loves him and would be willing to leave with him, she has become used to putting her desires last as Isabel. She feels safe there, but Charlotte tells her that “safe is not the same as happy” (295). Finally acknowledging her wants, Emmy listens to her; she marries Mac and starts a life with him in America. In 1958, Charlotte gives Emmy Thistle House because she sees her as her daughter and wants her to have her home. Thistle House provides Emmy with happiness once she repairs her marriage with Mac, becomes closer to Gwen, and reunites with Julia.
Julia’s journal that Dr. Diamant has her write in symbolizes her efforts to make peace with her separation from Emmy and atone and forgive herself for switching Emmy’s bride sketches. It also supports two of the book’s central themes: The Resilience of the Human Spirit in the Face of Loss and Adversity and The Impact of War on Personal Destinies. Julia doubts whether her journaling is working in healing her grief and trauma, as she relives her separation from Emmy and faces her past struggles following her evacuation and return to England. However, as she becomes determined to make things right by returning the brides box, she starts writing more extensively. When her search becomes complicated and she cannot find the brides box, Simon encourages her to burn or bury her journal as a form of catharsis. She considers this but cannot bring herself to give it up yet.
When Gwen finds the box, she begins writing again and documents her journey as she becomes determined to make use of Emmy’s retrieved bride sketches. After she gets one of Emmy’s dresses sewn and tries it on for her wedding, she feels her sister with her and senses that Emmy has forgiven her. This allows her to make peace with the past, and she stops writing in the journal.
By Susan Meissner
British Literature
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Brothers & Sisters
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Childhood & Youth
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Forgiveness
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Memorial Day Reads
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Military Reads
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Mortality & Death
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Popular Book Club Picks
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Safety & Danger
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War
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World War II
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