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45 pages 1 hour read

Kevin Kwan

Sex and Vanity: A Novel

Fiction | Novel | Adult | Published in 2020

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Part 1, Chapters 8-15Chapter Summaries & Analyses

Part 1: “Capri, 2013”

Part 1, Chapter 8 Summary: “Marina Grande, Capri, Italy”

Charlotte arrives at the cathedral to meet the group for the day’s activity. Outside, she meets Baron Mordecai von Ephrussi. Charlotte assesses his outfit and decides that she knows how to talk to him. They discuss their work, families, and backgrounds. Lucie arrives, and Charlotte explains that Lucie’s father was Reginald Churchill. Mordecai privately recognizes how rich the women must be. He then announces that the Sultanah of Penang, a member of Malay royalty, will be joining them, too. The other guests arrive and form a receiving line to greet the Sultanah.

Charlotte and Mordecai are incensed when they discover that they must take little boats from the cathedral to the island villa they’ll be touring. Mordecai fears that the Sultanah will drown en route and that he’ll be blamed.

Part 1, Chapter 9 Summary: “Villa Lachowski, Positano, Italy”

While on one of the little boats, Lucie remembers sailing with her father when she was a child. She dismisses the memories when they arrive at the estate for the tour. Mordecai leads the guests around the villa grounds, speaking at length about its history. Meanwhile, the women complain about Mordecai and comment on Lucie’s appearance. The Ortiz sisters particularly pester her about her heritage. Suddenly, Rosemary and George appear in pajamas. Rosemary says that they were having breakfast there since they know the owner, Tom. Lucie greets George uncomfortably.

Part 1, Chapter 10 Summary: “The High Garden at Villa Lachowski, Capri, Italy”

The group has lunch on the terrace after the tour. Charlotte, Olivia, Rosemary, and the Ortiz sisters remark on each other’s clothes and talk about Hong Kong. Lucie notices how they scoff at Rosemary’s clothing but don’t say anything about the Sultanah’s appearance.

Afterward, Charlotte, Olivia, and Lucie sit on the terrace sun beds and chat. Charlotte starts talking about a “hot summer romance” she had as a young woman (99). Her parents and grandmother refused to let her keep seeing the man because he was Jewish. Charlotte and Olivia send Lucie to get drinks, but she gets distracted wandering around the gardens and thinking about the day. She thinks about George, too, and she’s upset with herself for how she behaves around him. Then, she runs into George in the garden and finds herself kissing him. Suddenly, Charlotte appears, calling for Lucie to come to the dock to return to Capri.

Part 1, Chapter 11 Summary: “Hotel Bertolucci, Capri, Italy”

Lucie shows Auden some of her paintings. He remarks on her skill, insisting that she has real talent. Afterward, Lucie’s mind returns to George. She still can’t figure out what happened and who kissed whom. In her room, she stalks him online. His social media only confuses her more. Charlotte knocks, interrupting Lucie. She insists that they have to hurry and prepare for the night’s concert. Her annoyance with Lucie’s unpreparedness reminds Lucie of a childhood memory. She tells Charlotte that she has to shower but then finds a piece of paper with a Pablo Neruda line written on it slipped under the door.

Part 1, Chapter 12 Summary: “Certosa di San Giacomo, Capri, Italy”

Lucie and Charlotte arrive late for the concert. Charlotte blames Lucie for washing her hair. Lucie didn’t wash her hair but spent a half hour trying to find something to wear and calm down after finding the Neruda poem. She thinks about the note throughout the concert and guesses that George must have left it. She struggles to focus on the event as her mind keeps wandering. Afterward, she decides that she’ll have to give George a Neruda line in exchange, but she can’t find a good one when she googles Neruda on her phone. She considers approaching him at the cocktail hour, but Auden engages her about painting. She looks up and discovers that George is playing the piano. She decides what she should say to him once they finally talk. However, at dinner, George is seated near two other attractive women. Lucie sits near Mordecai, who rants about Lucie’s appearance, the wedding, old money, and wealthy Chinese families.

Lucie decides to get drunk to endure the evening. The night goes on, and she remembers it only in snatches. At one point, she wanders back into the chapel and studies an image of Jesus on the ceiling. Jesus’ body morphs into George’s, and she kisses him again.

Part 1, Chapter 13 Summary: “Villa Lysis, Capri, Italy”

Over lunch, Charlotte and Olivia demand details from Lucie about the night prior. Lucie still can’t remember everything but thinks that something has happened between her and George. Rosemary arrives, and the women remark on her outfit. Other guests also arrive at the poolside café and tell stories from the night before. Lucie tries to put the details together.

The guests attend the wedding ceremony. Many of the women think Isabel’s dress is unflattering, but Lucie admires her simple elegance. The couple exchanges vows, and Dolfi announces that everyone will now party.

Part 1, Chapter 14 Summary: “Villa Jovis”

The guests take golf carts up to Villa Jovis, a palace at the apex of Capri, for the reception. Lucie and Charlotte wander around the cliff and study the view. Olivia and Rosemary join them, and they discuss the ceremony. They notice drones flying overhead, taking footage of the event.

In the hall, Lucie studies the place cards to see if she and George are seated together. His card is gone, and she misses the opportunity to put them at the same table. When she sits down, she’s shocked to see George. They’re seated near a German woman named Petra. George gets up to talk to other women, and Petra reveals that she switched the cards so that Lucie and George could be together. She’s noticed their energy and thinks that they’re made for each other. Lucie considers if this is true throughout the lengthy dinner.

Lucie excuses herself to take a walk and study the view. Still unable to understand her feelings, she thinks about George. Then, she bumps into him, and he leans in and kisses her. The kiss intensifies until they’re lying on a bench and George lifts Lucie’s dress to perform oral sex. A scream interrupts them. Lucie is horrified to open her eyes and see Charlotte, who’s screaming that a drone is filming them and that everyone can see what they’re doing.

Part 1, Chapter 15 Summary: “Hotel Bertolucci, Capri, Italy”

Lucie closes herself in the bathroom and takes a bath. She knows that she made a mistake and replays everything that happened. Several guys were controlling the drone and found George and Lucie together on camera. Charlotte caught them watching the footage and realized that it was Lucie and George. She searched for help, terrified that Lucie’s name would be ruined. She believed that the incident would disallow Lucie from being in The Social Register and taint the family reputation. She told Lucie that she hadn’t told anyone what she’d seen but had been frantic when she discovered what happened.

While Lucie and Charlotte argue in the hotel, George knocks on the door. He says that he bribed the men to give him the drone. He then destroyed the hard drive, smashed the equipment, and hurled it into the sea.

Part 1, Chapters 8-15 Analysis

The latter chapters of Part 1 intensify Lucie’s internal conflict and further the novel’s satirical commentary on high society. The longer Lucie is in Capri for Isabel’s wedding celebration, the more isolated and confused she feels. The idyllic setting immerses her in a romantic world that estranges her from her academic reality back in the United States. Lucie has been steeped in the culture and drama of high-society life since she was a child. However, her intellectual and artistic pursuits at university have allowed her to detach from this world. In Capri, Lucie is submerged once more in the expectations of her renowned family and the elite members of their social sphere. These interpersonal and cultural dynamics complicate Lucie’s ability to discern what she is feeling and what she wants, particularly within the context of her developing relationship with George. The more often she encounters and interacts with George, the more muddled Lucie’s emotions become. She spends her latter days in Capri “trying to make sense of her thoughts” and articulate her feelings for George (101). Because George is unlike the other guests, Lucie feels drawn to him. At the same time, Lucie wants to discount her attraction to George based on these differences. Lucie knows that George doesn’t meet her family’s and social circle’s standards, so she’s determined to dismiss her feelings. Her environment and social setting challenge her personal feelings. These dynamics heighten the narrative drama and underscore how class divisions and social standards disrupt human connection. Indeed, Lucie isn’t allowed to determine her feelings, wants, and needs for fear of breaking some unspoken social rule. If she is meant to be added to the elite and coveted Social Register, she must behave according to her family’s and society’s expectations. The more intense these conflicts between Lucie’s internal and external worlds become, the more absurd the narrative action appears. The humorous elements of the narrative become increasingly outsized throughout the section and thus highlight the inanity of high society’s governing codes of conduct.

Lucie’s social interactions throughout this section exacerbate her discomfort and challenge her cultural and personal identities. Most of the wedding guests scrutinize and interrogate Lucie throughout the Capri trip. In Chapter 9, for example, the Ortiz sisters pester Lucie about her appearance. They not only remark that she has “a neck like a swan” but also demand to know the specifics of “Lucie’s family history,” her “Chinese ancestry,” and the source of “[her] Chinese blood” (92-93). Lucie privately recognizes the absurdity of the questions they’re asking. Still, she doesn’t push back when the sisters insist that she should “thank [her] mother for [her] beautiful features” or when they demand to know “how long [she has] been modeling” (93). Her reactions to the sisters in this scene reveal Lucie’s simultaneous discomfort and reluctance to use her voice. She doesn’t dispute the other characters’ remarks because she doesn’t want to appear rude or behave out of character. She has learned what others expect of her and has grown accustomed to how they see her, particularly in light of her cultural background and dual heritage. She abides by the unspoken rules of her elite milieu to prove herself worthy of being among them. Lucie also performs this identity in conversation with Mordecai in Chapter 12. Mordecai pesters her with insensitive racial, familial, and cultural questions, including, “When you look in the mirror, do you feel more Asian or more Caucasian?” and “Tell me, how exactly are you all related to the English Churchills?” (122). Mordecai doesn’t make polite conversation but interrogates Lucie’s right to be a member of high society. Again, Lucie doesn’t push back at Mordecai but instead decides to drink heavily “to endure this inquisition for another three courses” (122). This scene compounds Lucie’s discomfort and, in turn, heightens the narrative tension. Lucie doesn’t feel confused and out of place because of her unexpected feelings for George or her annoyance with Charlotte. Rather, her company actively attacks her identity and threatens her sense of peace and safety.

Lucie and George’s sexual encounter at the end of the section marks a narrative turning point. Sexual tension has grown between Lucie and George throughout Part 1. However, acting on their feelings ultimately drives them apart rather than fulfilling their desires. Their momentarily private encounter rapidly becomes public when Charlotte reveals that several guests saw the drone footage of them together. This revelation heightens the narrative tension while further troubling Lucie’s social status and heightening her internal conflict. Even when Lucie attempts to exact her desires in private, her actions are publicized and ridiculed. As a result, Lucie and George are forced to part at the section’s close. The end of the Capri trip marks the end of Lucie and George’s romantic dalliance and pushes the narrative forward.

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