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64 pages 2 hours read

Brandon Sanderson

Shadows of Self

Fiction | Novel | Adult | Published in 2015

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Part 2, Chapters 14-21Chapter Summaries & Analyses

Part 2, Chapter 14 Summary

Wax Steelpushes his way over the city; as he does so, he spots an altercation near a Pathian temple and stops. A group of people is throwing bottles and rocks at the unimposing hut, so Wax lands and intimidates them into running away. He tells the missionary inside to leave and to take any other missionaries she knows in the area. On his way out, he confronts one of the Survivorists who attacked the temple. The Survivorist reveals he did not know about the killing of the Survivorist priest; he and the others were attacking because two Pathians entered a pub and started mouthing off about the Survivor. Wax realizes Bleeder’s plan is much wider than he thought and that MeLaan is wrong—Bleeder is working with others. Wax considers she might be working with his uncle.

Wax continues to his destination, a field of carriages for hire. The proprietor finds him searching the carriages for signs of the silver paint being scratched, since he saw silver paint on the walls of the alley where he presumed Bleeder fled from the Survivorist church. The man allows Wax to look through his records, and Wax gets the sense the man is hiding something. It turns out he was hiding the illegal use of Rioters to riot people’s emotions so they would hire cabs. Wax discovers this because the man’s Coinshot arrives with a report on where people that might need cabs are gathering. He also discovers, however, that the Coinshot saw the carriage Wax believes was hired by Bleeder; its driver is at a Soothing parlor.

Marasi takes MeLaan into the constabulary, where Aradel called in reinforcement to prepare for unrest. Marasi stops first at the records room, asking the constable there for the records Aradel ordered be pulled about the recent flooding that caused crop shortages. He claims there is nothing useful, but Marasi takes the records herself. MeLaan questions why Marasi lets other constables treat her badly, and Marasi explains the chain of promotions and how her connection to Wax makes things worse. Perusing the articles about the flood, Marasi finds the attorneys of the man who started the flood claimed he was irrational and that the man forgot the names of his children. MeLaan says it might mean Paalm took over his body, but she points out the end of the article provides better proof: After being hung, the man’s grave was desecrated. MeLaan presumes Paalm let them bury her and then freed herself from the grave.

Part 2, Chapter 15 Summary

Wax finds the Soothing parlor where the Coinshot spotted Chapaou, the driver of Bleeder’s carriage. As Wax suspected, the carriage has a scratch through the silver paint of the crest, and when the proprietress leads him to Chapaou, the man is pacing erratically in the private room he booked with a Soother and a massage therapist. He tells Wax he wanted to forget what he saw, which was himself.

Marasi and MeLaan find Aradel on the roof, speaking with Coinshots who report to him there are still too many people on the streets, gathering in pubs. He orders them to prepare his men to shut down the pubs as soon as he gains permission from the governor to institute martial law. Once alone, Marasi tells Aradel of what she found about the floods, then introduces him to MeLaan, who uses a more formal speech, as he would expect of her. She proves she is a kandra but makes a wisecrack about his snoring, despite her formal, holy appearance. Away from MeLaan, Aradel asks Marasi to essentially spy on Wax, as Aradel would like to receive more than the half-hearted and reckless messages Wax generally gives him. Marasi agrees to report to Aradel, but she insists she will tell Wax she is doing so.

Chapaou tells Wax everything he remembers from the night as Wax inspects a small bundle Bleeder left in the back of the carriage. Bleeder says he peeked back into the carriage because he didn’t like that the Pathian priest returned with blood on his hands. He saw Bleeder mid-transformation, and when Bleeder saw him looking, she approximated Chapaou’s own face, terrifying the man. He kept driving, but when he dropped her where she wanted, she told him she would make him free. As Chapaou speaks, Wax finds in the bundle the mallet used to pound the spikes into the Survivorist priest and the bones and clothing of the Pathian priest Bleeder imitated. He also finds some sort of powder that glows, though he does not know what it is. He gives Chapaou money and tells him to go home, since Bleeder most likely does not want the man dead, and then Wax heads for where Chapaou dropped Bleeder.

Part 2, Chapter 16 Summary

Wax observes the governor’s mansion and the surrounding area from the roof. More people than usual walk the streets, revealing the unrest in the city. As he watches, Bleeder speaks into his mind again. Wax lowers himself to the ground so he can walk, testing whether she moves to follow and hear him speak. She is insistent that she will save Wax and the city. He spots movement in a window, but he pauses when she asks about Lessie. She tells him to ask Harmony why he did not save her. She hints Harmony may have known that Lessie kept Wax in the Roughs but that Harmony needed Wax in the city. Then, she runs for the governor’s mansion.

Wax follows, but Bleeder uses the Feruchemical speed she stole. She kills nearly all the guards. Wax nearly catches her when Wayne, disguised as a guard, catches Wax and himself in a speed bubble. Wax shoots her as much as he can through the bubble and then uses Steelpushing to send one of the syringes MeLaan gave him at Bleeder. The syringe misses, embedding itself in the wall, and Bleeder heals her wounds with her kandra abilities and runs into the safe room where the governor is being held.

By the time Wax makes it to the room, the governor’s head of security is dead. The governor claims the man stepped in front of the bullet heading for Innate and saved him. Bleeder fled after that. Wax is not sure whether she fled because she ran out of Feruchemical speed or because she did not plan to kill Innate yet, only make a statement.

Innate still refuses to leave the city, planning to stay and deal with the unrest. When Wax walks through the other entrance to the safe room, the one Bleeder fled through, he finds a drawing she made on the wall and words reminding Wax she believes she will free him.

Part 2, Chapter 17 Summary

Wayne and Wax think about their next steps while the governor Innate speaks with several leaders of the city; Marasi is in the room as well to pass along Aradel’s request for martial law. While they talk, MeLaan digests the body of one of the dead guards so she can imitate the woman and not be noticed by Paalm if she returns.

Wax shows MeLaan powder he pulled from Paalm’s things in the abandoned carriage, and she informs him it is a fungus from the kandra Homeland, which is now a holy place rather than where the kandra live; the idea of Paalm there bothers MeLaan. Through MeLaan, Harmony gives Wax permission to go there and investigate in case Paalm was living there.

Wax is informed his carriage is waiting. He sent a note to his uncle, offering not to arrest the man if he met Wax to talk. Wax hopes he can gain information about Paalm from his uncle. Unfortunately, Edwarn sees possibility in Paalm’s plans, since his people, the Set, want to cause upheaval, anyway, and then seize power. Edwarn refuses to give Wax information.

Part 2, Chapter 18 Summary

Marasi watches and listens as the leaders of the city clamor to give Innate their opinions about what should be done in the city. Some wish to let things happen as they would and then putter out, while some think that martial law is not a harsh enough solution. After dismissing them, Innate writes out permission for Aradel to institute martial law, putting him in charge of all the other octants, which did not make the same request. He gives the paper to Marasi along with orders for Aradel.

Marasi requests a carriage from a servant, but she must wait for one while they are out delivering other messages. While waiting, she enters the governor’s safe room, outside of which a servant is still cleaning the blood of Innate’s guards. Marasi pulls down one of the books containing the Words of Founding out of curiosity; she notices three of the volumes are scuffed at the bottom. Curious, she inspects them; inside one, she finds a hidden key. She considers if she should use it, but she knows the law well enough that she believes she can conduct a search. In a hidden safe, she finds letters from important lords in the city. They are somewhat coded, but she aligns them to her own research and realizes they are proof she was right: Innate is corrupt and was bought. She takes the letters, but she worries about what to do. She believes Innate should be held to account, but she also knows she might be playing into Bleeder’s plan.

Wax flies over the city after leaving his uncle’s carriage, hoping to clear his head before going to the kandra Homeland. He observes the electric lights in the center of the city compared to the edges, where electric lights still have not been implemented. He wishes he could return to the Roughs, where justice was simpler. Bleeder’s questions about why Harmony did not save Lessie linger in his head.

Part 2, Chapter 19 Summary

Governor Innate demands to be left alone to consider what he will say to the crowds gathering outside the mansion. Wayne and the disguised MeLaan wait outside and discuss accents, as MeLaan is trying to get the dead woman’s accent right. While they are waiting, Ranette, a friend of Wax’s from the Roughs, arrives. She brings a bullet Wax ordered her, by messenger, to create, made to his specifications. She gives it to Wayne and shares her concerns about the crowds gathering in the city.

Marasi gives Aradel his permission for martial law, and as they head to the governor’s mansion, she tells Aradel about the letters she found. He is conflicted, but he agrees they still must protect the governor and deal with his corruption later.

Wax approaches the Field of Rebirth, where the Originators came out from underground shelters into a new world centuries ago and where Elend, the last emperor, and Vin, the Ascendant Warrior, are entombed. He moves past protesting constables and enters the ancient caverns, which were turned into a museum. Near the end, he uses his Steelsight to find a hidden switch for a door. Closing the door and seeking a match to light his way, he hears a “growling” voice say, “I’ve been waiting for you” (307).

Part 2, Chapter 20 Summary

Wax fires into the darkness but discovers the voice belongs to TenSoon, one of the oldest kandra and the one who served the Ascendant Warrior. He leads Wax further into the caverns and to what used to be prisons for kandra like him, who betrayed the laws of kandra before the world was remade. Inside one of the pits is a pile of pages ripped from the Words of Founding, but with words written over the pages with blood. Wax lays them out to find a pattern. He finds out through TenSoon that although Harmony did not take full control of Bleeder, he did push her very hard to do something she did not want to do; it may have been the trigger for her fixation on freedom and her decision to pull out one of her spikes. Wax thinks of hints she left him about cutting out tongues and blinding others, and he realizes Bleeder is always one step ahead. He realizes she knows the other kandra are moving throughout the city in disguises and trying to soothe tensions. She will use it against them.

Wayne moves through the crowd of angry protestors outside the mansion to get a feel for what is going on. He moves with them, imitating them to move more easily. A man in worker’s clothing gives a speech to the crowd, inciting their anger against the elite. A priest jumps up to the same statue to calm the masses instead, claiming there are better ways to make their grievances known. As Wayne watches, the original speaker stabs the priest with a syringe of the same liquid MeLaan gave Wax, revealing to the entire crowd the priest is actually a kandra. He incites further anger by claiming the kandra work for the elite; then someone recognizes Wayne, and the speaker claims the elite sent Wayne out among them.

Part 2, Chapter 21 Summary

Wax and TenSoon run for the way out, but on the way, they hear howls from a creature that TenSoon cannot recognize. When they see the creatures hunting them, they see they were humans, but Paalm used Hemalurgy in some new way to turn them into monsters under her control, moving like animals. Wax and TenSoon kill them, but more are coming, so they run for an escape route.

Wayne runs with the mob in his newest disguise, using it to get away from the crowd and back to the mansion. As he listens, he hears a voice speaking and recognizes the accent is off somehow—only slightly but enough for Wayne to know who Paalm is impersonating.

TenSoon leads Wax to what looks like a dead end; the kandra recently found another possible route in and out of the Homeland, but it is just a crack in the wall of the tunnel. Wax increases his weight with Feruchemy and creates more of an opening for them to enter, and they both begin to climb. Wax recognizes midway through the climb he is in what used to be the Pits of Hathsin, where the Lord Emperor sent prisoners to mine atrium in horrific conditions—and where the Survivor, Kelsier, became the only person to leave the Pits alive. As they reach the sewers of the city, TenSoon asks why Paalm wants to distract him as well as TenSoon, and Wax realizes why. The governor plans to speak to the city, and Wax comes to the conclusion that Paalm did not kill the man yet because she wanted an audience when she did so to incite more anger and panic.

Part 2, Chapters 14-21 Analysis

Action rises and tensions deepen to dangerous levels in the second half of Part 2, as readers see Class Inequality and Worsening Disparities. There are quite a few people out on the streets and in pubs, venting their anger over working and living conditions and reacting to the murder of the priest and other incidents of religiously-driven anger. Wax has discovered that Paalm/Bleeder is using people throughout the city, either in passing or by piercing them with metal to cause their perception to break from reality. It becomes clear to Wax that she has a broader plan than simply killing the governor: She wants to drive the city’s inhabitants to levels of rage that she believes will free them from Harmony. Wax’s own tension increases both because he hates having to verify the identities of people he normally trusts and because he can tell that at least part of Paalm/Bleeder’s plan is related to him. He cannot figure out his connection to Paalm/Bleeder, and it frustrates him. Despite Harmony leaning on him to stop the rogue kandra, god does not provide full information for Wax, leaving a gap of information that digs at Wax and limits his ability to see the whole picture behind Paalm/Bleeder’s actions. Wax uses his detective methods as best he can, but Paalm/Bleeder’s abilities to appear in any form and to use Allomantic and Feruchemical powers consistently allow her to elude Wax. Society shows general malaise and unrest; the deep divides between groups economically and socially are also paralleled by the existential and religious crises experienced by those in the society.

Marasi continues to struggle with Gendered, Professional, and Class-Based Identities, with MeLaan confronting her about certain elements of her own behavior. MeLaan cannot understand why Marasi allows other constables to treat her with disrespect, but Marasi knows that her identity as someone connected to Wax leaves her with few viable options but to allow the treatment. If she asks for Wax to get them to show respect like MeLaan suggests, Marasi knows that the constables would actually resent her more. This demonstrates yet another double-standard that women face in society, especially in professional realms. She hopes instead to prove her worth on her own, outside of her connection to Wax. Despite wanting desperately to be valued, Marasi refuses to take the easy way out, knowing that getting others to step in on her behalf would only lead to superficial changes. Marasi wants real changes—real respect, earned because of who she really is, rather than who she seems to be or who she is connected with. She wants the divide across society to be remedied in a gendered way as well.

Marasi finds more reasons to struggle with The Disconnect Between Laws and Morality when she discovers the governor’s hidden letters that match up with her research and indicate acts of corruption in league with certain members of the nobility. She chooses morality with a thin veneer of law: She takes the letters, using her knowledge of law to halfway justify what might be considered an illegal method of obtaining evidence. For her, the moral implications are too strong; she believes she must take the letters to make the city even a slightly better place by holding people accountable. The novel continues to question the connection between laws and morality and wonders if there is an inherent value in laws or if they are simply a tool with which individuals can control other individuals.

Religion, Free Will, and Doubt in God becomes more fraught in the second half of Part 2. With little information from Harmony, Wax must rely on his own skills, making the power of God seem questionable. Paalm/Bleeder also uses religious tensions to increase the rage she is building among city-dwellers. By making it seem like a Pathian priest killed a Survivorist priest, and forcing Pathians to speak virulently against Survivorists throughout the city, she grabs hold of the biases that live quietly in many religious followers and forces them to the surface in violent ways. Paalm/Bleeder plants doubts in Wax, too, hinting that perhaps Harmony acts in ways that are controlling and not in Wax’s best interests. She asks Wax:

Did [Harmony] know the effect Lessie had on you, that she was what kept you out in the Roughs? Did he know, perhaps, that you’d never return here—where he needed you—as long as she was alive? Did he, perhaps, want her to die? (261).

The secret underlying Paalm/Bleeder’s plot comes closer to the surface, but neither she nor Harmony reveals it to Wax at this point. Her questions, though, do land: Wax does begin to consider his past, although he does so in the back of his mind as he tries to focus on stopping the kandra. Paalm preys on the existential and social crises individual members in the society face to fuel an onslaught of rage and destruction. She taps into inherent prejudices, sometimes exacerbated by economic divide, not to help and lead but instead to increase violence.

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