43 pages • 1 hour read
Lissa PriceA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Callie goes to see the senator, but a woman in his office recognizes her and demands she leave the premises. Callie realizes Helena must’ve been here before and caused a stir. Callie runs when they call security and gets away.
Back at Helena’s mansion, she looks at the webpages on Helena’s computer. She sees an awards ceremony on November 18 at 8 p.m. that the Senator will be attending, the same date Helena scrawled on a piece of paper.
Callie meets up with Blake, who tells her he gave Michael the money, but he wants to know the truth about her. He asserts that he thinks she’s sick, leading her to black out and act weird sometimes. Callie doesn’t correct him but still feels guilty for the lie. She asks to meet Blake’s grandfather because she wants to warn him about Helena’s plan. Blake agrees to try and arrange something and shares that he’ll be at the ceremony, too. Callie and Blake kiss.
Callie tears up Helena’s tickets for the awards ceremony and makes plans to meet with Rhiannon/Madison. She goes to pick up a flash meal but passes out. When she wakes up, she has an assault rifle in her hands and is in a hotel room with the rifle pointed at a podium through an open window. She hears the voice in her head again and realizes it’s Helena. Helena fights with her to stay put and go through with it. Callie unloads the gun and leaves. Helena advises Callie to take it easy since she just had surgery to disable the no-kill switch in her chip. Helena tells Callie that the senator will kill many children with the proposal he’s planning to the president: to show Enders what it’s like to have children’s bodies accessible to them. Callie starts to go back to Prime Destinations because she doesn’t want to be complicit in a murder plot, but Helena warns her they’ll both die if she goes back.
Callie tries to connect with Helena, but the connection is gone. She decides to go to Madison’s house like she originally planned. While they’re hanging out with holograms, Blake calls to invite Callie to the awards ceremony. Callie refuses because she’s afraid of what Helena might do there. As she thinks about it more, she realizes that she may have lost her connection with Helena because Helena could’ve left the body bank.
Callie calls Blake back and accepts his invitation to go. Blake picks her up and takes her to a penthouse before they go to the Music Center. It’s a luxurious spot for his family before big events, but it’s surrounded by the decay of the rest of the area. He lets her use his sister’s wardrobe to get ready. She chooses an elegant blue gown, pretty pumps, and jewelry with a whale charm on it since Blake remembered whales are her favorite animals. Blake thinks she looks stunning.
Callie and Blake go to the Music Center plaza and into the Dorothy Chandler Pavilion that night for the awards ceremony. They mingle and eat food. Blake goes to fetch his grandfather, and Helena’s voice reappears in Callie’s head, telling her what a monster the senator is. Helena offers Callie five times what Prime Destinations is offering her and a home if she kills the senator. Callie doesn’t believe her and won’t do it. Helena directs Callie to a gun stashed away just as Blake comes back with his grandfather, Senator Harrison. The Senator is judgmental of Callie because she’s wearing the family’s clothes. He also acts strangely around her. When the Senator prepares for his on-stage appearance and Blake gets ready too, Callie is left alone with Helena’s voice again who tells her she must get the gun because it has her fingerprints on it. Callie goes to the women’s restroom and gets the gun, which was taped on the underside of a trashcan in one of the stalls.
Callie takes her seat for the ceremony, and Helena urges her to shoot the Senator. She doesn’t, and once the ceremony is over, she asks why Helena wanted to shoot him there. Helena wanted to expose Prime Destinations as publicly as possible.
In the ballroom afterwards, she is approached by the Senator who inspects her “like a bug under a microscope” (172). He knows she’s from Prime Destinations and thinks she’s plotting something. The woman who had her chased out of the senator’s office the other day recognizes her. Security comes after her, and she runs. The other Enders in teenage bodies run with her. She recognizes them as Briona, Lee, and Raj. They head for a car and Callie’s shoe comes off. Raj and Lee go back to return the heirlooms Blake leant her, and then they quickly make a getaway in the car. As they pull away, Callie sees Blake in the rearview, looking sad and confused while holding her shoe.
Callie tries to ask Briona, Raj, and Lee about Emma again, but they all say they didn’t know her. Callie finds it a bit strange that none of them want to know why she’s curious. Callie retrieves her car from Madison’s house, where she left it to slip out and meet Blake and goes back to Helena’s house.
She’s very stressed about the situation with Blake and thinks back on her conversation with Senator Harrison, which she also finds odd. She doesn’t understand why the senator would worry that Tinnenbaum sent her. Helena pops back into her head, and they have a heartfelt conversation, during which Helena offers Callie a place for her brother to stay and a reception blocker to allow her to visit him. She tells Callie she reminds her of Emma.
Wealth and privilege play a huge role in this section of the novel, as Callie’s fear of unworthiness stems from her guilt about lying by letting Blake believe she’s rich. This conflict of the ultra-wealthy and the unclaimed minors scraping for their lives on the streets is neatly summed up in the image of the penthouse fountain view, which is beautiful and extravagant, with “potted palms bordering the railing” perfectly positioned to disguise the “[b]oarded-up, crumbling buildings surround[ing] this oasis” (161). The decadent fountain’s placement and arrangement of the plants on the terrace embodies the notion of the wealthy Enders living in a bubble. The Enders inhabit a separate, much cushier reality than most Starters, and for most, it’s an intentional, active ignorance rather than a genuine ignorance, like Rhiannon’s.
The wealth in the world of the Enders and their grandchildren is unrelenting and makes Callie feel “like a princess […] at a royal ball” (166). The glitz and glamor sweeps Callie up in a world that feels “like a dreamscape” to her (166). This feeling of being swept away by romantic ideals, paired with her self-doubt, is exactly what allows her to fall into Blake’s, or rather the Old Man’s, trap. She’s so busy admiring it all and feeling guilty about not being worthy and experiencing this extravagance while others rough it, that she’s not thinking as critically as she normally does. She lets this moment be her fairy tale, illusions which are quickly shattered by the reality of her circumstances when she is pulled back into Helena’s plot and Senator Harrison confronts her.
Action & Adventure
View Collection
Aging
View Collection
Appearance Versus Reality
View Collection
Beauty
View Collection
Brothers & Sisters
View Collection
Challenging Authority
View Collection
Childhood & Youth
View Collection
Class
View Collection
Class
View Collection
Community
View Collection
Family
View Collection
Fantasy & Science Fiction Books (High...
View Collection
Fear
View Collection
Good & Evil
View Collection
Guilt
View Collection
Memory
View Collection
Mortality & Death
View Collection
Power
View Collection
Romance
View Collection
The Best of "Best Book" Lists
View Collection
The Future
View Collection
The Past
View Collection
Trust & Doubt
View Collection
Truth & Lies
View Collection
YA Mystery & Crime
View Collection