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43 pages 1 hour read

Louise Penny

Still Life

Fiction | Novel | Adult | Published in 2005

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Chapters 10-12Chapter Summaries & Analyses

Chapter 10 Summary

Gamache watches as Jane’s friends stand and talk about her during the Sunday memorial service in Three Pines. The service ends with a lively rendition of “What Do You Do with a Drunken Sailor?” led by Ruth, who later tells Gamache that she taught Jane the song so that Jane could teach it to her students as part of their musical education. After the service, those who attended enjoy a meal. With Wayne’s health improving, Nellie approaches Ben and offers to clean his house that week. To Clara, she mentions that the last time she cleaned was before Jane’s death.

Seeing Ruth for the first time since he recognized her as a favorite poet, Gamache approaches her, but she shies away from his praise. Clara overhears Gamache mention Jane’s notary in passing, then interrupts to say that she thought the notary who drafted Jane’s most recent will was a woman, not a man, as Gamache’s pronoun use implied. Surprised, Gamache asks Clara to contact that notary.

Soon after, approximately 20 women assemble in the village green for the planned ritual “of celebration and cleansing” (208), including Myrna, Ruth, and Clara, who brings Lucy. Gamache watches from a distance as the women waft fumes from burning sage throughout the village, then proceed to the woods. Ben joins him. Gamache asks him how long he has loved Clara. Ben is surprised, then admits he fell in love with her long ago and commits Gamache to secrecy.

In the woods, the women form a tight circle, and Myrna thrusts a beaver-sharpened stick into the ground as a “prayer stick.” Each woman then ties something representative of Jane to the pole, starting with Myrna, who brought a book. She says a few words addressed to Jane, and the others follow suit. Ruth attaches a photograph of Jane, while Clara attaches a duck barrette, as well as a Queen of Hearts on Yolande’s behalf. The ritual over, Clara looks upward and spots an arrow sticking out of a tree, visible now that most of the leaves are on the ground. Clara runs to tells Gamache.

With the arrow in hand, Gamache and Beauvoir confront Mr. Croft, who recognizes it as one of his own. Relieved, Mr. Croft revises his story, telling Gamache that, after he and Philippe got into an argument, Philippe went bow hunting, then stumbled across Jane and thought he had killed her. Philippe took the bloody arrow, thinking it was his, hurried home and changed, but Mrs. Croft grew suspicious when she found blood on his clothes. Mr. Croft only learned about Philippe’s actions after the community meeting.

Beauvoir contacts the superintendent and asks him to reassign Gamache to the case, and he does so. They visit Philippe, who confirms his father’s story. With Jane’s death now investigated as a murder, they obtain a warrant to search Jane’s home. Lacoste expels Yolande.

Gamache visits Myrna and asks her what Timmer told her the day she died. She tells Gamache that, when Jane was engaged to the lumberjack, Timmer overheard Ruth telling Jane’s parents about Jane’s plan to elope, leading them to break off the engagement. Jane never found out that Ruth was responsible.

Beauvoir interviews Yolande and André in their immaculate home. They tell him that they didn’t remove anything from Jane’s home and that they spent their time there “decorating.” Finding a pair of wet boots and a bow in the basement, he confronts André, who admits to hunting on the day Jane died.

Gamache and Beauvoir enter Jane’s home.

Chapter 11 Summary

Beauvoir and Gamache are stunned to see every inch of wall and ceiling in Jane’s living room covered with bright, tacky wallpaper and the floor painted pink. The rest of the house is similarly decorated, either with wallpaper or bright, painted-on colors that clash. They note a lack of paintings on the walls, nor do they find any easels for Jane to create her art.

The next morning, Gamache meets with his team. Nichol, who tries to mollify Gamache with an éclair, is annoyed when he asks about her research into Jane’s will. She gives evasive answers. Wanting to teach Nichol a lesson, Gamache takes her with him to see Ruth. He asks Ruth whether Jane ever knew that she told her parents about her engagement, and she says no. Gamache asks whether Timmer ever confronted Ruth about it, and Ruth reveals that Timmer did so on the day she died. During the interview, Nichol uses Ruth’s bathroom and is confused when she sees a sign in the mirror reading, “You’re looking at the problem” (239), thinking it must refer to an object visible in the mirror’s background (239).

Gamache, Beauvoir, Ruth, Clara, and Peter meet with the notary Clara contacted. She informs them that Jane’s latest will, made earlier that year, leaves her money and home to Clara, with a provision for a few friends to select and keep one item each.

Seeing Jane’s living room for the first time, Clara laughs in spite of herself. She, Gamache, and the others scour the room for something that might explain why Jane never let them see it but find nothing to answer the question. When Gamache recalls that Yolande said she decorated in Jane’s home, he realizes that she put up the wallpaper. Peeling back some of it, they recognize Jane’s drawings underneath. Peter and Clara begin to remove the paint and wallpaper. Ben comes to help, and they work until late in the night. The next day, they continue, slowly revealing more of Jane’s work. Clara is disappointed to see how slowly Ben proceeds. That night, Gamache returns and recognizes Jane’s art as a pictorial history of Three Pines and the people who live there.

Clara delivers an envelope addressed to Yolande that Jane left with the notary. Yolande swears and insults her. When Clara asks why Yolande covered Jane’s drawings, Yolande explains that Jane’s family was ashamed of her art and prevented her from studying art. Jane told Yolande she would be welcome back if she would apologize. For the first time, Clara stands up to Yolande and calls her “a stupid, stupid woman” (252). After Clara leaves, Yolande opens the envelope, sees a Queen of Hearts, decides that it is not the same card she knew in childhood, and throws it on the fire.

Chapter 12 Summary

On Tuesday morning, Gamache and his team review the list of suspects. They consider whether Peter and Clara would kill Jane for her money, whether Ben Hadley had any motive, and whether Ruth, possibly with help from André, would kill Jane to keep Ruth’s involvement in the breakup of Jane’s engagement secret.

In her art studio, Clara considers the wooden box, now mounted on stilts and linked in her mind with the blind in the woods. Dissatisfied, she goes to remove more wallpaper at Jane’s house, where she finds Ben, Ruth, and Gamache. At first, Ruth is not impressed, but when Clara shows her Jane’s depiction of Ruth as a child, Ruth recites the poem “Jenny Kiss’d Me” by Leigh Hunt. She recalls that Jane welcomed her with a kiss when she first arrived in Three Pines as a frightened schoolgirl.

Beauvoir and Lacoste search Yolande and André’s home. Lacoste gathers evidence from Bernard’s room, while Beauvoir finds Jane’s rough, yearly sketches of the county fair in Yolande’s room. Under pressure, André and Yolande reveal that they took the sketches, repulsive as they found them, with the intention of selling them back to Jane’s friends.

Cleared of all charges, Mr. Croft returns home, still hurt by Philippe’s now-withdrawn allegations of abuse. Entering Philippe’s room, he expresses his love and asks what he did to make Philippe angry. Philippe considers telling him something but withdraws and turns away. Gamache takes lunch at the bistro, where he learns that Clara intends to hold the post-exhibit party as Jane originally planned.

Lacoste prepares a report on her meeting with Timmer’s doctor, who admitted the possibility that she was killed by an overdose of morphine. On her way to the bistro, Bernard accosts her, demands that she return the item she found in his room, and says it doesn’t belong to him. He leaves when he sees someone approaching. Lacoste describes the incident and shares her findings with Gamache.

Shortly before three o’clock the next morning, Nichol wakes Gamache to tell him that a light just turned on in Jane’s home. Leaving Nichol behind, Gamache and Beauvoir enter silently to find Ben and Clara in the living room. Clara explains that she came over when she noticed the light on. Ben explains that he got up early to do extra work in the house, wanting to surprise Clara.

Chapters 10-12 Analysis

Though Jane’s two memorial services are held several days apart, Penny presents them immediately after one another in the text. Their juxtaposition contrasts Yolande’s formal, image-conscious service with the more relaxed, personal service held in Three Pines. The subsequent ritual with Celtic overtones offers a third, more mystical way for the women to celebrate Jane’s life and mourn her passing. The tokens they attach to the prayer stick are just one example of Penny’s interest in physical artifacts as representations of deeply personal feelings and concepts.

The same can be said of various characters’ homes, which become a reflection of the people who occupy them. In these chapters, this concept is clearest as Clara, Peter, and the others work to reveal Jane’s artwork. Jane’s home and her artwork are literally fused together, and by revealing that artwork, they reveal more of Jane’s character as preserved in her art. The act of peeling away false coverings is also symbolic, associated with clearing away the shame that kept Jane’s art hidden for so many years. Clara’s simultaneous struggle to turn a simple wooden box into art reminds readers of the work that goes into creating such meaningful artifacts.

These chapters also see Penny employ a technique common to mystery fiction: delayed reveals. Here, the narrative informs us that Lacoste found an item of interest in Bernard’s room, but the nature of that item is not yet revealed. Only later will it be revealed as the suggestive magazine that Bernard is using to blackmail Philippe. Obscuring key information heightens suspense as the narrative builds to a climax.

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