65 pages • 2 hours read
Riley SagerA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Now uncertain about who Josh is, Charlie wonders why Josh would have a fake ID card despite being of drinking age. While Josh puts on a Nirvana cassette tape, Charlie tries to think of a way to learn Josh’s true identity. She cannot inspect his wallet and car registration with him so close. She therefore asks him questions about himself, hoping he’ll give an answer that contradicts the information he gave previously. He reveals his last name is Baxter. Charlie tells him her last name is Jordan. Charlie then asks him if he grew up in Akron, and he says that he grew up in Toledo and it is his aunt who lives in Akron. He mentions his father’s poor health again, which Charlie perceives to be genuine. This detail makes her feel guilty for being so suspicious of him. She then brings up his janitorial job at Olyphant, asking what his favorite building is. After telling him her favorite is Madison Hall, he asks her about a feature of the building, which she describes. He replies that he also likes that building. Charlie then says that there is no Madison Hall, saying she was joking. Josh laughs, claiming he knew all along, as he never heard of Madison Hall. His reply, given that Olyphant does have a Madison Hall, tells Charlie he is lying about having worked at Olyphant. She wonders why he was at the riding board if he did not work there and why he agreed to drive her.
Shortly after their conversation, Josh turns off the music and asks Charlie to play a game of 20 questions. She recalls playing 20 questions with her parents on car trips. Charlie asks questions, trying to determine the word Josh has in mind, that point to Josh’s word being a useful thing that’s part of something living. Charlie begins to worry that he might have plans to assault her. Eventually, though, Charlie concludes that Josh is thinking about a human tooth. This realization disturbs her, and Josh puts together that she is upset because the Campus Killer pulled a tooth out of each of his victims. Charlie asks how Josh knows this, and he says he read it in a newspaper. However, the police never released that fact to the public and told Charlie not to tell anyone else. Charlie concludes that Josh is lying—he must know about the tooth because he is the Campus Killer.
Realizing that Josh is likely the Campus Killer, Charlie becomes determined to get out of the car. When Josh notices that she is nervous, though, she realizes that she must appear calm. A state trooper is driving close to them. When the state trooper draws alongside the car, Charlie fogs up the glass window with her breath and manages to write the word “HELP” without Josh’s knowledge. However, Josh eases on the brakes, allowing the state trooper to pass them. Josh then speeds up again, making it impossible for Charlie to jump out of the car. She regains hope when a toll plaza approaches, realizing that Josh will need to slow down. Charlie mentally runs through scenarios in which she could run away, preparing to jump out of the car. Before she can, however, Josh calls her name.
Charlie hears the same music play again, and Josh tells her she was seeing another movie in her mind. She doubts his claim; she is aware of when she returns to reality after seeing one, as the “movies” no longer feel real to her once she returns. Josh expresses annoyance at her interrogations. Suspecting that Josh might be trying to confuse her, Charlie confronts him for lying. She saw the name she saw on his license, Jake Collins, and she knows he never worked at Olyphant because Madison Hall is real.
Josh admits that he never worked at the university. He wanted someone to ride with him to Ohio and did not want his worry and grief about his father to trouble him on the drive. Charlie feels guilty once again for suspecting him, understanding grief herself. She still worries that he is a killer, however, and asks if he ever turned the stereo off and if they really played 20 questions. Josh replies no on both counts. He also shows her his license, a New Jersey license with the name Josh Baxter. Charlie questions whether the “movies” are taking control of her mind and worries she might have imagined everything on the car trip.
Josh asks Charlie if she minds him turning the music back on. Charlie asks him what he said earlier, and he says that he told her they did not play 20 questions. Charlie is relieved that at least that conversation she had with him was real. Wanting to get out of the car, even briefly, she tells him she needs to use the bathroom. He drives to a rest stop, and Charlie exits the car. She pretends to stretch behind the car so she can see the license plate, which is a New Jersey one. She then walks to the payphone to call Robbie and have him pick her up. However, the phone is not working. Charlie then goes into the rest stop building and sees a map of Interstate 80 with the rest stop’s location. She wonders if the entire trip, or even the entire past two months, has been a movie in her mind. She closes her eyes, but when she opens them, she is still in the rest stop building by the map.
Charlie enters the women’s bathroom and sits in a stall. There, she tries to make a plan about how to escape Josh. She hears a knock on the main door, and someone enters. She is sure that it is Josh and pulls her legs up, hoping to make him think the stall is empty. The person knocks on each stall before reaching hers. Charlie realizes the door is unlocked. A woman opens the door and is startled to see her there initially. Charlie asks the woman if she could give her a ride; she could drop Charlie off anywhere, and Charlie would get to her destination on her own. Charlie then sees Maddy walk into the bathroom and apply lipstick at the mirror. Maddy tells Charlie she should not have abandoned her and attacks her, pulling Charlie’s hair and pushing her against the sink.
Charlie returns to reality, realizing that Maddy’s appearance was another movie in her mind. Charlie’s reaction has disturbed the real woman, who believes Charlie is drunk. Charlie insists she’s sober and desperately asks again for a ride because she thinks the man she is with might be a killer. Still believing Charlie’s daze is a sign that she is drunk or unstable, however, the woman says that the man should be the one worried about Charlie. The woman then leaves the bathroom. Charlie looks at herself in the mirror and concludes that she is losing her grip on reality and cannot trust herself. She must trust Josh.
The narrative shifts to Josh’s perspective. Josh saw the woman from the bathroom arrive in an Oldsmobile while he was stretching outside the car. He let that woman go because he wanted Charlie. Josh had used the Olyphant sweatshirt to lure Charlie to him, and, in reality, he had played 20 questions with her. Josh regrets mentioning the tooth, as it made Charlie uneasy. He has been using her mental state to his advantage, keeping her off her footing by lying about the music and switching out his ID cards. Josh worries that Charlie might have told the woman about it. He then opens his trunk, where he has a box of license plates and ropes and a toolbox containing a gag, handcuffs, and a Swiss Army knife. He takes the handcuffs and knife out of the toolbox and brings them with him to the rest stop.
Part 2 further deteriorates The Blurred Line Between Reality and Imagination for Charlie, destabilizing her trust in herself further and, with the chapter from Josh’s perspective, establishing Josh as a truly suspicious character. The result is both increased tension between Charlie and Josh and increased suspense overall. As Charlie’s anxiety increases, she begins having more frequent and more intense hallucinations. Desperate to ease Charlie’s suspicion of him, Josh uses his knowledge of her hallucinations to gaslight her into believing that she had hallucinated their game of 20 questions. Charlie is in a fragile enough state to believe him. Then, while Charlie is in the rest stop bathroom, she has a hallucination of Maddy attacking her with the accusation, “[Y]ou shouldn’t have abandoned me” (121). This powerful hallucination, which manifests how Charlie’s guilt is shaping The Devastation of Grief, scares the other woman in the bathroom and makes Charlie believe that she can no longer trust herself. She starts to think that she is “slipping deeper into psychosis and that one of these times she’ll never snap out of it” (124); in other words, she starts to fear that the line distinguishing imagination from reality will disappear for her completely. The author uses Charlie’s doubt in this section to amplify her anxiety about whether she is truly in danger or just allowing her grief, guilt, and obsession with movies to take over. As Charlie’s reliability as a narrator seems lowest, though, the following insights from Josh’s point of view confirm Charlie’s fears.
Throughout Part 2, the theme of Trust Versus Paranoia interacts with the theme of The Wrongful Blaming of Women for Misogynistic Violence, with Charlie’s anxieties reflecting and stemming from women’s familiar generalized anxieties about survival. Charlie’s two-fold trap with Madison Hall during 20 questions—with her indicating it doesn’t exist when she knows it does—marks her inability to risk questioning Josh more directly. As Charlie’s suspicions about Josh grow, she adopts the mantra “Be smart. Be brave. Be careful” (80-81, 84, 94). This mantra becomes a motif, with Charlie forced to rely on herself to prevent Josh from hurting her if he is indeed dangerous. When Josh asks her to play 20 questions with him, she thinks explicitly about how to minimize the risk he might pose to her:
Not that she’s certain Josh wants to do her harm. When it comes to the man sitting a mere foot away, nothing is certain. But it’s a possibility. Enough of one that she slides a little closer to the passenger door, trying to put an additional inch between them. Enough to keep her checking the side mirror, looking in vain for those headlights. Enough for the same six words to keep repeating through her head like a good-luck chant.
Be smart. Be brave. Be careful (84).
Charlie’s failed effort to gain help from the state trooper driving past hints at the lack of aid institutions provide women in danger, heightening the intensity of Charlie’s isolation; much as her university put the onus of stopping violence against women on the female students, and Charlie has to rely on herself alone to protect herself against Josh’s potential violence.
Josh’s use of Charlie’s deteriorated mental health to gaslight her builds on all the above themes. It further degrades the line between imagination and reality, causing Charlie to begin questioning her grip on reality. After her hallucination in the rest stop bathroom, she concludes that she is “no longer capable of trusting what she sees” (124). Because “she can’t trust herself,” she decides that she “needs to trust Josh” (125). Josh’s use of Charlie’s weakness to shake her trust in herself and make her believe his assistance is crucial hints at many situations in which women are blamed for their own abuse. Despite her previous confidence that Josh is dangerous, Charlie is so shaken by his manipulation and so isolated by her circumstances that she stays, even opting to trust him.
By Riley Sager