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Riley SagerA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
When Charlie leaves the bathroom, Josh is right outside the door. He tells her that the woman told him Charlie was drunk. Charlie tells him she saw another movie in her mind. They return to the car, where Charlie sees the woman smoking outside her Oldsmobile. Once back on the road, Charlie tells Josh the movie in her mind was unpleasant. Josh then suggests playing 20 questions—for real, this time—as he wants to know more about her. He correctly concludes that her parents died and that she stopped driving because of that. He asks her if she misses them. Charlie replies that she misses Maddy even more than her parents; while she still sees her parents in herself, Maddy was so different from her and from anyone else. Josh explains his love for comics as a child, which helped him escape from his parents’ volatile fights with each other. He also mentions his fun Halloween as Batman when he was eight, shortly before his mother left him and his father and never returned.
They drive into The Poconos, Maddy’s childhood home, and Charlie reminisces about Maddy again. Josh asks if she’s getting carsick, and Charlie realizes Josh turned off the stereo during her supposed “movie.” It hits her that the original game of 20 questions and her near escape near the toll plaza actually happened. To confirm once and for all, she breathes onto the glass of her window. The word “HELP” is still there.
Charlie realizes Josh has been gaslighting her, and she concludes that he is the Campus Killer. Charlie plans her escape once again, now profoundly scared that Josh will chase and kill her. She waits and tries to act normal. Josh starts heading toward a diner, as some food will be good for Charlie. As a forest goes past, Charlie plans to jump out of the car again but ultimately decides it would be too dangerous. At the diner, a few vehicles are in the parking lot, including a driver in a pick-up truck. Charlie hopes that someone will help her. She also spots a payphone and plans to make a call.
Once in the diner, Charlie sits in a booth next to a couple. Josh sits at a table on the opposite side, however, forcing Charlie to move. Josh can now see the payphone from where they’re sitting. The waitress, Marge, takes their orders, with Josh ordering a coffee, Coke, and Salisbury steak and Charlie ordering a hot tea and fries. She’ll throw the tea in Josh’s face and escape if she has to. As Josh goes to turn on the jukebox, Charlie uses the opportunity to tell him she needs to make a call to her boyfriend. Charlie hopes this will be a chance to escape.
Outside, Charlie sees Josh drinking his coffee and uses the payphone to dial 911. Just as the dispatcher comes on, though, she sees that Josh is no longer at the booth and is now outside. She hangs up and tells him that she accidentally called the wrong number and has no more change. Josh gives her change, and she calls Robbie. She tells Robbie that she is in trouble and gives her location using fake calmness and code words, causing Robbie to panic. She soon hangs up, hoping he will call the police. Josh then says they should get out of the cold and back into the diner.
At his apartment, Robbie paces, worried about Charlie. When Charlie called him, he nearly ignored the call, still hurt that their relationship is ending. He still cares about her, though, which is why he answered. He thought Charlie was joking at first, but she is really in a dangerous situation. He calls the last number that called him and then calls 411. He tells the dispatcher the diner’s location, calls a local dispatcher, and tells her about Charlie. The dispatcher tells him she might try to get a police officer to investigate the diner. Robbie decides to get dressed and drive to help Charlie himself.
Charlie and Josh walk back into the diner. At the booth, they hear the payphone ring outside, but neither answers it. Charlie tells Josh the mysterious call was not Robbie, though she knows it was. Shortly after, Marge brings their food. As they eat, Josh asks Charlie why she was speaking in code to her boyfriend. He then confronts Charlie about her distrust. He says he is considering leaving her at the diner and driving on alone because she doesn’t trust him. This surprises Charlie, but she still thinks he is lying to her. That said, Charlie is exhausted by her fear and sadness and sick of using the movies in her mind to cope with her pain. Marge returns but accidentally spills Charlie’s tea on Maddy’s red coat. Marge apologizes, but Charlie is not upset and uses the opportunity to go to the bathroom. Charlie knows, though, that Josh will wait for her.
The narrator reveals that Marge suspects Charlie fears Josh. The waitress used her elbow to spill the tea on Charlie’s coat, forcing her to go into the bathroom so she could talk to her. The narrator also reveals that Marge has a late husband named Howard and that she has since gotten cancer. Marge grabs a bottle of club soda and goes to the women’s bathroom to talk to Charlie.
Charlie enters the diner bathroom and inspects the tea stain on the coat. She is sad because the coat reminds her of Maddy; even though she can still wear it, the coat will be damaged like her memories of her friend. Marge enters and offers to pay Charlie for the damage, but Charlie says it’s not necessary. Marge insists, though. She then tells Charlie that she is concerned that Josh wants to harm her. Charlie says nothing is wrong, not wanting to put Marge in danger. Marge then uses the club soda to get the tea stain out and apologizes for her questions. She says that she wanted to help her because women need to help each other. She then leaves the bathroom.
Alone, Charlie realizes she did not understand the dangers women face until Maddy’s death. Charlie blamed herself for Maddy’s death because society conditioned her to do so. It hits her that even if she escapes, Josh will keep killing other women. Charlie, therefore, lets go of her guilt and uses her anger to strengthen herself. She decides she will go back and try to stop Josh so that he will not kill any other woman again.
Marge knocks on the bathroom door to check if Charlie is okay, and Charlie realizes she saw a movie in her mind during her realization. Charlie says she is fine and proceeds with her plan to go with Josh. As Charlie returns to their booth, she turns the song on the jukebox to the one that played when Josh was gaslighting her. She subtly confronts him about his intentions and claims that she called the police. She also tells him she is going with him. Josh is worried, but she tells him she still needs to get home. Marge takes Charlie’s order off the check because of the coat spill, and Josh leaves a large tip. Before they leave, however, they both see a police car in the front window. A police officer named Tom enters and interrogates them. Charlie realizes Robbie called the police after she called him and that now is her chance to be free of Josh. However, Charlie then sees, in her mind, Josh pointing a steak knife toward Marge and imagines a scenario where Josh stabs her and Officer Tom shoots him. Charlie therefore stays with Josh. Marge tells Officer Tom that it was likely a troublemaker who made the call and that he can go. Charlie thinks back to when she learned about Stockholm syndrome in a psychology class and realizes that the captive women were not weak but scared. She intentionally tries to leave her backpack behind, but Tom points it out, forcing her to take it with her. Before leaving with Josh, though, she does manage to take the steak knife from the table.
Part 3 complicates the theme of Trust Versus Paranoia, with Charlie setting herself up for two major betrayals, first by Marge and then by Robbie. When Charlie realizes that Josh has gaslit her, she finally feels certain that he is the Campus Killer. Desperate to escape, Charlie uses Josh’s decision to take her to a diner as an opportunity to call 911. When that fails, she calls Robbie. Her use of coded language the two originally generated as a joke plays into the instability of never knowing what is real and what is not, what needs to be taken seriously and what doesn’t. Following that call, Charlie meets Marge, who she trusts almost instantly and fully. The author fosters that trust in the reader too, using ambiguity to conceal Marge’s intentions, making it appear that Marge cares about Charlie’s well-being.
As Charlie stumbles toward those two betrayals, Part 3 escalates the theme of The Wrongful Blaming of Women for Misogynistic Violence, pushing Charlie toward accepting that she has internalized that blame. In the bathroom, Marge gives Charlie a lecture that prompts Charlie to rethink her guilt: “Women need to do that, you know. Look out for each other. There’s a special place in hell for those who don’t” (177). Marge’s statement, though ironically more of a veiled accusation regarding Charlie leaving Maddy alone, earns Charlie’s trust. Charlie’s questionable conclusion that she should stay with Josh, however, reflects her faulty decisions about who to trust. It’s important that Charlie finally recognizes society’s role in amplifying her guilt to the extent she feels it:
She blamed herself and hated herself and punished herself because that’s what women are taught to do. […] No one tells women that none of it is their fault. That the blame falls squarely on the awful men who do terrible things and the fucked-up society that raises them, molds them, makes excuses for them (179).
However, she remains unable to let go of that guilt—she merely starts, like Marge, to direct its energy outward rather than inward. That is, Charlie takes personal and sole responsibility for preventing the killer, who she believes to be Josh, from hurting any more women.
In this context, Part 3 re-introduces the “Be smart. Be brave. Be careful” mantra motif, which hints at the kind of guidance regularly directed at women in a society in which they are fully responsible for protecting themselves. As Charlie’s focus shifts from self-preservation to the effort of keeping Josh from hurting other women, even at the cost of her own death, she re-examines the mantra:
This is between her and Josh.
Because of that, it’s best to get out of the diner and back in the car, where she’s the only one in danger. Sometimes you can’t simultaneously be smart, brave, and careful. Sometimes you need to choose one.
By following Josh to the door, Charlie’s choosing bravery (190).
Charlie’s will to stop Josh from hurting other women is noble, but abandoning being smart or careful about such a dangerous undertaking leaves her at risk. It’s a decision that suggests her cinematic style of thinking is still at work, leading her to pursue heroic self-sacrifice.
In Part 3, the symbol of Maddy’s red coat also comes into play again, reminding readers of The Devastation of Grief and the influence of guilt on one’s ability to process grief. While trying to clean the coat, Charlie laments,
This coat, so not her style in any way, is the only reminder of Maddy she has left. Now it’s, if not completely ruined, at least damaged. She can wear it again—and there’s no doubt she will—but it will be just like her memories of Maddy.
Irrevocably marred (175).
That Marge cleans the stain with club soda foreshadows Charlie and Marge’s confrontation, shared grief over Maddy’s death, and eventual reconciliation later in the novel.
By Riley Sager