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65 pages 2 hours read

Riley Sager

Survive the Night: A Novel

Fiction | Novel | Adult | Published in 2021

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Prologue-Part 1Chapter Summaries & Analyses

Part 1: “Nine p.m.”

Prologue Summary: “Fade In.”

Content Warning: This section of the guide discusses the novel’s misrepresentation of mental health conditions and its depiction of mental health crises, psychological manipulation, suicidal ideation and attempted suicide, and mentions of sexual violence.

Charlie sits in a car with a man who she knows to be a killer. The moment is like a film noir, starting at the ending, often featuring a dramatic death—but Charlie knows she’s in reality. She is certain either she or the killer will die before dawn.

Part 1, Chapter 1 Summary: “Int. Dorm Room—Day”

Charlie prepares to leave campus with a stranger named Josh, whom she met at the ride board. Since the murder two months ago of Maddy, Charlie’s best friend and roommate, Charlie has been overwhelmed by sadness. Now, unable to handle living in the dorm anymore, she’s ready to leave; however, she promises her boyfriend, Robbie, that she will return to the dorm if Josh seems at all suspicious. The chapter flashes back to Charlie’s first meeting with Josh at the ride board. She agrees to split the cost of gas if he drives her to Youngstown the following night. That following night at nine, she looks at her dorm room one last time, now cleared out. She imagines the dorm as it was when Maddy was alive, recalling Maddy and the scent of her perfume. Charlie then hears her name being called.

Part 1, Chapter 2 Summary: “Int. Dorm Room—Night”

After Robbie calls her name, Charlie snaps back to reality, seeing the dorm as it is now, without Maddy’s presence. Robbie recognizes her daze as one of the many moments in which she plays movies in her mind. Robbie offers to drive her to Youngstown himself, but Charlie wants to leave that night. Robbie exits the dorm room with her as she takes all of her clothes and VHS tapes along. She also takes Maddy’s vintage red coat, which she found under Maddy’s bed and took as her own after her friend’s death.

On their way out of the dorm room, Robbie acts like Charlie’s leaving is temporary, and he promises to visit Youngstown on Christmas break. However, Charlie does not plan on returning to the university. She thinks their relationship will end soon, and although she cares about Robbie, she has to leave school after Maddy’s death. She is not sure yet if she will regret it.

Part 1, Chapter 3 Summary: “Ext. Dorm Building—Night”

While Charlie waits for Josh at the lampstand by the curb, she reflects on her decision to leave school due to her grief over Maddy’s death. She fondly recalls meeting her boyfriend, Robbie, a math graduate student, at the library. He called her special on their first encounter. He tells her to call him if anything is wrong, teasingly describing a code phrase she could use if she’s in danger, and they quote movies as they say farewell. After a hug and kiss goodbye, Robbie leaves her at the curb.

Charlie becomes unsettled as she realizes she is leaving and that Maddy’s killer is still out there, putting her in danger. In her grief, she isolated herself and remained mostly unbothered by the university’s fear of the killer. As she is about to leave, however, she becomes afraid. Her fear worsens when she sees the “Take Back the Night” poster on the lampstand, put there after Maddy’s death. She dumps the pills prescribed to help her stop playing movies in her mind; the pills leave her unable to sleep. Josh then arrives, and, noticing that his car is of good quality, Charlie feels more at ease. When he puts her suitcases in at an angle, though, she becomes slightly suspicious that he is hiding something. She considers returning to her dorm. She realizes, though, that she must leave. Her belief that she caused Maddy’s death by not saving her friend torments her. Charlie decides that she is being too distrustful and goes with Josh.

Part 1, Chapter 4 Summary: “Int. Grand Am—Night”

Charlie recalls her father teaching her to drive and celebrating with her after she passed her driver’s exam. She remembers her father telling her that sometimes she must speed in life. After she leaves, Josh tells her she can sleep during the drive, but Charlie decides to stay awake, remembering the advice from the “Take Back the Night” poster. In the following silence, she remembers her admiration for Maddy’s theatricality and outgoing personality. Wanting to leave behind her life at the university following Maddy’s death, Charlie decides not to engage with Josh. Nonetheless, he initiates a conversation by asking her who she has in Youngstown. She tells him that she lives there with her grandmother. When he expresses surprise that she is riding with him, she replies that she does not drive. Charlie’s parents died in a car accident; she stopped driving afterward because she was afraid of causing an accident and being responsible for the harm.

Josh then takes an interest in Charlie’s name, and she reveals that she was named Charlie after the protagonist of Alfred Hitchcock’s film Shadow of a Doubt. In the film, the protagonist learns that her uncle is a serial killer and must stop him. Charlie shares that movies are her passion and that film is her major at Olyphant University. She loves movies because they elevate the different aspects of life and, to her, are better than the real world. Charlie’s love of movies started after her parents died and her grandmother, Nana Norma, moved into the house. Nana Norma was an aspiring Hollywood actress who never managed to achieve stardom but always loved movies. After the deaths of Charlie’s parents, Charlie watched movies every night with Nana Norma; soon, Charlie began to see movies in her mind. Charlie experiences a wave of grief about Maddy’s death and her perceived guilt in it. Looking at her reflection in the car window, Charlie watches a movie in her mind until Josh calls her name.

Part 1, Chapter 5 Summary: “Int. Grand Am—Night”

Josh calling Charlie causes her to return to reality. He asks her what happened, and she explains that movies often play in her mind, which helps her cope with stressful and painful situations. He asks what kind of movie she saw in her mind just then, and she answers film noir. After talking about actors who would play each other in her movie, Josh asks if she has a boyfriend. This question prompts her to reflect on Robbie, and she explains their complicated relationship status. The two then swap movie quotes, only for Josh to quote the movie Psycho; the accuracy with which he says the quote unsettles Charlie. Despite loving the movie, Charlie has not seen Psycho since Maddy’s murder. The narrator says that she will likely never see it again.

Josh then asks Charlie why she is dropping out of college even though she loves her major. She replies that it is none of his business. She recalls her love of Olyphant University and her friendship with Maddy. Maddy, whose full name was Madeline Forrester, was a theater major who liked vintage fashion, imitating characters from old movies, and talking to her grandmother. Charlie says that she did something so bad that she will never forgive herself. She sees a darkness in Josh’s eyes that unsettles her, and she asks him for his story. He says that he is not a student, which confuses Charlie because he is wearing an Olyphant sweater. He explains that he worked at the university until that day and that he is now leaving to take care of his father in Toledo. This story contradicts his earlier statement that he was going to Akron. He explains that he is picking up his aunt from Toledo before he goes to Akron. This explanation satisfies Charlie, but she remains uneasy. Josh then recognizes her from reports on the story, and Charlie reveals that she let Maddy get murdered.

Part 1, Chapter 6 Summary: “Int. Grand Am—Night”

Charlie recalls the night of Maddy’s murder. Maddy dragged Charlie to a bar to see a cover band for The Cure but ignored her for much of the night. Angered by Maddy’s perceived self-interest, Charlie stormed out. Maddy followed her outside and told her to come back; Charlie replied that she doesn’t like how Maddy makes her go to these parties and other social events and then ignores her. Maddy explained that she was trying to get Charlie to open up to other people. Charlie accused Maddy of being a terrible friend and walked off, turning around only briefly to see a shadowy man behind Maddy. At the time, Charlie thought nothing of it. But the following day, Maddy did not appear. After a day-long search, Charlie reported her missing. Maddy was found dead the next morning, the third victim of Olyphant’s Campus Killer. Guilt-ridden, Charlie rejected everyone’s efforts to console her. The police asked for her help, but she did not know what the man looked like or even if he was the killer. Charlie was sent to a psychiatrist, who put her on medication to prevent movies from playing in her mind. Maddy’s mother blamed Charlie for leaving her friend outside the bar, and Charlie agreed with the woman. Charlie realized after seeing a movie in her mind starring herself as the Campus Killer that she had to leave Olyphant.

Josh tries to tell Charlie that Maddy’s death was not her fault, but Charlie tells him to stop talking about it. She apologizes, and Josh agrees to not talk about it. He drives to a 7-Eleven and buys them both coffees. In the parking lot, Charlie sees a drunk girl who reminds her of Maddy, and the song that played at the bar on the night of Maddy’s murder plays in the girl’s car. Once the girl and her friend leave and Josh returns with the coffees, Charlie looks briefly at Josh’s wallet and notices that his driver’s license is from Pennsylvania, not Ohio, and that the name on the license is Jake Collins. Josh is not who he says he is.

Prologue-Part 1 Analysis

The Prologue establishes the main premise of the novel. It foreshadows Charlie’s suspicion that the man she is traveling with is a killer and her eventual discovery of his real identity. The third-person narration also introduces the cinematic quality of Charlie’s mind:

She’s the girl in the car.
The man behind the wheel is a killer.
And Charlie understands, with the certainty of someone who’s seen this kind of movie a hundred times before, that only one of them will live to see the dawn (2).

The Prologue thus presents the theme of Trust Versus Paranoia, which will shape Charlie’s upcoming interactions with Josh and her understanding of those around her. Even when Charlie first proposes that Josh drive her to Youngstown, she does not particularly trust him. But her grief and guilt vastly outweigh her fear of potential danger in the beginning of Part 1. This lack of self-preservation begins to change when she notices Josh standing “at an angle” while packing her suitcases (20); her suitcases hide cardboard boxes and a toolbox, which Charlie later learns hold his handcuffs and knife. Charlie initially brushes off her instincts, though, unable just yet to balance imagination and reality.

The novel amplifies the struggle of Trust Versus Paranoia through the use of ambiguity and the red herring trope. It teases the fact that Josh is hiding secrets from Charlie and has intentions to take her to a particular destination other than her desired one; Josh’s true intentions and his work as a bounty hunter caught in a complicated job will not be revealed until much later in the novel. Rather, for most of Part 1, Josh displays a warm, friendly personality toward Charlie, even trying to assure her that her friend’s death is not her fault. In teasing out Charlie’s struggle to find a state between immediate trust and full-blown paranoia, the novel builds tension by drawing on women’s broader everyday anxieties stemming from The Wrongful Blaming of Women for Misogynistic Violence. A key tipping point for Charlie is when she sees Josh’s driver’s license with his real name: “Jake Collins” (70). Fearing more than ever that Josh might be dangerous and having “no idea who the man driving her there really is” (70), Charlie transitions into paranoia. She assumes the worst possibility, and throughout the novel, Josh’s secrets put Charlie progressively more on edge.

This section also establishes Robbie’s insistence that Charlie is “special,” foreshadowing the revelation of Robbie’s belief that “special” people are the only ones who deserve compassion or respect. Charlie recalls him telling her she is special in the library on the first day they met. As she leaves, he tells her again, “You’re still special, Charlie […] I need you to know that” (14, 16).

The Devastation of Grief plays a major role in this section. Maddy’s red coat, which Charlie has “claimed as her own” (10), first appears as Charlie puts it on for the drive. The coat is a symbol of Charlie’s love for and memories of Maddy, and its presence connects her to Maddy throughout the novel. In Part 1, Chapter 6, Robbie describes to Charlie the grief that Maddy’s grandmother displayed at her funeral, saying that she “tilted her head back and screamed into the blue September sky” (61). This powerful expression of grief, which itself suggests rage and frustration, foreshadows the reveal that Maddy’s grandmother will channel her grief into action toward others—in contrast to Charlie, who turns her grief inward. As the first section of the novel also establishes, Charlie takes a car ride with a stranger because she is desperate to save herself from herself:

What’s not okay, at least to Charlie, is remaining in a place where she’s miserable. Where she’s reminded daily of a deep, painful loss. Where memories sting and guilt lingers and not a week, day, hour goes by in which she doesn’t think, I shouldn’t have left her. I should have stopped him. I should have saved her (21).

Part 1 also introduces the theme of The Blurred Line Between Reality and Imagination. Charlie’s first “movie in her mind” in the novel occurs as she is leaving her dorm room (10). She experiences another “movie” after she enters Josh’s car, and she soon reveals the nature of her struggle to discern reality from imagination to him. Charlie explains that her hallucinations make life “more manageable” for her (37), noting that they have acted as a coping mechanism for her since her parents’ funeral. However, the alleged coping mechanism is now starting to take a great toll on Charlie’s mental health, as she blames them and herself for Maddy’s death. Charlie saw a man of “shadow, from his shoes to his hat” standing behind Maddy on the night her friend died (55). But because Charlie assumed this figure was a hallucination, she indulged her anger and frustration and left Maddy alone.

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