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41 pages 1 hour read

Toshikazu Kawaguchi

Tales From the Cafe

Fiction | Novel | Adult | Published in 2017

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Character Analysis

Kazu Tokita

Content Warning: This section of the guide refers to suicide and pregnancy loss.

While the novel features an ensemble cast, Kazu undergoes the most significant arc and functions as its protagonist. Funiculi Funicula’s waitress throughout the first two novels in the series, Kazu is responsible for pouring the coffee that enables café patrons to travel through time. She takes her role seriously, pouring the coffee carefully and relaying the rules for time travel calmly and consistently. She is very controlled and tends not to show emotion. Her face is described as a “Noh mask,” suggesting that her calm demeanor is masking her real feelings. She demonstrates kindness and empathy for the café patrons through her actions. She gives Kyoko’s young son an orange juice and insists they don’t pay for it because they didn’t order it. She always puts a heat sensor in the coffee of those who plan to visit people who have died to ensure they have a warning before their coffee gets cold. Kinuyo, her former art teacher, describes Kazu as kind and notes that “she really sees people’s true feelings. She always thinks about the person who sits in that chair” (142).

Kazu is almost 29 and is described as having mid-length hair and a “white shirt with black bow tie [and] […] black waistcoat and a sommelier’s apron” (16). Her face is “pretty with thin almond eyes […] but there [is] nothing striking about it that might leave an impression” (16). Gohtaro observes that “if you were to close your eyes upon meeting her and try to remember what you saw, nothing would come to mind” (16). Kawaguchi thus emphasizes the spectral quality of Kazu’s appearance. Her role in the novel begins similarly. She is present throughout Before the Coffee Gets Cold, but details of her life and emotional state are only gradually revealed throughout Tales from the Café. In addition to working in the café, she went to a fine arts university and teaches at a painting school. She is talented and enjoys drawing hyperrealistic images that exclude emotion.

Kazu is the daughter of Kaname, the ghost in the white dress who usually sits in the time travel chair. As a child, Kazu poured the coffee that enabled Kaname to return to the past to visit her late husband. Kaname let the coffee get cold and died, for which Kazu always blamed herself. Kazu will not let herself leave the café due to her guilt over her mother’s death, and at times, she experiences suicidal ideations. Her mother’s death “took away Kazu’s innocence and robbed her of her smile. She began roaming around aimlessly like a sleepwalker both day and night” (197). Toward the end of the novel, Kazu becomes pregnant and can no longer pour the coffee. Her release from the ritual of coffee pouring foreshadows her decision to be happy. Based in part on conversations with Kiyoshi, Kazu eventually decides that she will try to be happy and release herself from guilt. The shift from guilt and entrapment toward new beginnings is the primary arc Kazu undergoes as a character in the novel.

Nagare Tokita

Nagare is the owner of the café and Miki’s father. He is a secondary/ensemble character in Tales from the Café. Physically, he is described as a very big, imposing man. He is attentive to detail and takes pride in his work. He insists on serving one particular type of coffee—mocha or Kilimanjaro beans—which he prepares with great care.

Nagare is also thoughtful and empathetic toward his customers. After Kyoko’s mother Kinuyo dies, Nagare includes Kinuyo’s favorite coffee in the bag with Kyoko’s order, and she is moved by his “thoughtful kindness.” He loves his daughter, Miki, deeply. He is very serious about her first experience of pouring the coffee, thinking of it like giving away a bride and asking Kiyoshi to “go along with” Miki’s over-the-top explanations of the rules to spare her feelings (218).

Miki Tokita

Miki is the young daughter of café owner Nagare. Her mother, Kei, died giving birth to her. Miki turns seven during the novel, which means that she becomes able to pour the coffee as a female member of the Tokita family. She is “camp” and has childlike affectations, like addressing herself as “moi” and Kazu as “Mistress.” She is happy and outgoing, singing and talking to the café’s patrons. However, when it is her turn to pour the coffee, she takes her task very seriously and concentrates on it. When she becomes upset, Miki can “quickly switch her mood, rather than letting it drag on” (44). Nagare observes that Miki is very much like her mother, Kei.

Kyoko Kijima

Kyoko is a regular in the café and a “full-time wife and mother” (23). She is a secondary character in the novel. Kyoko’s mother, Kinuyo (who dies during the novel), was Kazu’s art teacher, and both mother and daughter are invested in Kazu’s happiness. For example, when Kazu mentions having a boyfriend, Kyoko is delighted for her. She “probe[s] and dig[s] with various questions about Kazu’s boyfriend” (92), suggesting that her interest is genuine if somewhat intrusive. She is familiar with the other characters as well and speaks kindly to Miki when she enters the café. Kyoko is estranged from her brother, Yukio, who is angry that she didn’t tell him when their mother was in the hospital. She badly wants to fix things with him but doesn’t know how since she wouldn’t be able to change the present by traveling to the future.

Gohtaro Chiba

Because the novel features four chapters that center around one individual’s time travel experience, each of those characters is a chapter protagonist but a secondary character in the novel as a whole. Gohtaro adopted a daughter, Haruka, after her parents died in a car accident. In Chapter 1, Gohtaro plans to visit Shuichi, an old friend and Haruka’s birth father, in the past. His impetus for visiting the past is Haruka’s upcoming wedding and his guilt over the fact that he never told her that Shuichi was her birth father. Gohtaro is portrayed as a devoted father but intends to distance himself from Haruka after telling her the truth because he feels she won’t forgive him for concealing the truth. He is emotional during his visit with Shuichi, demonstrating his empathy. He doesn’t realize he is crying throughout their interaction. Like both Kazu and Kiyoshi, his character arc is a movement from guilt to deciding (at Shuichi’s instruction) to be happy. As a result of his time in the past, he decides to continue acting as a father figure to Haruka.

Yukio Mita

Yukio Mita is the central figure in Chapter 2 when he goes to the past to visit his deceased mother, Kinuyo. He is an aspiring potter who has been living in poverty since trying to open his own studio and being conned by a supposed investor. He has always been “a serious type who would always persevere with a single task” and “[has] a warm personality and treat[s] everyone kindly” (111). He experiences a trajectory from despair to hope during his time travel. Initially, he intends to let his coffee get cold and die by suicide. After conversing with his mother, he drinks the coffee and returns to the present feeling changed and hopeful as “his despair at life had metamorphosed into hope. His outlook had changed unrecognizably” (149). His internal change changes the course of his life. In the next chapter, Kyoko reveals that Yukio has moved back to Tokyo and started a new job.

Katsuki Kurata

Kurata is the central character of Chapter 3. He travels from the past to the café’s present to visit his former girlfriend, to whom he lied about his cancer diagnosis. He works with systems engineer Fumiko (who appears in Before the Coffee Gets Cold as well) in the sales department of her company. He genuinely cares about Fumiko, and even when he is experiencing deep disappointment when he thinks Asami won’t come to meet him, he is genuinely pleased to learn that Fumiko married Goro. He cares genuinely about Asami as well, and he lied to her about his diagnosis and impending death to protect her feelings. He designs an elaborate plan with Fumiko to bring Asami to meet him only under certain circumstances that will enable him to find out if Asami is happy after his death.

He also has a unique perspective on loss and happiness and functions as a “teacher” character who articulates one of the novel’s themes of Happiness as a Choice. After Asami’s pregnancy loss, Kurata provided the advice that she must choose to be happy because doing so gave her lost child meaning.

Kiyoshi Manda

Kiyoshi is a homicide detective who works at Kanda Police Station. He is a minor character in the novel as a whole but the protagonist of Chapter 4. Upon visiting the café and learning of the time travel ability, he becomes curious about those who travel through time and decides to investigate them. He is thoughtful, seeming to ignore gossip and to be “only concerned with the black notebook in his hands, which he was staring at, deep in thought” (90).

He loves his wife but has difficulty showing his affection. During his first appearance in the café, he tells Kazu and Nagare that he is embarrassed that he has never bought his wife a birthday present. In Chapter 4, it is revealed that his wife died 30 years earlier. Kiyoshi travels to the past to visit her on the day of her death, finally bringing her a gift and seeking closure. Because she died in a mugging after he failed to meet her at the café on her birthday, Kiyoshi has always blamed himself for her death. After investigating those who travel from the café to meet people who have died, he decides that his guilt will not bring his wife back. Like Kazu’s, his trajectory as a character is a shift from guilt to choosing happiness. Kiyoshi functions as a mentor character by investigating, personally experiencing, and then articulating the key lesson about choosing happiness that Kazu needs to learn.

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