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66 pages 2 hours read

Armistead Maupin

Tales of the City

Fiction | Novel | Adult | Published in 1978

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Chapters 13-25 Chapter Summaries & Analyses

Chapter 13 Summary: “The Landlady’s Dinner”

Mary Ann stops by Mona’s apartment before attending Mrs. Madrigal’s dinner. Mona offers Mary Ann coke, and Mary Ann mistakenly believes she is talking about the beverage. Mona racks up a line of white powder and encourages Mary Ann to snort it through a food stamp. Mary Ann refuses and leaves for dinner abruptly.

At Mrs. Madrigal’s apartment, Mary Ann finds two plates of hors d’oeuvres: one contains stuffed mushrooms, the other contains joints. Two other guests arrive: a “fiftyish, red-bearded” (42) poet named Joaquin Schwartz and a woman named Laurel, who has unshaven armpits. Laurel believes that “‘The Media” (42) killed the 1967 hippie movement. At one point, Mary Ann is in Mrs. Madrigal’s bedroom and spots a photograph of a young soldier. Pointedly, Mrs. Madrigal states that there has never been a Mr. Madrigal. Mary Ann mourns her inability to find love. 

Chapter 14 Summary: “Rendezvous with Ruby”

Edgar visits Ruby Miller’s house. He holds a brief but friendly conversation with Ruby’s husband before she leads him into the garage. There, as Edgar nervously hurries her along, she lays him down on a ping-pong table, begins to rub his temples, and repeats a mantra: “‘Heal him, Jesus! Heal thy servant Edgar. Heal his failing kidneys and make him whole again’” (45).  

Chapter 15 Summary: “The Boy Next Door”

Mary Ann leaves the dinner party and returns home. As she reads her mail, someone knocks at her door. It’s Brian Hawkins, who lives across the hall. Mrs. Madrigal has sent him to Mary Ann’s flat to “‘help with something’” (46). Brian invites Mary Ann to his apartment for a nightcap, but she leaves before anything can happen. 

Chapter 16 Summary: “The Matriarch”

Edgar arrives home to find that his wife, Frannie, has been drinking. She evidently believes that he has been unfaithful; Edgar tries to act innocent. Frannie tells him of a social “‘coup’” (49) she has won: they are to host a party for a conductor who is visiting the local opera. Edgar agrees to help as long as Frannie can “‘keep the cost down’” (49). 

Chapter 17 Summary: “Stranger in the Park”

An irritable Edgar tells Mary Ann to find him a specific script and then calls his doctor. From their talk, it becomes clear that Edgar has six months to live, though is unwilling to accept this. He leaves the office for lunch and imagines the social column space Frannie’s party will generate. Sitting beside a strange woman close to his own age on a park bench, the two share a joke and a sandwich. She makes him laugh; she is Anna Madrigal. 

Chapter 18 Summary: “Relating at Lunch”

Beauchamp approaches Mary Ann “on little cat feet” (52). He asks after Edgar and reminds Mary Ann of their lunch date. They eat at MacArthur Park, though Mary Ann is put off by the caged birds inside the restaurant. Beauchamp notes that Mary Ann is uneasy being out with a married man but tells her that “‘single people can call the shots’” (52). They chat, and Beauchamp insists that “‘we’re all babes in the woods […] innocence is very erotic’” (53). Mary Ann admits to reading about Beauchamp and his wife in the social pages; he offers her gossip that is not in the newspaper: he and his wife have not slept together “‘since the Fol de Rol’” (53). When Mary Ann attempts to leave, Beauchamp insists that they stay and talk a while. She agrees to meet him for a drink after work. 

Chapter 19 Summary: “A Piece of Anna’s Past”

Edgar and Mrs. Madrigal talk together in the park. They reminisce about their youth, about trips to Nevada, and the time Edgar visited a prostitute in his youth. Mrs. Madrigal, originally from Winnemucca, Nevada, remembers the exact woman, as she “‘read [her] all the Winnie-the-Pooh books’” (56). Mrs. Madrigal’s mother ran the brothel Edgar visited. She allowed Edgar to ramble through his memories to “‘remember who you were then. You don’t seem too happy with who you are now’” (56). They chat more, and Mrs. Madrigal says that it will be Edgar’s turn to buy lunch tomorrow. 

Chapter 20 Summary: “Mona’s New Roomie”

Mona receives a phone call from Michael, an old friend whom she calls “Mouse” (57). He has just broken up with his boyfriend and needs a place to stay. Mona offers her apartment, and he moves in that same night. 

Chapter 21 Summary: “Their First Date”

Edgar and Anna Madrigal arrange a date; he wants somewhere “‘more private’” (60). While Anna spots celebrities, Edgar talks about his wife. Before long, they decide to go to the beach. Point Bonita is “almost empty” (61), and Anna produces a joint wrapped in a counterfeit one-dollar bill. When Edgar seems reticent, she drops it back in her bag. They shower each other in praises. Anna runs away and takes a “great silver kite” (61) from a crowd of teenagers; it is theirs for 10 minutes, exchanged for the joint. 

Chapter 22 Summary: “Off to Mendocino”

Mary Ann fidgets with her mood ring as she sits beside Beauchamp in his speeding, silver Porsche. As far as DeDe knows, he is taking an underprivileged kid to camp. They drive to an inn “overlooking the Mendocino coast” (62). As the female innkeeper winks at Mary Ann, Beauchamp promises to get the rollaway bed. They dine at a local restaurant. Beauchamp tells Mary Ann, “‘I worship your innocence’” (63). When they return to the cabin, she tells him to forget about the rollaway. 

Chapter 23 Summary: “Brian Climbs the Walls”

Brian calls on Mary Ann’s apartment on Saturday night and finds no one at home. He skulks back across the hallway and tries to put the thought of her out of his mind. Brian is “sick of the whole plastic-fantastic scene” (64) and the women he meets. He decides to go out to the Come Clean Center and rushes out the door with a pillowcase filled with dirty laundry. Plenty of women are in the launderette; Brian takes advice from a fellow bachelor on whom to target. 

Chapter 24 Summary: “Post-mortem”

As Beauchamp and Mary Ann lie in bed together, she suggests that they go canoeing, but Beauchamp wants to sleep. She asks him whether he is tense and insists that whatever happened was “‘a fluke’” (66) and could be blamed on too much alcohol or nerves. They fight; as a means of apology, Beauchamp tells Mary Ann that he loves her. Later, she listens to Beauchamp talk in his sleep before getting up and reading her book beside the fire. 

Chapter 25 Summary: “Coming Clean in the Marina”

Brian focuses on a woman in “orange slacks that could have protected a road crew at night” (69) and a Mao Zedong t-shirt. He pretends to not know the difference between two laundry products, and the two begin to chat. She offers to share her fabric softener. He tells her that she has “‘something kind of […] cosmopolitan’” (70) about her. The girl suggests that they go back to her house and introduces herself as Connie Bradshaw. 

Chapters 13-25 Analysis

One of the most common themes of the book is the interconnectedness of the characters in San Francisco. This is evidenced twice in the chapters outlined above: when Edgar sits on a park bench and happens to meet Mrs. Madrigal, and when Brian visits a launderette to pick up women and leaves with Connie, Mary Ann’s friend. Though the city is far larger than Mary Ann might have ever expected, the sheer volume of social interactions leads to friendship groups and social circles overlapping on a regular basis. Just as Mrs. Madrigal and Edgar find love with one another, and Connie and Brian enjoy a brief fling, these interactions can be as fleeting or meaningful as the characters wish. On a larger scale, it hints at the fast-paced, socially-orientated nature of life in the city. With such a dizzying cast of characters, the interconnected nature of their lives—demonstrated by these chance meetings—helps to promote the idea of the city of San Francisco as a living, breathing organism in which all the individual, disparate parts are nevertheless connected.

While many of the characters come to know one another and meet in unexpected circumstances, this hints at another important theme in the book: secrets. Most characters have a secret they are trying to hide. Edgar has his health, Beauchamp has a string of affairs, DeDe has her pregnancy, Mona has her sexuality, and Norman has his crimes. Although the reader is aware of many of these secrets, they are often hidden from other characters, creating ample amounts of dramatic irony. When Edgar visits a faith healer, for example, he returns home to find Frannie drunk and skirts around the nature of her husband’s absence. While she believes that he may have been hiding an affair, the reader knows that he has actually been hiding his ill health. This dramatic irony is important, as it colors the characters’ interactions. It explains Frannie’s drinking and her decision to focus on social events; she values the façade of happiness over truly experiencing happiness. If her husband is having an affair, she seems to believe, the very least he can do is make sure that she is seen on the society pages.

For Edgar, however, the nature of the secret is different. While plenty of characters lie about their actions and their infidelities, he is one of the few who is trying to hide a personal tragedy, and not merely a personal mistake or flaw. His failing health means that he has only six months to live, but as an important man about town, he is struggling to come to terms with the lack of control he has over this issue. His authority, his social standing, and his money do nothing to help. He has taken to illicitly visiting faith healers to try and find a solution to the problem. He is lying to his family by omission, not telling them about the serious condition which afflicts him. Edgar is scared, even if he is not able to admit it. The only solace he is able to find is buried deep within another lie. His chance encounter with Mrs. Madrigal hints at a potential future in which he is free from worries and free from social conventions. While she is unable to cure his illness, she is able to help him forget about it. The contrast, in this respect, between Mrs. Madrigal and Frannie is key: Edgar is immediately honest with Mrs. Madrigal and keeps no secrets from her. There is an authenticity to their relationship from the very first moments. Scenes such as the one in which they fly a kite on a beach are almost romantic to the point of cliché, though they are always tempered by the nature of the relationship: this is still an affair, and Edgar is still dying. Edgar is one of the novel’s most tragic characters. Fearful for his own mortality, he is driven deeper and deeper into a string of lies as he desperately searches for a way out. Though he does find happiness, it is never socially permissible or acceptable. As such, it is doomed to fail. 

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