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Armistead MaupinA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Edgar gives Mary Ann the day off. She stays at home and stares out of a window, wondering whether she will ever return home. Norman rings her buzzer and enters with a “huge pot of yellow mums” (180). As he lays the flowers on the table, Mary Ann says that she is “‘delighted’” (181) to see Norman. They talk about Mrs. Madrigal and her marijuana habits. Norman did not receive a joint taped to his door. Mary Ann pities Norman’s lack of connections to the other residents.
Norman leaves and spends the afternoon exploring book stores. He strikes up a conversation with the owner of a “dusty hole-in-the-wall” (182) previously owned by Mrs. Madrigal. By lying, he gets the man to reveal that she lived in Denmark at one time, which might be “‘where she picked up her funny customs’” (183).
Mona and D’orothea pass Norman after he leaves, but he does not recognize her. The two women have coffee, and D’orothea reveals that she has heard Mona lost her job. D’orothea is “‘finished with New York’” (183) and tells Mona that she wants her back.
Mona and Michael take a walk by the bay. She confesses that she “‘gave up a long time ago’” (185) and that she admires Michael’s optimism. Eventually, he manages to elicit information from her: Mona is thinking of moving out. D’orothea wants Mona to move in with her, but Mona is scant about the details. As they walk further, Michael guesses that D’orothea was Mona’s lover. As he teases her, she makes a remark about the rent. Michael cries.
DeDe visits the gynecologist, Jon, who quizzes her and asks after Binky, who he hasn’t seen “‘since the film festival’” (188). With a smile, he tells DeDe, “‘You’re going to be a mother, Mrs. Day’” (188). DeDe leaves, debating how to move forward.
DeDe’s mother stares at her, “stupefied” (189). They are discussing the dog, who is sick and has six months to live. Later, Frannie has lunch with a friend and talks about her sick dog.
Michael spends a lot of time away from the city while his parents visit. He hopes to “protect their fragile, Reader’s Digest sensibilities from the horror of The Love That Dares Not Speak Its Name” (191). He tells them that Mona has moved out and freezes when they find the “small brown bottle” (191) in his refrigerator. His mother insists on cleaning. When they go to dinner, a group of six men dressed as nuns pass by on roller-skates. Before they pass, one compliments Michael’s jockey shorts.
Mary Ann and Norman drive past Michael and his parents, and she encourages him to beep the car horn. While they take Lexy trick-or-treating, Norman confesses that he was married once, but his wife “‘ran off with a ceramic-tile salesman from Daly City’” (194) while he was serving in Vietnam. Lexy returns with an apple, and after she bites into it, says that she “‘already checked it for razor blades’” (194).
Michael takes his parents to dinner at the “straightest place he could think of” (195). As his father complains about the people “‘making a goddamn fool’” (195) of themselves, the waiter rolls his eyes and winks at Michael. At the apartment, Michael’s mother recounts the gossip from Orlando while his father beams “at his son in open affection” (195). They offer to help him with money (he refuses), and they remind him that they miss him and are proud of him.
DeDe phones Beauchamp at work to remind him that they are attending an event that evening. When he hangs up, he winks at D’orothea, who is unimpressed. At the event, DeDe and Beauchamp chat to Binky. When Beauchamp leaves to get them drinks, Binky demands to know about the doctor’s appointment. She promises DeDe that she knows “‘a good abortion man, if you need one’” (198). DeDe reveals that the baby may be a different race and breaks down into tears. Later, she is stopped by the newspaper’s gossip columnist, Carson Callas.
Michael is summoned by Mrs. Madrigal. They discuss Mona’s departure, and Mrs. Madrigal wants the details of the person who coaxed Mona out of the building. She asks Michael whether Mona and this person are “‘special friends’” (201), but Michael does not know. Mrs. Madrigal asks whether Mona ever “said anything to you about me?” (201). Michael accidentally uses the past tense, and Mrs. Madrigal invites him to stay. As they talk, she begins to cry.
Carson Callas, a “rat-faced man in [a] safari suit” (202), corners DeDe. She is worried about what he wants to ask her about, so is happy to talk about societal happenings. He makes a pointed comment about DeDe’s “‘fun’” (203) evenings. When she tries to extricate herself from the conversation, he asks whether she is “‘going to have the abortion before or after’” (203) an upcoming event. DeDe drops her glass. As Carson slips away, DeDe blames Binky’s lack of discretion.
Brian wakes up after a long shift and finds himself very hungry. It is five in the morning, so he decides to head out for food. He flirts with the waitress at an all-night burger restaurant, and they meet up after her shift. As they sit in her car, she tells Brian that she would rather make the longer drive to her home. Though he complains, he eventually accepts, and they drive away.
In the wake of Vincent’s death, Mary Ann finds solace in Norman’s company. Perhaps due to the horrific experience she has recently endured, she fails to notice the numerous warning signs which accompany their encounters. In many ways, Norman is the opposite of those around her. In seeking out his company, Mary Ann is rejecting total integration into San Francisco’s society and finding her own piece of bland, boring, middle-aged (and decidedly non-hippie) America to cling to.
One interesting insight into Norman’s separation from every other character is his relationship to Mrs. Madrigal. This relationship is strange for both parties. In this section of chapters, it is revealed that Norman is lying in order to obtain information about Mrs. Madrigal. At the same time, Mrs. Madrigal treats him differently than most of her tenants. When Mary Ann discusses the marijuana Mrs. Madrigal tapes to the door of every new tenant, Norman looks “puzzled” (183). She did not attach any such item to his door and is shocked to discover that she grows the illegal plants herself. For Mary Ann, this is strange—a marker of how acquainted she has become with the city that she marvels at her “matter-of-fact tone” (183) when discussing the matter. Mrs. Madrigal treats Norman differently, but he is operating with insidious intentions. He lies to a bookstore owner, mispresenting himself in order to find out more about Mrs. Madrigal. This duplicity—unseen by Mary Ann—begins to arouse suspicions that Norman is not exactly what he seems. Thus, when Mary Ann finds solace in Norman, this duplicity adds a worrisome complexity.
Though Norman’s lies are far more serious, he is not the only person to misrepresent themselves. For the majority of the novel, Mona has self-presented as a heterosexual. Upon meeting D’orothea, Michael discovers that she was once in a homosexual relationship. Similarly, Michael is hiding his own homosexuality from his parents, and DeDe is hiding her pregnancy (and, on a secondary level, the true nature of her pregnancy) from the world. DeDe, Mona, and Michael feel remorse about having to hide the truth. Mona apologizes to Michael, but in doing so, leaves him alone with the burden of rent to pay. In an ironic twist, she is yet to discover D’orothea’s big secret which—while not as sordid as Norman’s secret—has the power to transform their lives.