66 pages • 2 hours read
Armistead MaupinA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
As Norman eats cold egg rolls, he receives a phone call. The conversation is discordant, and he tells the woman that she is “‘perfectly free to find another man’” (206); he knows that he is too valuable to her. Norman states that he is “‘working on three missing husbands right now […] plus a runaway kid […] and more guys messing around on their wives’” (206). He is being paid by the job, he reminds the woman, and she understands. Mrs. Ramsey, the woman on the phone, has been waiting 30 years already, and he tells her that another month won’t kill her. The one thing he has found out is that the name “Anna Madrigal” is an anagram, but Mrs. Ramsey (Mona’s mother) will have to wait for his report to find out more. After Norman hangs up, he thinks about how this is his only case. He phones a man named Paul about a session and insists on receiving the money in advance.
Brian winces at the ugly houses as Candi, the woman he met at the restaurant, pulls into her home. He begins to understand why everything looks familiar: he knows Candi’s roommate, Cheryl. Candi says this is okay. The roommates have a heated exchange when Brian enters the trailer, but they are unconcerned about him. Later, Brian catches the bus home and promises to call Candi. As he exits the trailer, he notices a picture on the wall and finally understands: Candi is Cheryl’s mother.
DeDe leaves Carson Callas’ house. As she thinks of the “yellowed fingernails digging into her flesh” (211), she shivers, but her secret remains intact. By the time she arrives home, she has almost convinced herself that it was a noble act, designed to save her marriage. She takes Beauchamp to bed and says that their relationship is improving. They argue about whether they want children in the future: Beauchamp does not. When she argues that she might want a baby, he says, “‘Fine. Go get somebody else to knock you up’” (212).
Mary Ann buys a tie for Norman during her lunch hour. She watches as a group of women are unloaded from a truck to hand out complimentary packs of cigarettes. Back at the office, she examines the tie. It is “silk, with maroon and navy stripes. Conservative but […] sharp” (215). She reflects on her relationship with Norman while writing poetry but then tears up the paper. Beauchamp offers to buy her a drink that night, but she refuses. He smirks when Mary Ann tells him she is going on a date to the Beach Chalet.
Mona watches D’orothea talk on the phone to people in New York. She is “sick of competing” (217) with the people on the other end of the phone. D’orothea accuses her of brooding and suggests that she misses Michael. Brian cooks frozen chow mein and comes across a note card from Candi. After thinking about the various women he’s been with over the previous six months, he goes to knock on Michael’s door.
Jon attends a dinner party and envies the quality of the houseboy, named Harold. Jon and Collier Lane snort coke in a bathroom to escape the talk of “‘remodeled kitchens’” (219). The other guests—mostly gay couples—discuss social lives and make arrangements. Someone enquires after Michael—“‘the twink in the jockey shorts’” (220)—and Jon makes his excuses and attempts to leave.
Mary Ann is with Norman at a bar with “Archie Bunker ambiance” (221). Norman proposes a walk along the beach. He wonders aloud why a girl like Mary Ann is willing to date him, and she struggles to provide a comforting answer. Norman admits that he is not a vitamin salesman but stops short of telling her the truth. He is silent as they go back to Barbary Lane.
Mona and D’orothea take a walk, and Mona says that she feels as though she is “‘living with a stranger’” (223). They argue, with Mona angry that she feels isolated and cut-off. They argue about D’orothea’s parents and whether they know about Mona. After they agree to drop the matter, Mona keeps thinking about the issue.
Michael opens the door and finds Brian outside. He invites Michael to smoke with him and “‘rap for a while’” (224). As they talk, Brian suggests they go cruising together, and Michael says that “‘maybe […] we could break up a couple’” (225).
Collier drives Jon home from the dinner party and jokes that he is “‘stuck on that Tolliver kid’” (226). They head for the tubs, were Jon can “diddle away a frenzied hour or two, then return unblemished to the business of being a doctor” (226). Jon spends some time with a “dark-haired man” (227) and, after they exchange phone numbers, the man introduces himself as Beauchamp.
Brian and Michael go to The Stud, a “suitably megasexual” (228) bar. They devise a plan to help one another find a partner but emerge unsuccessful. Instead, they go for a late-night coffee.
Beauchamp stumbles out of bed and into the bathroom while DeDe pretends to sleep. After her husband came home at four o’clock the previous night, she is convinced there are “other women” (231). Binky phones a few hours later with gossip to share: Jimmy Carter is a Kennedy. DeDe goes for a reflective walk and realizes that she has never done anything for herself. She decides to keep the baby.
While trying on boots and drinking cocktails at lunch, Beauchamp calls Jon. Jon is with a customer and hangs up while Beauchamp laughs. He buys the boots. Walking into the office, he begins to measure up Edgar’s room when he is interrupted by a “very territorial” (234) Mary Ann. Later, Mary Ann finally tells Michael about Norman. She cannot shake the feeling that he is “‘up to something’” (234). Michael suggests sneaking into Norman’s room, but Mary Ann is unsure.
Carson Callas knows about DeDe’s pregnancy and her plans to possibly have an abortion. Accordingly, he blackmails her into sleeping with him. Though the scene happens away from the narrative focus, the manner in which DeDe processes the consequences of the meeting is telling. The further she drives away from Carson’s house, the less concerned she is with what has happened. The mental images of “the yellowed fingernails digging into her flesh” (213) begin to seem “as dim and distant as Cotillion days” (213). By the time she is home, she has almost convinced herself that it was a noble act, done to save her marriage and standing in society.
Though the reader has sympathy for DeDe and her situation, the same cannot be said for Beauchamp. Though he has been cuckolded by the boy who delivers groceries to his home, he finds himself to be one of the novel’s least sympathetic characters. His perpetual lying to DeDe worsens his position; his lack of any remorse or contrition removes any hope for salvation. After his weekend away with Mary Ann, she feels guilty while he does not, even though it is Beauchamp who is the adulterer. Likewise, even as he resolves to try and repair his marriage, he is becoming increasingly blasé about lying to his wife.
However, Beauchamp is hiding a secret. Before this point in the novel, Beauchamp’s questionable potency during his weekend with Mary Ann is all that hints at the true nature of his sexuality. When he meets Jon at the tubs, he is introduced simply as “a dark-haired number in a room near the showers” (229) and appears comfortable in a homosexual setting. He chats and flirts with Jon as he would with any woman, suggesting that this is not his first encounter. This is exacerbated when he asks Jon whether he is “‘one of the reachables’” (229), suggesting that Beauchamp has tried to “reach” others and failed.
While this encounter might add depth and complexity to most characters, it feels like an extension of Beauchamp’s existing character. While DeDe must convince herself that she is doing something noble to save their marriage, Beauchamp simply does not care. It is this kind of amoral nihilism which robs him of sympathy throughout much of the novel.