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52 pages 1 hour read

Jan-Philipp Sendker

The Art of Hearing Heartbeats

Fiction | Novel | Adult | Published in 2002

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Symbols & Motifs

Sound and Hearing

Before Tin loses his vision, the beauty of sound makes a profound impression on him. Lying in bed with Su Kyi, Tin relishes the sound of her voice when she tells him stories; when she finishes a story, he asks her to “sing another one” (76). As he loses his sight, his connection with sound increases. He experiences a series of revelatory events, each enhancing his Full Depth of Awareness of sounds, ability to distinguish them, and grasp of what they can teach him about the world.

Tin eventually encounters the perfect source of sound—Mi Mi, a girl whose voice is so pure, it can heal. The pair explore the world by its sounds, which Tin equates to learning new vocabulary. Jan-Philipp Sendker uses sound and hearing to symbolize the full range of human perception. He posits that humans are only marginally invested in the use of their senses and if they developed them, they would be able to approach life with gratitude, much like Tin.

Superstition

Superstition and religious fervor are discussed throughout the narrative. A typical practice that Sendker describes involves individuals or families visiting the community sage, or astrologer, who practices numerology. Tin’s grandparents visit the astrologer weekly after the death of Tin’s uncle, hoping to avoid future catastrophes. Later in the narrative, another of Tin’s uncles, U Saw, abruptly brings him to Rangoon based on the advice of another astrologer so he can avoid a business setback. Omens also play a part in Kalaw’s cultural adherence to superstition. When Mya Mya gives birth to Tin on a Saturday in December, it is considered an omen. Mya Mya drags her husband to the astrologer to confirm her suspicions, where they receive a cryptic prediction that Tin will experience a medical problem—which, in turn, will lead to suffering. Following this prediction, any negative event reinforces Mya Mya’s belief that her son is cursed.

Sendker contrasts the superstitious practices of typical villagers with the life-affirming perspective of individuals like Su Kyi and U May. Su Kyi and U May believe that life is made up of fear and love, joy and pain—and that living a full life entails embracing both. Through this contrast, Sendker builds on the theme that superstition is a fear-based stance while acceptance of life is based on love. He implies that, in trying to avoid all potential negativity, the superstitious also inhibit life’s joys.

Cultural Disconnect

Much of the first two chapters reflect Julia’s distaste for Kalaw. Having arrived from New York City, she finds Burma and Kalaw repulsive and the lifestyle “primitive”. She describes the last leg of her journey as filled with “people who stank, people wearing nothing but grimy skirts, threadbare T-shirts, and shady plastic sandals” (12). But as the days pass, she becomes more attuned to the ambiance of Kalaw, focusing on the beauty of the land and the simple but fulfilling lifestyle of its citizens.

U Ba recognizes this cultural disconnect in his first conversation with Julia, pointing out how reserved she is and confronting her for laughing at him. He senses that she is not yet ready to grasp the depth of their father’s story. Rather than simply tell her what happened, he describes Tin’s history over several days. This allows Julia to overcome her disconnect and appreciate Tin’s life choices.

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