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55 pages 1 hour read

Katherine Center

The Bodyguard

Fiction | Novel | Adult | Published in 2022

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Character Analysis

Hannah Brooks

Hannah Brooks is both the protagonist and the narrator of The Bodyguard. She is a competent and well-trained Executive Protection Agent—colloquially known as a bodyguard or an EPA—at the Glenn Schultz Executive Protection Agency. Despite being only five-foot-five and frequently underestimated for her size and plain appearance, she has a second-degree black belt in jujitsu and is more than capable of holding her own against her any potential assailants. Stung by her tendency to be frequently underestimated, Hannah is highly motivated to prove herself, especially when her male clients are patronizing, and she will often go out of her way to prove how capable she is despite her appearance.

Throughout The Bodyguard, Hannah is frequently described as being “ordinary,” typically when compared to Jack and his Hollywood colleagues. Unlike when she is described as weak or incapable, Hannah seems to believe that she is ordinary and rarely tries to disprove this description of her. Hannah does not change anything about herself for her assignment with Jack, refusing to get a makeover to better blend in as his bodyguard, and is hesitant to change any of her usual protocols for the assignment just because of his celebrity status. Though Hannah initially accepts her label as “ordinary,” she begins to see it as a compliment rather than an insult throughout the novel, as “the epitome of ordinary” (192) is what Jack wants in a relationship, as opposed to the self-centered and hollow relationships he is used to encountering in Hollywood.

One of the main issues that Hannah must overcome in the novel is her self-hatred and the pervasive feeling that she is inherently unlovable. This belief stems from early trauma in her family history, starting when her father left her and her mother when she was seven. The following year, when Hannah’s mother began dating an abusive alcoholic, Hannah no longer felt safe in her childhood home. These feelings of insecurity and of being unlovable prevent Hannah from opening up in relationships early in the novel, and Robby and Taylor both accuse her of not knowing what love is. The fallout from Hannah’s childhood traumas also compels her to try to run away from any problems she faces, and this internal dynamic makes her job as a bodyguard perfect, as it often lets her escape her hometown of Houston. Yet her instincts to run from her past and keep it hidden from others prove to be detrimental to her budding relationship with Jack, with whom she hesitates to open up despite her desire to do so.

By the end of The Bodyguard, Hannah becomes a much more dynamic character, finally recognizing her flaws and accepting that she is loveable and is capable of showing love to others. With Jack’s help, Hannah starts learn how crucial self-love is for preserving her relationships. By realizing what she needs to improve about herself, she also helps others like Jack and Wilbur to move on from their pasts as well. In the epilogue, it is revealed that Hannah finally starts to settle into her life with Jack, marrying him and living on his family’s ranch. By the conclusion of the novel, Hannah is able to stop running away from her past because she recognizes how powerfully her unresolved issues were affecting her life in the present.

Jack Stapleton

While Hannah is described as “the epitome of ordinary” (192), Jack is only ever referred to as just the opposite. The six-foot-three, muscular, “two-time, back-to-back Sexiest Man Alive” (50) is characterized primarily by his conventional attractiveness, which makes Hannah uneasy in his presence when they first meet. In the world of The Bodyguard, “Jack Stapleton” is a household name, for he has starred in blockbuster movies across several different genres, for which he has won many accolades. He is primarily known for his hit movie The Destroyer and is contracted to make a sequel of it before he absconds from the public eye.

Shortly after The Destroyer premiers, Jack gets into a car accident with his brother Drew, a former alcoholic who was driving under the influence of alcohol that night. When Drew hits a patch of black ice and drives over a bridge into the Brazos River, he drowns, leaving Jack to deal with survivor’s guilt and a crippling fear of bridges and drowning. Though Jack’s publicity team covers up the accident, he tacitly takes the blame as rumors begin to circle that he was the one driving drunk that night. Jack then moves to North Dakota to get out of the spotlight, refusing to make any more movies. He only returns to his hometown of Houston because his mother is being treated for cancer. Yet Jack’s relationship with his family is tense after the accident as he has essentially let them believe that he was responsible for Drew’s death. He suffers from recurring nightmares of the accident because of his survivor’s guilt, and although his refusal to divulge the truth of Drew’s intoxication hurts both him and his family, he continues to do so, as it was his brother’s last wish. To his older brother Hank’s dismay, Jack refuses to take off a necklace that belonged to Drew, for it reminds him to do one good deed every day in order to make up for the wrongs he feels he has done.

In the second half of the novel, Hannah begins to learn about Jack’s ambivalent feelings toward his fame and how he feels that his image as a movie star is very different from who he is in real life. From the beginning, Jack is described as a great actor, yet this confuses Hannah, who often suspects that he is acting when he is not, and vice versa. Jack can put on a convincing performance of who he pretends to be to hide the darker truths he struggles with, and he is able to charm almost anyone into believing what he wants them to. A pivotal moment in the novel comes when Hannah recognizes that she can decipher his behavior better than anyone else. Her realization that he has always been genuine with her reflects their compatibility and love for one another. Like Hannah, Jack begins to face his past toward the end of the novel instead of hiding from it. By opening up about the accident to her and his family and changing the narrative surrounding his recurring nightmare, Jack can start to forgive himself and cope with the trauma that was holding him back.

The Stapleton Family

Jack’s immediate family—Connie, William “Doc,” and Hank Stapleton—live on his grandparents’ former ranch outside of Houston. Connie and Doc are both retired from their respective positions as a school principal and a veterinarian, and Hank manages the ranch. Connie and Doc were high school sweethearts who moved to the ranch that was their former vacation home after retirement. Hannah describes the couple as “by all accounts, good people” (160), based on her initial research before meeting them. Just as Hannah finds herself falling for Jack, she also finds herself wanting to be a part of the Stapleton family as a whole. She especially loves Connie, who is as warm and caring as her own mother was distant and flawed, and Hannah tells her so before she leaves the ranch. In the Stapletons, she sees a real loving family for the first time, and their kindness toward her gives Hannah hope that she can be loved even when she does not love herself.

However, upon first meeting Hank, the oldest Stapleton brother, Hannah describes him as “a poor man’s Jack Stapleton” (129), while Jack refers to him as “my own personal nemesis” (129). Though even Hannah mistakes him for Jack based on his appearance, Hank has none of Jack’s easy-going mannerisms and is in many ways Jack’s polar opposite. Jack describes himself as the black sheep of the family, given that he was the only son to leave Houston and the ranch while Hank and Drew were much closer with each other and their parents. Hank and Jack have been estranged since their youngest brother’s death because Hank is convinced that Jack only cares about himself. Hank thinks that Jack is just “a drunk-driving manslaughterer who had covered it all up to save his career” (130). Though it is not clear whether Connie and Doc believe this rumor as well, Jack does not tell his family anything to dissuade them until the middle of the novel, and after his revelation, the biggest rifts in the family are finally mended.

Robby and Taylor

Robby and Taylor are EPAs at the same agency as Hannah, and both are nearly as competent as she is. Robby is being considered for the same job as Hannah (the head of the new London branch), and their boss, Glenn, is constantly comparing them to each other during their joint assignment as part of Jack’s security detail. Prior to the novel’s beginning, Robby had been dating Hannah for about a year; he broke up with her the night after her mother’s funeral, a detail to which Hannah constantly calls his attention in order to illustrate his cruelty. Taylor, Hannah’s best friend and next-door neighbor, comforts Hannah through her breakup even though she has been assigned to go to Madrid with Robby shortly afterward. Many parallels are drawn between Hannah and Taylor throughout the novel, even explicitly by Robby. During the Madrid assignment, Robby and Taylor get together, much like Robby and Hannah had done during a previous assignment. When Hannah sees the two of them kissing on the job, she realizes that she has lost the three most important people in her life almost all at once, confirming her belief that she is unlovable.

Robby eventually breaks up with Taylor as well, showing how little he cares for any of the women he dates, and he also acts like the victim of his breakup with Hannah when he continually tries to win her back. Though Katherine Center does not hold back when painting Robby in a negative light, Hannah does begin to consider his side of the story toward the end of the novel, recognizing that while he was far from being an ideal boyfriend, she never opened up to Robby the way she does to Jack. Similarly, by positioning Taylor as Hannah’s own bodyguard toward the end of the story, Center employs Taylor as a pragmatic plot device to force Hannah to confront her past, symbolically emphasizing the conventional truth that unresolved conflicts will dog a person through life unless directly confronted. Thus, although Hannah only switches apartments to escape her former best friend, Taylor’s presence as a bodyguard makes Hannah recognize that she cannot hide from her past, and with Taylor’s recognition of her own wrongdoing, the two women begin to slowly rebuild their friendship.

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