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While conversing one day, Joe tells Kerewin that his cousin, Piri Tainui, is married with four children, but that his wife has left him, taking three of the kids with her. The conversation shifts to Simon, and Joe reveals that the boy does not have friends or play well with others, even the Tainui kids. In fact, he often gets into fights with other children. Kerewin is surprised that despite his professions of love for the boy, Joe does not seem to be interested in understanding the motivations behind such behavior.
The three go out on Kerewin’s family’s boat and fish all day. Simon is terrified at first but conquers his fear and even manages to catch a very large fish. However, in the process of reeling it in, he injures his thumb. They immediately turn back to shore, but Simon is terrified of doctors, and Joe decides it is better if he takes care of the injury himself. Kerewin stays out of the way, and Simon is hurt by her perceived indifference. Later, she tells him that she is unable to watch others suffer and would not have been able to help Joe tend to Simon’s injury.
After a shopping trip to the nearby town, Joe brings back a dartboard. He is extremely good at throwing darts, and when questioned about it, he tells Kerewin that he had polio as a child and had to spend several years on bedrest, during which he amused himself by playing darts from his bed. At that time, a vaccine or an effective treatment did not exist, and his recovery is considered miraculous. His strong-willed Maori grandmother used traditional medicine to cure him.
It seems that Joe’s childhood was unhappy as he believes that his grandmother took him in after his father’s death more as a symbolic gesture, rather than for sentimental reasons. While sick with polio, he was often made to feel useless. Additionally, his minister grandfather often punished Joe, purportedly for the boy’s own good. Joe’s closest relative, his mother, ended up in prison for some time. After serving her sentence, she remarried and tried forgetting about her past life, including her first child. After finishing school, Joe went to university, but after meeting Hana, he wanted to give her a secure life and decided to quit his studies in favor of taking a factory job. After hearing about his troubled childhood and adolescence, Kerewin feels sympathy for Joe and realizes he is not simply a villain, but a victim in his own right.
Simon goes out to play on the beach while Joe stays inside, sick. While walking along the surf, the boy sees an injured bird on the ground. He is faced with a dilemma: He wants to save the animal, but going back to bring the adults would take too long. The bird is clearly suffering and slowly dying. Simon decides to be merciful and kills it quickly, even though the act upsets him deeply.
His grief finds expression in singing, and that is how Kerewin finds him. After not being punished for using his voice, Simon is overjoyed at the newfound ability to express himself through song.
One day, Kerewin becomes visibly upset. Simon tells Joe that during their walk they met her brother, which reminded her of the rift between her and her family. Joe feels unable to console Kerewin, so he offers a trip into town to have drinks at the bar. Joe is soon talking to a group of locals, while Kerewin drinks by herself. Before heading out, they are confronted by one of the pakeha locals, who calls them offensive names. Kerewin is unwilling to let the slight pass and stands up to him. As they are facing off, Kerewin suddenly grabs a fly out of the air. Her quickness and confidence scare the local man away.
After a few more days at the beach, the holiday comes to an end. Both Joe and Simon have enjoyed themselves and want to stay longer, but the school year is about to start, and Joe has to go back to work. Joe contemplates asking Kerewin to marry him.
The book’s second part offers a more in-depth look at all three protagonists. It also provides a better understanding of where they come from and their behavior, as well as a glimpse of their negative sides.
Kerewin reveals a darker side, demonstrating her latent ability for violence, both physical and verbal. She does not actively seek to fight with others but is more than happy to escalate a situation. This could be seen as an expression of the Maori custom of riri, or war. However, without the highly regulated means of declaring, conducting, and ending warfare, Kerewin’s aggressiveness tends to become destructive. Additionally, it becomes clear that her alienation from her relatives is due to her own hurtful words and the guilt she feels over her actions. This knowledge foreshadows her verbal lashing out at Simon in the next section.
Joe’s thoughts and recollections during the first night at the bach, or beach house, reveal that his abuse of Simon goes beyond simple feelings of anger or hatred. His aggression toward a helpless child is an externalized expression of self-hatred and internalized homophobia.
Finally, Simon is also shown capable of violence when killing the bird, but in his case, it is an expression of mercy. His actions reveal his compassion for and connection to the non-human world. Ironically, he is the most attuned to nature, despite not being Maori. This could be due to his youth, or a suggestion that pakeha disregard for anyone or anything non-white is a learned behavior that can be prevented.