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45 pages 1 hour read

Keri Hulme

The Bone People

Fiction | Novel | Adult | Published in 1984

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Part 3Chapter Summaries & Analyses

Part 3: “The Lightning Struck Tower”

Chapter 7 Summary: “Mirrortalk”

Joe comes to the tower for a visit, intending to propose marriage. Instead of an outright rejection, the artist shows him some of her work and confides that she does not feel passionate for anything but her art. Kerewin further explains that she has never felt sexual desire for anyone and dislikes physical touch. Joe attempts to understand and asks if she has been hurt or mistreated by someone, but Kerewin tells him she has always been that way. Her one true love is art. Joe, then, points out that that is a Maori trait: When creating art, it is believed that one should not engage in sex so as not to waste energy.

A few days later, Joe calls to invite Kerewin out to the pub to celebrate his cousin Piri’s reunion with his wife. Kerewin is reluctant at first, as she is in a bad mood, but Joe convinces her to come out.

While at the pub, Piri’s wife, Lynn, asks about their holiday, and it becomes apparent to Kerewin that everyone knows about Simon’s abuse but are not addressing the issue. Lynn explains that they all feel sorry for Joe and do not want to get him in trouble with the authorities. She also assumes that Joe and Kerewin will be getting married, but Kerewin tells everyone present that she is not the marrying kind. Joe hears her and believes she does not want him or Simon.

In the meantime, a group of Australians in the pub start singing WWII songs. Kerewin confronts them and tells them to go back to their country. The group leaves, and the artist begins playing the guitar and singing. While she performs, Joe observes her and assesses her body. He finds her attractive and realizes he “could have more children by her” (295). Kerewin continues to sing and drink until she becomes sick and throws up. Her lyrics confirm Joe’s fear that she is rejecting him and Simon, so that night they part ways, and Joe implies he will no longer bother her.

Chapter 8 Summary: “Nightfall”

The chapter opens with Simon having a nightmare and getting beaten up by Joe. When the boy gets a letter from his teacher to take home the following day, Simon leaves school early and goes to Binny Daniels’s place hoping to get money out of him. The old man, however, is dead, with flies buzzing around the corpse.

Simon feels sick at the sight of the dead body and goes to Kerewin looking for comfort. The artist, however, is not welcoming and tells him not to come anymore as Joe would not be happy. She also asks after one of her knives, accusing him of stealing it. Simon did take it but wants to deny it and pretends to be angry. Doing so exacerbates his emotional turmoil, and he keeps hearing the buzzing flies. Kerewin does not back down, so Simon throws a punch at her. Instinctually, the artist returns the hit, making him fall over. The boy tries to hit her twice more, but she manages to move out of the way, not wanting to hurt him. In retaliation, Simon kicks her guitar, breaking it in the middle, and Kerewin shouts at him to get out.

Simon leaves, and later the police report that he has caused a lot of damage in the town and that Joe will have to pay it all off if he does not want the authorities involved. The officers also tell Joe that there has been a complaint at the welfare office. Realizing how serious the situation is, Joe becomes enraged and decides to punish Simon. He calls Kerewin first, but she is still angry and hurt by the loss of her guitar, and she tells Simon over the phone that she hates him and hopes Joe will beat him up. After the conversation is over, Joe brings out his belt and tells Simon that he has “just ruined everything” (308). The man begins hitting him, and Simon struggles. Eventually, Joe shoves him against a door frame, and the boy hits back with a glass shard before blacking out.

Chapter 9 Summary: “Candles in the Wind”

This chapter focuses on the aftermath of Simon’s beating. Kerewin is deeply disappointed both by Joe’s and by her own behavior toward the boy. She decides to leave the town after seeing Simon in the hospital and being told that he will most likely suffer long-term consequences due to a brain injury. In an attempt to help Joe, Kerewin goes to the Gillayley house to clean up, as Joe is also at the hospital due to the stab wound he received. While tiding up, Kerewin feels a lump in her stomach for the first time.

After being discharged from the hospital, Joe has to wait around before appearing in court since it is unclear whether Simon will survive. Joe visits Kerewin, offering his help with packing, expecting her to reject him. Kerewin, however, does not send him away. She still thinks of him as a friend but is deeply disappointed and saddened by the entire situation.

While preparing to leave, Kerewin works on an art project. She creates three heads out of clay, representing the three protagonists. The heads are entwined by their hair. Eventually, Kerewin gets a phone call notifying her that Simon has woken up and is out of danger. However, it remains unclear how much he understands and whether there will be long-term mental damage. Before leaving the town, the artist burns her tower down.

Part 3 Analysis

Simon’s beating and hospitalization are the novel’s tragic climax. The event and its consequences bring an end to the protagonists’ habitual existence. The novel could have ended there, and in fact, most of Hulme’s other works have unhappy or ambivalent endings. However, the climax in this novel serves as a transition to the bildungsroman part, explored in the last section.

These chapters are central to forcing readers to reassess any preconceived notions about domestic abuse. It is also important to remember that the novel was written in the early 1980s, a time when physical violence against family members would have been treated very differently than at present. Demonstrating that Joe is not a faceless monster but a multifaceted person just like any other brings home that domestic abuse is a much more complex problem than most people assume.

One of the main issues leading to Joe’s unforgivable actions is the uncritical acceptance of mainstream pakeha perceptions of sexuality and gender. Despite Kerewin’s confession that she is not interested in sex, Joe keeps thinking of her as a sexual object and feels rejected by her lack of physical attraction or maternal feelings. He is incapable of imagining an alternative way of relating to women or of forming families. Additionally, Joe seems to carry a lot of repressed guilt and self-hatred due to his unhappy childhood and bisexuality. In this case, again, the desire to conform to a Western ideal of manhood exacerbates the problem.

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