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48 pages 1 hour read

K.J. Dell'Antonia

The Chicken Sisters

Fiction | Novel | Adult | Published in 2020

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Character Analysis

Amanda Pogociello

Amanda Pogociello is one of the novel’s protagonists; she is Mae’s sister and Barbara’s daughter. Amanda, who got pregnant at 19, married the rival to her family’s restaurant, Mimi’s. She married into the family who runs Chicken Frannie’s, which creates strife between her and her mother. Not allowed inside Mimi’s due to her marriage to the youngest Frank of the Pogociello family, Amanda begins the novel feeling optimistic that Food Wars will “better” the relationships within her family as well as their financial situations. However, she also begins the novel with anxiety and nerves regarding the outcome of the competition, which is emphasized through the image of “[her] whole leg […] quivering” (7). In this moment, Amanda is characterized as being physically overwhelmed by trying to help both sides of her family. At the beginning of the novel, Amanda feels estranged from her mother and even her sister, whom she feels apprehensive toward due to their differing perspectives on life. By deciding to marry young and staying in her hometown, Amanda takes on the responsibility of helping Chicken Frannie’s stay afloat while also trying to navigate her mother’s hoarding problem.

After Amanda’s husband, Frank, passes away in a car crash, she spends most of her daily life serving others by “becoming the de factor art teacher for the elementary school” or helping her mother-in-law, Nancy (113). Her ability to distract herself from the “mess” that she claims inhabits her house, which appears to represent how she feels about her life overall, forces her to focus on other people or situations that do not revolve around her. However, as the novel progresses, Amanda slowly takes ownership of her life through her artwork and a romantic interest, Andy. Her comic character, Carleen, who is a young chicken in high school, provides an outlet for Amanda to express her inner emotions that she tends to hide from others. For example, Amanda does not express her desire to stop working at Frannie’s until the end of the novel. As she focuses more and more on her artwork, Amanda is able to find her voice and take ownership of how she spends her daily life, which includes pursuing a potential relationship with Andy. As a mother and daughter, Amanda tends to focus on her family, and she worries about how her actions will affect them even if that means ignoring her own needs. By allowing herself to flirt with Andy and make her interests known, Amanda furthers her ability to partake in experiences that only benefit her, without worrying about how her actions affect others. However, the turmoil caused by Food Wars, along with her developing art project, ignites Amanda to make decisions for her own sake, propelling her character development throughout the narrative.

Mae Moore

Mae Moore, the second protagonist, serves as a foil to both her sister and mother. As a social media influencer and author dedicated to decluttering spaces and staying organized, Mae leaves Kansas and moves to New York City after she finishes college in Texas. As a cohost of Sparkling, a reality show dedicated to helping its viewers maintain clean and organized homes, Mae’s entire life revolves around keeping a pristine image and reputation. Having grown up with Barbara’s hoarding tendencies, Mae feels ashamed about her childhood and hometown, which is emphasized in her decision to lie to her husband, Jay, about both. Mae’s lie stems from her need “for the world to stay nice and safe and solid” around her and her family (41). Due to her experiences as a child, including the threat of being taken away from Barbara due to hoarding, Mae obsessively cleans her home in New York City and attempts to keep it as clutter-free as possible. However, this causes strife between her and Jay, because she throws away his childhood baseball glove. Mae’s inability to see why Jay has a sentimental attachment to the glove illustrates her decision to close herself off from anything that reminds her of her own family and hometown.

As the novel progresses, Mae learns how to not shy away from the less-pleasing aspects of her family, such as her mother’s house. After learning about Barbara’s diagnosis of early Parkinson’s disease, Mae realizes that despite her family’s struggles with each other, they can depend on each other. During the experience on Food Wars, Mae realizes her priorities of trying to maintain a large presence on social media and within the reality television sphere do not provide her with as much satisfaction as maintaining relationships with her family. She tells Jay that she wants “a different kind of simple now” that does not include simplifying their material items but their life outside of New York City (284). Like Amanda, Mae is a dynamic character who develops from a stoic, type-A mindset to being more laid-back and empathetic toward those around her. She allows her family, including Jay and Barbara, to be themselves without wanting them to conform to versions that she believes will be more outwardly presentable to society. Rather, Mae finally allows herself and her family to be imperfect.

Barbara Moore

Barbara Moore, the owner and operator of Mimi’s, is Amanda’s and Mae’s mother. She raises the two girls on her own without the help from their father; she claims that “Some people you’re just better off without” when the girls ask why they do not have a dad (78). Although Barbara undergoes some character development, she mainly serves as a static character because of her already developed characteristics, such as her commitment to her family and her business. The novel slowly reveals details about her character that add dimension to her, but these details exist prior to the contents of the novel. When Gary, Amanda’s and Mae’s father, sees their house, the narrator says, “Barbara Moore’s house might have been a mess, but she herself was not” (81). This sentence refers to her ability to not only care for herself but also her children; the narrative implies that despite Barbara’s hoarding tendencies, she has the ability to provide for her family without the help of anyone else. For example, when she fears losing her children due to her house, she immediately cleans up, indicating her perseverance and dedication to her family. This also presents itself with her decision to not sell her house or the restaurant despite struggling to keep the business open financially.

Barbara’s character is depicted as a loving mother and woman despite her hard exterior. When Barbara refuses to allow Amanda into Mimi’s after her wedding, the action appears to contradict her dedication to her family, but the narrator indicates she “gently barred the way” in front of the door (51). By utilizing the word “gently,” the term implies both a hesitancy to stop Amanda from entering and a caring demeanor toward her. In this moment, Barbara seems to be battling her love for her daughter and her dedication to her family’s business. Toward the end of the novel, Barbara’s stoicism begins to soften when she reveals that she has symptoms of early Parkinson’s disease, which causes her to “[sniffle], loud and hard […] and [wipe] angrily at her face” (236). Here, Barbara illustrates the difficulties of trying to navigate her illness while running Mimi’s. Another time Barbara uncovers her gentle countenance occurs when she fears that she could lose her puppies. When she tells Mae to “[call] Sabrina and tell her I take good care of Patches and that none of this has anything to do with Mimi’s” (216), Barbara’s deliberate comment makes it clear that her she not only wants to take good care of her dogs, but she also aims to take care of her business. Barbara’s response to Sabrina filming her home indicates the complexity of her character despite the mental and physical health struggles she endures. 

Sabrina

Sabrina’s character serves as both a stereotypical competition television show host and an antagonist. When Sabrina first arrives in Merinac and to Chicken Frannie’s, she appears warm and welcoming. She claims that the restaurant and town are “such a delight” while giving Amanda a hug (44), illustrating an approachable demeanor. Right away, Sabrina makes Amanda feel comfortable and as though she has the space to open up to Sabrina. However, the narrative proves that Sabrina utilizes these characteristics to manipulate the other characters and obtain information to play up the drama within the show. For example, Amanda reveals Mae’s past of being a stripper because Sabrina “looked interested,” causing Amanda to feel “glad that they were connecting” (55). Although Amanda does not realize this at the time, the narrative implies that Sabrina has ulterior motives for “connecting” with Amanda. Through Amanda’s chapters, Sabrina seems to be outgoing, fun, and caring, a charismatic host who seeks to bring familiarity and comfort to the show’s contestants.

However, through Mae’s perspective, it is evident that Sabrina’s character has a negative side. As a reality show host herself, Mae is depicted as being more adept at seeing Sabrina’s true motivations. This dichotomy between the sisters’ perspectives illustrates different views of Sabrina that complicate her character. During one of their first interactions during filming, Mae comments on how Sabrina “genuinely laughing” at Amanda’s revelation of Mae’s former job as a stripper demonstrates that she is “not just playing her Food Wars host part” (140). Sabrina seems to be mocking Mae, while also deliberately furthering the rivalry between the two sisters for her own amusement. While Mae begins to get angry, Sabrina stands around them while “smiling cheerfully,” implying that she genuinely enjoys causing strife between people. By the end of the novel, Sabrina’s behavior brings her manipulative tendencies to light for all the characters. When the sisters decide to merge their businesses, Sabrina gets angry and even goes as far as kicking one of the chefs in the leg for siding with the contestants. This illustrates how her main objective is to provide entertainment for her viewers without concern for the wellbeing of others, placing her as the antagonist of the novel.

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