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Jean-Jacques RousseauA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Rousseau opens with two firm assertions: Confessions will provide the absolute truth of his life, and he is unlike any other man. Rousseau was born in Geneva in 1712. His mother died from a postpartum infection a few days after giving birth to him, and his father was a successful watchmaker. Rousseau explains that his parents were highly infatuated with one another, and Rousseau felt his father always held his mother's death against him. However, his father also showed great affection toward Jean-Jacques, his youngest son, and the two spent hours reading together. Rousseau’s older brother did not have the same relationship with their father. After enduring several beatings, Rousseau’s brother ran away, never to be heard from again.
Rousseau was plagued by illness in childhood, and his aunt cared for by him. He credits her with influencing his passion for music. After a violent altercation with an army captain forced Rousseau’s father to leave Geneva, Rousseau and his cousin Bernard were sent to a commune in France called Bossey to further their education. Rousseau enjoyed this part of his life, but he feared disappointing the mistress of Bossey, Mademoiselle Lambercier. The child admired her, and—although he did not want her to know this for fear that she would think poorly of him— her punishments sexually aroused him. Rousseau explains that the moment Mademoiselle Lambercier ceased to punish him or let him sleep in her room, he was plagued with an insatiable longing to return to those experiences. However, his chaste upbringing kept him from acting upon his impulses.
After leaving boarding school as a pre-teenager, Rousseau vacillates between being made to feel weak by local boys who pick on his small size or by the journeymen he apprentices with and feeling vanity in his own flirtatious exploits and intelligence. While working for a demanding and verbally abusive engraver, Rousseau begins stealing things to gain a sense of control and enact revenge. He recalls those years as a time when he lost his boldness and became a different person: He thieved in the shadows, but he was often caught, and he began to believe as a child that this was his part to play in the cycle of abuse, theft, and punishment. At all times, he felt pulled between the two sides of himself: fearlessness and timidity.
By the time he reaches age 16, Rousseau rediscovers his pleasure in reading, and the occupation consumes him. Upon returning past curfew to Geneva and finding the gates locked, Rousseau runs away from his apprenticeship and flees to Savoy.
Arriving in Savoy with nowhere to stay, Rousseau wanders around before calling on a curate, who sends him to a woman named Madame de Warens. She converted to Catholicism after leaving—and later divorcing—her husband, and the Church offered her a substantial pension with the understanding that she would provide for new converts. When Rousseau meets Warens, he is overcome with infatuation for her. Despite his ardent desire to stay with Warens, another lodger establishes a position for him with a bishop, with the expectation that he will convert and be baptized Catholic. Rousseau is miserable in Turin and suspicious of the religious instruction he receives. He was raised by Calvinists and believes that his theology is rooted in intellectualism and purity. Again, Rousseau finds himself in the position of being forced to abandon his convictions and sense of self.
Rousseau’s instructors take great pains to convert the young Protestant to Catholicism. He resists, claiming that Protestants are more religiously educated than Catholics, as Catholicism demands submission, rather than educated enlightenment. Rousseau delights in challenging his instructors and ridiculing what he views as their ignorance. He reveals that one of the priests with whom he frequently argues takes a sexual interest in the young man and attempts to rape him, before ejaculating into the fireplace. When Rousseau reports the incident, he is told to stay quiet about the matter. When he ignores this command and spreads the story of his experience, he is told that he should be honored by the affection the priest had for him.
Rousseau later participates in a ceremony that converts him to Catholicism, an action that is later reversed. At that moment, he feels himself a hypocrite and a fool. After the ceremony, Rousseau has nowhere to go and is forced to live on the street. However, he does not feel destitute; for the first time in his life, he feels that he has total freedom. He wanders the city, taking in the sights and relying on the generosity of others. He offers his work as an engraver to a wealthy woman, under the care of her husband’s clerk. Although Rousseau is attracted to his benefactor, neither has the courage to pursue the other. Her husband soon kicks him out, and Rousseau takes a position as a scribe to a dying woman. When the woman dies, Rousseau steals a ribbon that belonged to her. When the theft is discovered, he blamed another servant, and both are dismissed.
After leaving his position in disgrace, Rousseau feels aimless and unhappy. He begins exposing himself to women in alleyways. He describes these exploits as comical for the women on the receiving end of his actions. During this time, Rousseau cultivates relationships with acquaintances he met while he was in service to the dying woman. One of these acquaintances is a young tutor from whom Rousseau learns to pursue happiness despite financial circumstances. He obtains a position as a valet for a count and enjoys liberal freedom in his new position. While there, the count’s son, a French military commander, educates him.
Rousseau fails to recognize the advantages his position in the count’s home and the education he receives there afford him. He befriends a lively young man with whom he wants to travel, which provokes his dismissal from the count’s home. The two young men devises a plan to trick peasants into giving them food and gifts. Their scheme fails, and they increase their pace toward their destination: the home of Madame de Warens. When they arrive in Annecy, the two men part ways, and Rousseau secures a place in Warens’s home. At first, his relationship with her is that of mother and son. Rousseau is jealous of her attention, and he worships everything she touches. Warens devises a plan for Rousseau to enter seminary, and the bishop agrees to pay his fees.
At seminary, Rousseau is assigned a kind and patient tutor from whom he learns little, and he returns to Warens with no hope of pursuing the priesthood. He meets a choirmaster and composer who takes an interest in him, so he studies with the man and surrounds himself with musicians. When the choirmaster decides to run away after a perceived slight, Warens asks Rousseau to assist him. While in Lyons, the choirmaster has a fit—possibly brought on by alcohol withdrawals—and Rousseau abandons him. He returns to Warens’s home, only to find she has left for Paris.
Rousseau’s Confessions provide many opportunities for psychological analysis. Rousseau’s relationship with women is influenced by the death of his mother a few days after his own birth. He is unable to connect to many women, aside from Mademoiselle Lambercier and Madame de Warens. These two women represent maternal figures for Rousseau, but sexual desire complicates his feelings for them, which become intertwined with his need to be dominated by them. He feels aroused by the punishments of Lambercier, and he admits that these interactions with her color his later sexual pursuits. He calls Madam de Warens “mamma,” and—although his relationship with her is innocent at first—his feelings for her are complicated. He kisses her bed and is jealous when she spends time with anyone besides himself. He cannot stand being away from her.
Rousseau suggests that the abuse he receives from the journeymen he apprentices with and the sexual assault he endures from a priest influence his own sexual desires and are manifested in his outward behaviors, such as his habit of exposing himself to women and framing that act as something that amuses them. His sense of abandonment by his mother and brother leads him to run away when he finds a situation difficult or disagreeable. Memory is important to Rousseau, and while Confessions is meant to lay his transgressions on the table, it also reveals the influence of memory in shaping his actions.
Throughout these first three books, Rousseau makes several claims about his character. All are rooted in dualities: He is fearless and timid; vain and humble; corrupt and innocent. He casts doubt on his own ability to be trusted as a narrator and provides multiple examples of his deceitfulness. He professes that Confessions is an exposé, an unaltered account of the truth, but he provides a one-sided, skewed version of this truth. He presents his more serious transgressions, such as exposing himself, as mere foolishness and harmless entertainment. He professes that he carries the guilt of blaming the theft of a ribbon on an innocent servant and that her undeserved punishment tortures him, but he moves on from this incident quickly and makes no effort to right the wrong. He believes he is more loving and more intelligent than anyone else, and if anyone perceives his intelligence as lacking at any point, that is simply due to his inability to express himself properly on the topic. In this way, Rousseau’s dualities are defined: He is both entirely committed to the truth and entirely unable to recognize it.
By Jean-Jacques Rousseau