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58 pages 1 hour read

Cormac McCarthy

The Crossing

Fiction | Novel | Adult | Published in 1994

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Character Analysis

Billy Parham

Billy Parham is the protagonist of The Crossing. At the beginning of the novel, Billy, 16, is eager to prove himself to his father and has adopted many of his father’s traits: stoicism, a dogged work ethic, and a methodical approach to problem solving. As the novel is rendered largely in a third-person objective point of view, and because Billy is a boy of few words, he is often opaque as a character, and the reader must make inferences from his behavior and interiority.

Billy’s decision to return the wolf to Mexico is a turning point in his life. By making this independent choice, Billy attempts to take agency over the world and, in some ways, from his father. His journey is motivated by the desire to rectify what he sees as an injustice in the world: The wolf is where she does not belong, which does not warrant her death. Over the course of his travels with the wolf, he bonds with her through caring for her, though, importantly, the wolf is still depicted as a wild animal who perceives Billy as a threat. The naïveté of his rationale is revealed to him when the constables confiscate his wolf, teaching Billy that he cannot enforce his own notion of justice on the existing structures. When the hacendado’s son confronts him, reframing Billy’s quest as a trespass on their homeland with a dangerous animal, the consequences of his lack of knowledge about the wider sociocultural world are made clear to him. Billy’s mercy killing of the wolf and its burial symbolize the loss of his innocence and the beginning of a long journey toward embittered adulthood.

When Billy learns his parents are dead, he does not take time to grieve; rather, he immediately sets himself on an undefined path to righteous vengeance and the recovery of the family horses. He also tries to stay connected to Boyd, though their relationship is strained by Billy’s absence and Boyd’s own trauma. Billy acts as the typical older brother, trying to step into his father’s role around Boyd, which leads to growing resentment between them. Billy is quietly devastated at losing his connection to his brother, dreaming frequently of the rift between them.

When Boyd abandons him, Billy sees his life as purposeless and makes several attempts to join the army between stints of labor on ranches. He accepts his fate as a person without place or purpose in the world, which is only amplified by learning that his brother died in Mexico and the further violence he encounters trying to retrieve his brother’s remains. At the close of the novel, Billy has abandoned his already-shaky belief in a morally-constant or sensible universe; his final act in the novel is to chase away a hungry dog with threats of violence, a bitter reversal of his desire to see a wolf safely returned home. Confronted by evidence of a shifting world in the Trinity test, Billy is distraught at his own transformation.

Boyd Parham

Boyd is Billy’s younger brother, and at 14, he chafes at the difference in treatment he and Billy receive from their father. Billy is trusted, and his father instructs him in the ways of trapping, while Boyd feels like a hanger-on or is left out entirely. In an attempt to prove himself, Boyd inadvertently ruins his saddle, and he is further embarrassed by the knowledge that replacing the saddle will be a financial burden on the family. His sullen behavior sets up tensions between him and Billy that will grow throughout the novel.

Like his brother, Boyd is outwardly stoic, but after the death of his parents, Boyd is clearly devastated, although he tries not to let Billy see. The sense of righteous mission that the two brothers share in recovering their stolen horses is, in part, for Boyd’s benefit. Seeing himself as an agent of justice in an unjust world gives Boyd a purpose to distract from or reframe his tragic losses. Boyd can’t help but portray his sadness in small moments with Billy, though, and his resentment of Billy causes him to chafe at Billy’s de facto leadership role in their journey. When the brothers rescue the girl from her potential attackers, it’s Boyd’s plan that proves successful. Boyd executes the plan on his own, with Billy forced to react, in a reversal of the established order. This motivates Boyd’s efforts to claim agency for himself, and his attraction to the girl shifts his allegiance away from his brother. He is eager to give up the quest to find their stolen horses and meet the girl in Namiquipa; Billy reads this as a lack of conviction, but Boyd has an understanding of how to belong in the world that Billy lacks. Boyd is also a romantic who relishes his growing reputation among the people of Mexico as an outlaw.

When Boyd exits the novel at the end of Part 3, his physical presence is replaced by rumor, stories, and corridos about the güerito who stands up to the powerful. His character becomes a folk legend that Billy must interpret and parse through in order to arrive at the truth of his brother’s death and whereabouts. In this way, Boyd represents the philosophy that Billy repeatedly encounters in his long conversations with strangers: All stories are the same story, and the story is what truly matters. Billy isn’t able to accept this philosophy, though he tries. His brother Boyd passes willingly into legend, leaving Billy behind to carry his bones.

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