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55 pages 1 hour read

E. Lockhart

The Disreputable History of Frankie Landau-Banks

Fiction | Novel | YA | Published in 2008

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Character Analysis

Frankie Landau-Banks

Frankie is the novel’s protagonist. She is a dynamic character who begins the novel with a childlike mentality: She keeps gerbils, “had never been in love” (7), and she lists her favorite food and favorite color as important aspects of her identity. However, by the novel’s end, five months later, she is a “strategist” who evaluates how to gain the upper hand in social situations, recognizes her own and others’ privilege, and enjoys “disrupt[ing] the social order” (337). Frankie’s dissatisfaction with the status quo begins when her mother refuses to allow her to walk alone into town near the beach where her family vacations. This dissatisfaction grows when she recognizes that she is smarter than the popular senior boys at her school, though she lacks the social power—as a young woman—to win their respect and loyalty.

Frankie is highly intelligent, and her ambition grows as she understands the power the Bassets’ secret society has at its disposal: She realizes that she can use the society to critique the patriarchal administration and values of their elite school and society. She becomes painfully aware of the double standards that convert “brilliance” in a man to “psychosis” in a woman. She realizes that every person in her life underestimates her, including the women and girls in her family and social circle who have internalized the misogyny that pervades Western culture. They see her as helpless and naive, calling her “Bunny Rabbit,” until she shocks them all; then, they call her “aggressive.” However, Frankie’s pranks hurt no one. They make salient points about social injustice and foment positive change at Alabaster.

Though Frankie recognizes patriarchal double standards and is frustrated by them, she nevertheless enjoys being accepted and admired by young men. This conveys the difficulties women face in patriarchal institutions that privilege men. She is happy Matthew finds her “pretty” but irritated when he tells her not to change, as though he believes he has some say in who she chooses to be. She is proud of herself when she stands up to Porter, but she also feels guilty and “monstrous” when she doesn’t play the “Bunny Rabbit” role everyone expects. Frankie craves social acceptance, but she also wants to critique society’s flaws. Ultimately, she realizes she can only have one: society’s approval or the ability to criticize its unwritten social rules.

Matthew Livingston

Matthew represents Western society’s panoptical and patriarchal social structure, in which a figurative watcher observes and polices others’ behavior to be sure they’re abiding by the standards that govern male and female conduct. As a wealthy, white, attractive young man, Matthew enjoys a great deal of social privilege, and he is always a “watchman,” invested in maintaining the status quo. Though he has fun pulling pranks and committing minor rule infractions (like throwing a party on the campus golf course), Matthew never does anything truly subversive or critical of authority because his privilege aligns him with that authority; he is a member of the “Alabaster elect,” the privileged, secure, and confident boys who will go on to occupy positions of power and authority. He never critiques or rebels against the norms that give him social power, just like Frankie’s father, Senior.

While Matthew is not the novel’s antagonist, he is a partial representation of the society that is. He, like Senior, will likely always prioritize his “Old Boy” and Basset status and continue to rely on the loyalties he forms with other Bassets throughout his life. Senior’s relationships with his “cronies” cement his own status in the world, constantly reinforced by their continued social and professional interactions. Frankie is excluded from taking part in these interactions just as she is always kept at arm’s length from Matthew’s circle.

Matthew is a sensible choice as leader of the Bassets because he is such a follower. He has nothing to prove and no resentment or competitiveness since he is so confident—this quality comes from never being denied. Girls do what he wants, and so do boys. He models the ideal social standard for other boys and signals to girls, like Frankie, that they are most attractive when they are helpless. This is why he is so shocked when Frankie admits responsibility for the Order’s pranks: He never suspected her of being capable of such intrigue and rebelliousness. His life experiences have led him to expect women to be docile and helpless, and Frankie’s choices are so contrary to his expectations that he struggles to comprehend them. He writes her off as “crazy” and immediately reports her to campus authorities. Though Matthew participated in and respected the pranks when he believed Alpha masterminded them, he feels there is something very wrong with a girl who does the same, highlighting a double standard that pervades the thinking of many men and women.

“Alpha”/Alessandro Tesorieri

Alpha is the one male character who does not share Matthew’s privilege. He is good-looking and appears confident, but he lacks the family and financial status of the Livingstons. His parents never married, and his father is not present in his life. His mother’s long-time boyfriend paid Alpha’s tuition, but when this boyfriend left his mother for a younger woman, he withdrew financial support. As a result, Alpha attended public school in the city. Alpha was so unhappy about this situation that he petitioned the Alabaster board of directors to give him a scholarship, and he returns to the school for his senior year. 

Alpha is well-respected and popular among the Bassets, and though the other boys seem unaware of his differences, Alpha is very aware of them. In an effort to prove himself and retain his “alpha” status among his peers, he accepts responsibility for the pranks. He also claims to only date girls who are willing to be his “she-wolf” and always follow him; he also feels the need to “mark” Matthew as his territory. Despite meeting Frankie first, he will not oppose Matthew and compete for her because he defers to Matthew’s superior privilege and status. When Matthew fails to police Frankie’s rebellious behavior in the cafeteria, it is Alpha who mocks him and reminds him to do so. Alpha reminds Matthew that he must be loyal to his male friends over his girlfriend.

By these actions, Alpha proves to be a young man who goes the extra mile to ensure that he retains what privilege he does have. It is in his best interest to keep Matthew loyal, and he succeeds in doing so: Ultimately, Matthew turns Frankie in to save Alpha, though Alpha took the credit for everything Frankie did. Alpha’s understanding of his gaps in privilege renders him similar to Frankie in some ways—he is the only Basset to think of retrieving the twine from the steam tunnels, to figure out the clues to the history’s location, and to strategize how to get and retain power in social interactions. For example, he tells Frankie she looks pretty, not as a compliment, but as a way of undercutting her intelligence. 

His nickname, then, is ironic, given that a true “alpha” male would be so self-assured he wouldn’t need to constantly prove himself. A true “alpha” male dominates effortlessly, while Alpha tries very hard because he realizes his position is conditional. This is why he diminishes his mother to her gender alone, referring to her as his “menstrual unit.” Therefore, he takes credits for Frankie’s pranks to maintain his “alpha” status.

Trish

Trish represents women who are supportive of the patriarchal social order of Western society. They police the behavior of less complicit women to maintain the scrap of power with which their effort is rewarded. Trish, for example, polices Frankie’s atypical, creative use of neglected positives, saying that “normal” people don’t use peculiar words. Matthew and Porter, too, comment unfavorably on Frankie’s unexpected word choices. When Frankie employs the neglected positives in conversation, Trish always points out how “weird” it is or rolls her eyes to discourage Frankie’s nonconformism. 

Trish also misses the point of many of Frankie’s pranks, just as the boys do. She does not possess the same critical faculties Frankie does, though she could but chooses not to critique the status quo. Frankie knows she cannot tell Trish about her subversive “anger” and “hunger” to change the social structure that maintains patriarchal privilege. Finally, after the truth comes out, Trish remains loyal to Frankie, though “it does not escape [Frankie’s] notice that Trish’s lack of understanding is a condition of that loyalty. Were Trish to fully comprehend the way Frankie thinks, […] she would pull away” (338).

Because Trish and Frankie diverge ideologically, Trish is portrayed as Frankie’s foil. Trish has a boyfriend and gets along well with him. She notices the way “[boys] always talk to [girls’] chest[s]” (48), but she accepts this as a fact of life and does nothing to change it. She also recognizes the hierarchy among the boys, noting that “Alpha […] had prior claim” on Frankie but “backed off when Matthew got hold of [her]” (50). Trish does not intuit, as Frankie does, the dramatic implications of the metaphorical panopticon for women and how her choices and power are limited because she’s a young woman. Frankie is infuriated by Trish’s preference for typically feminine pursuits, like baking. However, Trish feels she’s simply choosing an activity she enjoys over one she does not; she doesn’t share Frankie’s righteous anger that girls are not included in the party planning and execution. Unlike Frankie, who wonders, “If I were in charge [of the party], how could I have done it better?” (86), Trish just stops going to the parties she finds boring. Though Frankie begins the novel like Trish, not thinking critically about power and privilege, she develops the desire to subvert the power dynamics; Trish, however, has no such interest.

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