49 pages • 1 hour read
Richard PowersA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Part 3 opens with a collection of myths about cranes as the birds of Heaven with the power to impart good fortune.
After Weber’s departure, Karin reflects that he was nothing like the warm, compassionate person he appeared to be in his books. Three weeks later, Karin, Mark, and Barbara watch a televised reading from Weber’s latest book. They think he looks like someone playing the role of himself. He is dressed differently and talks differently. Mark is outraged and declares that the man on the television isn’t really Weber. He suspects Karin has something to do with it. Only Barbara can soothe him.
Weber tells stories about subjects he has interviewed and the way they create realities that don’t exist. Afterward, a member of the audience asks if the stories he tells about his subjects violate their privacy. He replies that he always conforms to standard practices. He disguises names and sometimes combines multiple subjects into one sample case.
Weber thinks of Mark as “the Nebraska Capgras sufferer” (189). As with all his other subjects, he made a connection, then lost interest. He still struggles to understand the split between the mind and brain, but he feels sure that science will close that gap soon. He realizes that he wants there to be a psychological element to personhood rather than it being explained purely by biology. He had hoped that Mark’s case would prove that Mark’s emotional needs influenced how the condition manifested.
Mark is released from the clinic and goes home. He is shocked to find that his Homestar is gone, (apparently) replaced by one that is identical in every way. He concludes that the whole neighborhood has been replaced, possibly the whole town. His dog, Blackie, greets Mark ecstatically, but he doesn’t recognize her as the real Blackie.
Mark continues to believe he is a guinea pig in some kind of experiment. He thinks the accident must have been a set-up and that the memories of the accident have been surgically removed; to find out who is doing this to him, he must solve the riddle of the accident. His first clue is the note. He begs Karin to help him find the writer.
Karin writes to Weber, describing Mark’s obsession with the note and his rejection of his house and neighborhood. She gets back a note from Weber’s secretary saying that Weber is out of contact except for emergencies. Karin feels that Weber has used her and Mark and cast them aside. She begins to feel paranoid, thinking Weber may be deliberately avoiding her.
Karin reconciles with Mark’s friends. She feels they are a bad influence, but she depends on them to stay with Mark when she can’t be there.
Weber has been feeling disconnected. He sometimes thinks he doesn’t recognize his own handwriting in his datebook. He persistently forgets his daughter’s wife’s name. He finds a review of his latest book, denigrating his methodology, the borderline violation of his subjects’ privacy, and an apparent lack of individual feeling for the subjects. The reviewer observes that his case studies also seem to ignore recent discoveries in neuroscience. The observation stings because Weber has recently been worrying about that issue himself. Sylvie rebukes him for his self-doubts.
Doubts continue on his book tour, as audience members raise the question of whether his case studies violate professional ethics. He replies as usual that case studies are important because the brain can’t be understood without looking at the whole person, their history, and personality. Privately, he feels less sure of this than he once did.
The world begins to seem strange to Weber, as if he were seeing new colors. During his sleep-deprived book tour, he has increasing difficulty at talks and readings, feeling confused and off-balance. His eyes seem to play tricks. His thoughts are incoherent.
Karin finds it hard to be sure how much Mark has changed since the accident. He has trouble making decisions. He sometimes mixes up words and keeps forgetting that he is on disability and doesn’t have to go to work. Mark puts up with Karin, still refusing to see her as his sister but tolerating her.
Barbara visits three times a week. She forces Mark to do things for himself, whereas Karin feels compelled to take care of him like a child. Karin longs to be more like Barbara—composed and self-contained.
Mark tolerates cognitive behavioral therapy but is annoyed by the therapist’s conviction that Karin is real. He resents the therapist trying to “brainwash” him. Karin tries to tell him the therapy might make him feel more like himself, but Mark says he already feels like himself.
Mark gets Karin to take him to the scene of the accident. By the side of the road, Mark remembers that there was someone else in the car with him. There was something in the road like a white column that flew up and away—a guiding spirit. “I’m a killer,” he tells Karin. “Some kind of guiding spirit [was] in the road, and I tried to kill it” (252).
Mark takes to going around town, knocking on doors and showing people the note from the hospital. No one recognizes it, and Mark begins to suspect the people he talks to are the same few people over and over. Karin identifies Mark’s delusion of one person pretending to be many as Fregoli Syndrome. Like Capgras, Fregoli is a misidentification delusion. Mark also believes he has seen someone following him house to house. He identifies the stalker as Daniel.
Going out to dinner with Daniel, Karin notices that Daniel is preoccupied. He tells her about his work at the crane refuge. The cranes’ environment is being threatened by development. A consortium of developers, led by Robert Karsh, is trying to overturn the legal agreements put in place to protect the birds.
Daniel refuses to eat anything other than vegetables, which makes it difficult for Karin to eat at restaurants with him. Even when the server brings him a plate of raw vegetables, Daniel barely touches them. Karin notices Daniel looking at both the female and male servers. He refuses to acknowledge that this is true.
Weber continues to brood over criticisms of his work. He becomes resentful of Sylvie, who dismisses the criticisms as irrelevant. His writing has lost its meaning for him. It started as a way to understand his field on a different level than the harsh empiricism of science. He doesn’t want science to fully understand consciousness.
He receives a message from Karin about Mark’s compounding symptoms. He realizes that he walked out on Karin and Mark without even trying to help, and his one suggestion—cognitive behavioral therapy—is making things worse. He resolves to go back to Nebraska and redeem himself by really helping. He barely admits to himself that he also wants to see Barbara again.
Part 3 continues the theme of The Negotiation of Identity as Weber, Mark, and Karin all try to figure out who they are in their changed world. Weber’s identity as he studies Mark turns to out to be quite different from the caring and compassionate person Karin expected from his books. He doesn’t seriously try to help Mark, and he forgets about Mark almost as soon as he gets home.
Karin and Mark are shocked by the persona they see of Weber on television. Weber has negotiated an identity that fits an anonymous television audience. The difference illustrates the way in which people constantly adjust their identities to meet the requirements of the environment. The stable sense of self remains the same, but behaviors, expectations, and self-concept might change.
Weber admits to himself that his entire career is based on something similar to what Mark does. His books are made up of stories confabulated to create what he might consider a greater truth, highlighting the theme of Stories and Meaning. The suggestion that Weber takes advantage of his subjects unsettles him because it validates something he has begun to feel. Once that emotional conviction has been triggered, Weber is unable to reason himself out of it even with Sylvie’s reinforcement. Sylvie tries to override his doubts because a change in him will force her to renegotiate her own identity in response.
Weber also does something similar to Mark when he allows his feelings to color his treatment plan for Mark. Despite a career of studying brain injuries, Weber wants to believe there is more to human nature than a modular brain. He recommends a treatment for Mark that depends on Mark using reason to correct faulty beliefs despite everything he knows about the intractability of a damaged brain. Weber selects an inappropriate treatment because, despite his warm and friendly presentation, Weber doesn’t care strongly about Mark. He wants to be the compassionate doctor, but that identity has become a facade.
Karin isn’t sure she is remembering what Mark used to be like. As she negotiates her new identity in relationship to the new Mark, his new identity begins to overwrite her older memories. As Weber puts it, “Each revised draft claims to be the original” (185).
Karin has always had the expectation, developed in childhood, that she can’t be loved. She bought love by taking care of others only to find that she is disposable. By rejecting her, Mark is rejecting that familiar identity. Karin is in a holding pattern, unable to leave, unsure whether she should stay. She tries to force Mark to re-create their old relationship by keeping him dependent on her, but he adamantly rebuffs her. Painful as it is, this turns out to beneficial to her. As she can’t get the external validation she wants, she is gradually forced to adopt a more internally motivated sense of self that gives her meaning.
The introduction of the consortium that wants to develop the bird sanctuary introduces the theme of Ecosickness, a literary genre that links people’s illnesses with their relationship to the environment.
By Richard Powers