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49 pages 1 hour read

Richard Powers

The Echo Maker

Fiction | Novel | Adult | Published in 2006

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Themes

The Negotiation of Identity

The Echo Maker explores the idea that identity changes over time in response to one’s environment and relationships. Mark’s experience of Capgras syndrome doesn’t take place in isolation from the people around him. He forces other people, especially Karin and Weber, to change their own identities in reaction to him.

Mark, Karin, and Weber all dramatize the search for a stable sense of self in different ways. Mark’s sense of self is exactly as it has always been, but his perception of the world has changed drastically. Over time, Mark begins to doubt whether his image of himself is really the same as he remembers, and only then is he willing to entertain the possibility that his perception of external reality may be at fault. Karin has built a large part of her identity around being a big sister while Weber’s identity changes when he is at home with Sylvie, on a television set, or face to face with Mark.

Mark’s Capgras syndrome severs his emotional connection to the people and things closest to him—his sister, his dog, and his home. Since those are the three things closest to his sense of self, he has effectively lost the greater part of his identity. Losing his connection to Karin creates the greatest problem for him. He is used to relying on her to rescue him when he gets into trouble. Now, she is unwilling or unable to come to his rescue, and he has to negotiate a new relationship with both her and himself. At first, he is hostile to the new relationship and begs for the real Karin to rescue him and allow him to remain a child. Eventually, he begins to form a relationship of trust with Karin without expecting her to rescue him. When his brain injury begins to heal, Mark regains his emotional connection to Karin without regressing to his former baby brother role.

As Mark continues to reject her, Karin is forced to look for other sources of validation. She tries Daniel and finds him too cloying, tries Karsh and finds him too devouring. Eventually, she finds her own identity as a defender of the crane habitat. Mark’s Capgras has forced her to negotiate an identity that incorporates her protective instincts into an independent role that gives her a sense of meaning.

Weber’s interaction with Mark leaves him feeling inconsistent with his identity as a wise and compassionate man, as his writing career is based on that wise and compassionate identity. When he begins to receive negative feedback on his latest book, it confirms doubts he has already begun to have about himself. Once his doubts are confirmed, the dissonance between who he is and who he feels he should be is so uncomfortable, it forces him to change. Though it is painful, his life, career, and marriage will be the better for it.

Stories and Meaning

The Echo Maker portrays stories as the way human beings make sense of the world. Each of the characters uses stories to give themselves significance and defined roles in the world.

Weber observes that people use stories to identify themselves. Mark creates stories to explain why he has no emotional recognition of his sister. Every time he takes in information that contradicts his explanations, his delusions grow until he believes the false Karin is implanted with the real Karin’s memories. His internal story makes him the center of a detective novel or a thriller in which he is mysteriously important to someone somewhere—so important that the faceless villains will spend billions to duplicate the town of Kearney. Mark eventually learns the true story—that he is just a young man who sacrificed himself to save someone else. It is a much less dramatic narrative, but it is ultimately more meaningful.

Weber’s story about himself is that he uses stories to heal the subjects of his books. In some cases, he makes up fictional accounts that combine several cases to create one archetypal example. When science became the dominant approach to studying the brain, Weber’s case histories lost their significance. With Mark, Weber accepts that he needs to employ science along with narrative. When Mark is finally willing to be healed, the science helps him to tell a more meaningful story about himself.

Karin continually looks for meaning in her relationships with other people, but without a story of her own, she has no value except as a caretaker, and even there, she realizes she is replaceable. Eventually, she finds a sense of meaning in the endless story of the cranes’ migration.

Stories also appear in smaller instances. For example, during Mark’s recovery, Karin keeps a notebook in which she records everything the doctors say about Mark’s condition. The notes are intended to aid her own memory and understanding, but she also thinks of the notebook as a story that will help Mark to understand his accident and recovery.

In the community meeting, Daniel and Karsh present competing stories to persuade the community to support or reject the consortium’s development. Daniel fails to persuade his audience because his story about the importance of the natural world lacks a coherent narrative that emotionally engages the audience. Karsh, on the other hand, enthralls the audience with a story of a mutually beneficial fusion of man and nature. This corresponds with the people’s belief in themselves as conservators of nature who are also innovative and modern. This example proves that the most effective stories are those that reflect people’s beliefs about themselves and their world. When stories challenge those beliefs, people disengage and can even become hostile.

Ecosickness

Ecosickness fiction deals with the interdependence of the ecosystem with human health. As such, it explores ideas about environmentalism, artificial ecosystems and scientific innovation. The Echo Maker shows the interplay of these threads in the relationships between the characters. It also uses Mark’s injury as a metaphor for the disruption of the ecosystem when his animal brain is severed from his rational cortex. Ultimately, Ecosickness fiction posits that only a threat to human well-being will truly motivate people to take action against environmental degradation.

The cranes embody the natural world with its constantly repeating rhythms and its unthinking perfection. The narrator introduces each part of the story with a depiction of the cranes nesting or migrating or interacting with human beings in myth, where they represent the integration of humankind with the natural world. The characters come into conflict with the natural world and each other over the well-being of the cranes and by extension the whole ecosystem. Karin is caught between Daniel and Karsh, who see different ways of co-existing with nature. Daniel regards humankind as an unnatural disaster, and he rejects his own animal nature, ironically, because he reveres animals as sacred. Karsh embraces his animal appetites, but his appetites drive him to wreck the cranes’ habitat that is what he claims to be trying to preserve. Neither is genuinely integrated with nature. Daniel eventually retreats farther from human civilization, and Karsh moves on to wreak destruction elsewhere. Karin finds a balance by using her gifts as a caretaker and negotiator to raise money for the cranes’ habitat.

Mark’s injury parallels the rift between human and nature. His human reason is literally cut off from his animal brain. The bare bald spot on the cranes’ heads reminds him of the bald spot on his own head where the surgery was done to relieve the intracranial pressure. Mark even imagines that some part of a crane’s brain was implanted into his with the aim of saving one or both species. The implication is that humans need integration with the natural world in order to survive. A threat to the environment is a threat to the human race.

Conflict over the cranes continues until Mark is finally healed. Weber hopes to cure Mark by telling stories, including cognitive behavioral therapy to help Mark change the stories he tells himself. Instead, Mark is cured by an evolution in medical science. The olanzapine treatment brings the animal and the rational together. Mark is not healed by a reversion to primitive conditions as Daniel might prefer. Human evolution has come too far to go back. Instead, Weber applies new science, which results in a new Mark, one who integrates the animal and the human into one being as Karin works to integrate the crane habitat and the human tourists and residents of Kearney into a single ecosystem.

Ecosickness fiction posits that only feeling—wonder or discomfort—will motivate humankind to save itself from self-destruction. The characters who go through transformations in The Echo Maker do so because it is too uncomfortable to remain stagnant. The same may be true of humans, whose connection with the natural world has been largely broken and must be healed for them to survive.

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