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66 pages 2 hours read

Ken Follett

The Evening and the Morning

Fiction | Novel | Adult | Published in 2020

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Symbols & Motifs

Children

Children in the novel are at once a blessing, a source of vulnerability and fear, and leverage to be used by one’s opponents. Ragna is excited when she learns that she is pregnant, but her thoughts quickly turn to how her children might be used against her. After Alain’s birth, Wigelm threatens to take the child from her, goading her into staying with him as his wife. Dreng kills Blod’s baby to punish her and to avoid having to provide for another person. Edgar suspects that his mother kills herself so that he and his brothers can have more to eat. At their best, children symbolize hope for the future. However, they also represent the evils which people are capable of when they use children to defeat their enemies.

The Counterfeit Coins

Aldred and Edgar learn that Wynstan coerces Cuthbert into minting counterfeit coins. Wynstan then uses those coins for gambling. If he loses, he loses counterfeit money, but the money he wins is real. When accused of the forgery in court, Wynstan blames Cuthbert, who receives the punishment. The coins symbolize Wynstan’s moral decay, his disdain for King Ethelred’s rule, and the unreliability of the court in a system that allows Wynstan to intimidate and pay off those who would find against him. The people in power—people like Wynstan—find themselves in winning positions even when they have small losses, like the loss of the counterfeit scheme. Aldred produces the coins as evidence of Wynstan’s guilt, but only succeeds in bringing about Cuthbert’s castration and blinding.

Edgar’s Innovations

Edgar revolutionizes the ferry system at Dreng’s Ferry by improving the boat they use. The canal he constructs, which requires the expansion and diversion of an entire river, makes trade easier. But the bridge—eventually known as King’s Bridge—is Edgar’s masterpiece. Edgar’s bridge connects two sides of the same river in a way that encourages trade, travel, and more. Edgar represents technical progress, and his inventions are the clearest manifestation of the benefit he can bring to the region.

Holy Relics

Aldred receives the bones of Saint Adolphus to bring attention to his monastery and to raise funds. Peasants would often pay to see such relics, and Aldred exploits this by staging an elaborate miracle in which an effigy of the saint stands and appears to look at the crowd. Holy relics symbolize the monks’ devotion to their religion and their willingness to skirt the edge of truth while seeking donations. Aldred’s performance when the effigy of Saint Adolphus stands up in the cart would be vaudevillian in the early 20th century, showing that salesmanship is not a modern invention and is not exclusive to religious evangelism.

The Viking’s Ax

Edgar uses the Viking’s ax to kill the man who murders Sungifu. He takes the ax with him throughout the story, often using it as a tool for building when he has nothing better. A symbol of Edgar’s willingness to kill, the ax is a reminder of the constant Viking threat. It also reveals the identity of Ironface, when Edgar sees the ax scar on Wyn’s arm. Like his canal and bridge, the ax represents Edgar’s ability to innovate. He uses the tool for multiple purposes, whereas someone else might only have conceived of it as a weapon, or as an instrument to chop wood.

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