56 pages • 1 hour read
Kristin HannahA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Loreda grieves over the loss of her best friend, Stella. One night, unable to sleep, she wanders outside and finds her father smoking by the old windmill. She tries to convince him to leave the farm behind, but before they can discuss it, Elsa calls them back inside. Loreda sees the defeat in her father’s eyes and blames her mother for it. The next morning, Elsa takes coffee out to Rafe, who sits in the family cemetery. He pleads with her to leave, to head west, but she can’t see a way forward with no money and no transportation. She wants a legacy to leave her children, and the land is their only possession.
Elsa ponders Rafe’s unhappiness as well her vow to “love, honor and obey” (106). She decides that her love for Rafe and her commitment to their marriage should outweigh her love of the farm. She finds him outside and tries to broach the conversation, but he kisses her passionately, trying to recapture the intimacy of their first night together. He sends her back to bed, promising to join her soon. The next morning, Elsa wakes up in their bed, alone. After morning chores, she searches for Rafe. When she discovers his suitcase is missing, she checks his drawer. His clothes are gone, except for a single, chambray shirt.
Elsa rides into town in search of Rafe. At the train depot, the ticket clerk admits that Rafe was there, but, with no money, he suspects Rafe did what so many others have: hopped aboard a passing train. The clerk hands Elsa a letter from Rafe; he apologizes for leaving but claims, “I’m dying here, that’s all I know” (116). He asks Elsa not to look for him. Devastated, Elsa blames herself, but she pushes the heartbreak down and steels herself for the sake of her children. She fears they will be irrevocably damaged by Rafe’s departure.
Elsa returns home. She sends the children outside and shows Rose and Tony the letter. Weighing whether to tell her children, she finally decides on the truth. Loreda flies into a rage, blaming her mother for Rafe’s disappearance. Anthony sobs in his mother’s arms. Later, Loreda consoles her little brother by telling him that their father is “probably waiting for us somewhere” (122).
As Elsa sits on a small platform beneath the windmill blades, a storm kicks up. She runs inside and bolts the door, calling to Loreda and Anthony. Anthony comes downstairs alone. When Elsa asks where Loreda is, Anthony reluctantly tells her that she ran away to find their father. Elsa jumps in Tony’s truck—with barely any gas—and drives off to find her. She drives into town and finds Loreda outside the train depot, trying to shelter from the storm. The depot is locked, so Elsa climbs through a broken window, unlocks the front door, and pulls Loreda inside. Elsa tries to explain why they can’t leave the farm, but Loreda is too angry to understand.
The next morning, during breakfast, a homeless drifter knocks at the door, begging for food in exchange for work. They offer him a bit of creamed wheat. Tony questions him about his destination and why he left home, hoping to glean some insight into his own son’s behavior. Later that morning, Anthony tells Loreda that Elsa won’t wake up. After trying unsuccessfully to rouse her, they fetch Rose, who consoles her daughter-in-law and says she must carry on for her children. Elsa sits up and weeps in Rose’s arms until she is exhausted. Rose tries to dispel Loreda’s fanciful ideas of adventure, telling her, “It will be the ruin of you” (134).
Alone with Elsa, Rose comforts her by trying to boost her self-confidence. Rafe is a fool, she says, not to love the woman Elsa has become; and Loreda, Rose argues, will settle down and finally understand that land and family are the only things she can depend on. Elsa is not so sure. She admires her daughter’s passion and wants her to follow it.
November brings snow, a hopeful sign, although the drought has left them with barely enough fuel to maintain a fire. On Sunday, they attend church. Afterward, Tony and a fellow farmer discuss heading west, but Tony claims he will never leave his land.
The winter is long and harsh. With no fuel to heat the schoolhouse, Elsa must homeschool Loreda and Anthony. She wants desperately for her children to enjoy a life better than hers, and she sees education as the only viable path to that goal. At night, she grieves deeply for her lost husband, the farm and her family the only anchors keeping her sane.
One December morning, they head into town. The community is meeting to discuss government assistance. As they pass the many deserted homes, Elsa thinks of California and of all the neighbors who have left. At the mercantile, they trade their eggs, butter, and soap for sugar, coffee, rice, and beans. At the schoolhouse, Hugh Bennett, a representative of Franklin Roosevelt’s Conservation Corps, tells the farmers they have to change their farming methods or else the majority of usable topsoil will be ruined. The government will pay the farmers not to plant crops but instead to let wild grasses grow to rejuvenate the soil. The plan doesn’t go over well, and the farmers walk out of the meeting.
With a drought in its third devastating year, planting anything is futile. Families either hang by a thread or abandon their land and head west. Hannah delves into a historical period that ruined not only lives but ideals. In the wake of the Great Depression, some Americans questioned the previously unquestionable: capitalism and the American dream. All their lives, the farmers of The Four Winds have held one truth close to their hearts: Hard work will pay off. Even when that truth abandons them, leaving them powerless in the face of a merciless Mother Nature, they are still reluctant to acknowledge their own need. When a representative of the federal government offers assistance, the townspeople refuse, saying they don’t want charity. President Franklin Delano Roosevelt’s New Deal was controversial precisely because it seemed so contrary to America’s great promise—work hard and be rewarded. The Great Depression and the Dust Bowl laid bare the inherent cracks in the system, cracks that swallowed up countless diehard believers. The Martinellis’ belief in the power of the land to save them transcends all else—an open hand offering help, the good sense to consider other possibilities, even the logic of science advising them to change their farming methods. Like Elsa’s stubborn love for Rafe, the bedrock ideology of “the land” prevents the farmers of Lonesome Tree from seeing any reality other than the dying soil beneath their feet.
Hannah continues to heap tragedy upon her protagonist. As if being rejected by her family, losing a child at birth, and weathering a three-year drought weren’t enough, Elsa must contend with Rafe skipping town and the knowledge that he did not love her enough to stay by her side. Elsa, however, is a testament to the human will to survive. She is the archetypal pioneer woman, a stoic figure who makes difficult choices unflinchingly to feed her family and keep a roof over their heads. Elsa slips into this role relatively easily. She conforms to the requirements of farm life because they give her an identity, something she never had before, and the Martinelli’s give her positive reinforcement, welcoming her into their family with love and gratitude. Ironically, she becomes more of a Martinelli than Rafe. Tony and Rose try to teach their son the value of the land, but he will not be swayed from his dreams of travel and adventure, dreams his parents deem foolhardy. Elsa, on the other hand, assumes the role of farmer willingly, and she, rather than her husband, refuses to give up on the land. While Elsa grudgingly accepts her loveless marriage (she is used to not being loved), Loreda’s anger and restlessness are a far more bitter pill to swallow. Loreda hates her mother for her unwavering resolve and austerity, the exact qualities that have held the family and the farm together.
By Kristin Hannah