27 pages • 54 minutes read
Isaac AsimovA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Margie, an 11-year-old girl living in the year 2155, is the protagonist. She is a dynamic character, and the third-person limited omniscient narration follows her perspective. The story does not say much about Margie’s personality and interests other than that she keeps a diary and hates school. Early in the story, Margie reveals the level of her frustration with school. Although she does not directly say so, it is implied that Margie feels shame about her poor performance in geography and guilt for disappointing her mother—enough to have the County Inspector modify their mechanical teacher to instruct her at a previous grade level.
Through Margie, Asimov develops the theme of Isolation and Loneliness. Margie is a lonely, isolated child who has very few opportunities for human connection. This is evident in her “friendship” with Tommy who, at two years older than her, is not quite a peer and treats her with a sense of superiority and condescension. Despite Tommy’s dismissiveness, Margie is careful to avoid arguing with or alienating him. With no other opportunities to forge social bonds with other children, she is motivated by a need for Tommy’s approval and acceptance. This is increased further by Tommy’s discovery of the book, a rare opportunity for Margie to break the routine of her daily life and school that is the source of her frustration.
Margie’s perspective also develops the theme of Nostalgia for the Past. Margie begins to conceive of a style of schooling and daily life that would allow her to be around other children. She is fascinated by what she learns about school in the past and imagines what it would be like to have other children who could help her learn better because they all have the same lessons. To Margie, these thoughts represent a solution to the individualized, isolating education system that makes her feel frustrated and alone. By the story’s end, she has developed a nostalgic wistfulness for a past life that she sees as being better than her own.
Tommy is a 13-year-old boy who introduces the story’s inciting conflict, the discovery of the antique book in his attic, and he continues to provide subtle but consistent conflict throughout the story. Although he plays a pivotal role, he is a static character. Margie must navigate Tommy’s moodiness and sense of superiority to keep him from leaving with the book, a threat he makes implicitly when he tells her, “If you don’t like it, you don’t have to read the book” (127). Two years older than Margie, Tommy believes that he knows more than Margie about the world and frequently either says or implies that she is ignorant and “stupid.” His attitude contributes narrative irony to the story when his own assumptions and information are incorrect, such as when he assumes that books must have been disposable after a single reading.
Despite his antagonism, Tommy is also lonely, limited from forming social bonds and friendships with peers for the exact same reason as Margie. He isn’t particularly kind to Margie, but he does seek her out to share the book with her and spends time reading it and discussing it with her. This indicates that he is also motivated by a need for connection and company to alleviate his loneliness. Although he only says “maybe” and walks away “nonchalantly” when Margie asks if they can read again together the next day, the story provides enough evidence to suggest that Tommy is simply more able to disguise his eagerness for connection and his desire to not be alone than Margie.
Margie’s mother, referred to as Mrs. Jones and whom Margie calls “Mamma,” has little direct interaction in the story. She is a flat character. This is a deliberate plot choice, displaying that, even from her own mother, Margie receives little in the way of real human support and connection. Margie recalls that her mother “had shaken her head sorrowfully” (126) after Margie’s repeated failures at geography, indicating that she has expectations for her daughter’s school performance that are not being met. Margie’s mother embodies the lack of approval and understanding that Margie obviously craves.
Margie also recalls that her mother told her that all children had to be taught differently, indicating that she at least appears to believe that education via a mechanical teacher is the best way. This aligns her with the system that Margie finds so frustrating. As the primary authority figure in Margie’s life, this association makes her even less approachable to Margie or willing to listen to her daughter’s frustrations. In this way, she serves to increase Margie’s sense of isolation and alienation in the story. This subversion of a mother’s stereotypical role in fiction as a comforting, nurturing force creates irony.
At the end of the story, Margie’s mother maintains her role as an obstacle to Margie’s search for connection by being the one to end her free time reading with Tommy. This pushes Margie back into the cycle of school and obedience and prevents her from achieving a real resolution beyond a hope for something better.
Margie’s mechanical teacher is a static character. Although devoid of personality and humanistic traits, the mechanical teacher functions as a character. This interpretation is supported by Asimov’s decision to call it a “teacher,” thereby guiding the reader to associate it with a profession held by a human. The mechanical teacher’s inability to accommodate human needs is ironic and aligns with the story’s broader themes. The mechanical teacher is Margie’s main supervisor throughout the school day, a role that would normally be filled by a human being such as a teacher, parent, or other guardian. Reading the mechanical teacher as a character emphasizes technology’s inability to meet a person’s social or emotional needs and develops the theme of The Consequences of Technological Advancement.
As a computer, the mechanical teacher is impersonal and unresponsive. It cannot provide help or support to Margie outside of giving her predetermined lessons and calculating her grades. Its quantitative rigidity is responsible for Margie’s internal conflict about education and learning. Its dominance in her daily life increases her loneliness and lack of connection to other people, including her own mother who, while present in the home, does not participate along with the mechanical teacher in Margie’s education. The story ends with Margie in her schoolroom, the domain of the mechanical teacher which, by its nature, has undergone no change in the story. Even as Margie has undergone a paradigm shift in how she conceives of education and the mechanical teacher, the mechanical teacher is only a machine and delivers the arithmetic lesson as though nothing has changed.
The County Inspector is a static character, but his small acts of kindness reflect the only emotional warmth Margie receives. Unlike with his other characters, Asimov reveals physical characteristics of the County Inspector to underscore his humanity: “He was a round little man with a red face and a whole box of tools with dials and wires” (126). Margie’s social interactions are limited to her disapproving mother, her condescending peer, and her emotionless teacher. The presence of the County Inspector offers Margie much-needed encouragement and temporary hope. Although the County Inspector can’t fulfill Margie’s dream of removing the mechanical teacher, he offers her a reassuring smile, an apple, and empathy.
By Isaac Asimov