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66 pages 2 hours read

Stieg Larsson

The Girl with the Dragon Tattoo

Fiction | Novel | Adult | Published in 2005

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Part 1, Chapters 5-7Chapter Summaries & Analyses

Part 1: “Incentive”

Part 1, Chapter 5 Summary: “Thursday, December 26”

Vanger details the circumstances of Harriet’s disappearance for Blomkvist. September 24, 1966, the day Harriet was last seen, was also the day of the Children’s Parade in town when an oil truck crashed on the bridge, thereby obstructing all traffic. Harriet attended the parade and was seen back on Hedeby Island between 2:10pm and 2:55pm. She wanted to speak with Vanger about something, but he was busy and promised to find her later in the day. Vanger accounts for 64 people who were in Hedeby that day, consisting mostly of family members present for a gathering. He is convinced that Harriet died neither by suicide nor an accident since her body was never recovered despite extensive searches. He also dismisses the theory that she ran away since the bridge was unpassable and bystanders would have noticed her crossing by water. He concludes that a family member must have murdered her and disposed of the body.

Back in Stockholm, Salander finishes reading Blomkvist’s book, The Knights Templar: A Cautionary Tale for Financial Reporters. She notes his skill as a persuasive writer with an ironic tone. The book is a scathing indictment of finance journalism and reiterates Blomkvist’s view that, despite being one of them, finance reporters lack critical thinking and objectivity. Salander notices that his author's photo is staged but finds him attractive. At her apartment, she sends an encrypted email using the name Wasp and arranges a meeting with a fellow hacker named Plague. She dresses in less-conspicuous clothes, removes her piercings, and takes the subway to Wennerström’s apartment building, entering after she observes a neighbor punch in the security code. After picking a lock, she finds the electrical room and takes three photos of the fuses and meters. Back at her apartment, she receives a confirmation email from Plague to meet.

Part 1, Chapter 6 Summary: “Thursday, December 26”

To convince Blomkvist of his theory that Harriet was murdered, Vanger shows him photographs taken on the day of her disappearance. One image shows Harriet at the town parade at 1:15pm. Another image reveals that Harriet’s bedroom window was opened around 3:45pm, suggesting that she or someone else was in her room. Vanger theorizes that Harriet was strangled and hidden in the trunk of a car until the murderer could drive across the bridge the next day after the accident was cleared. He describes how his obsession with finding the murderer over the past 37 years has turned into an “all-absorbing hobby” (121).

When Blomkvist suggests that the murderer may be dead after all these years, Vanger shows him the wall of pressed flowers. He explains that Harriet had given him the first flower in 1958 as a birthday present, and every year since then, except for the year she went missing, he has received a flower in the post on his birthday. Vanger believes the murderer is still alive, and the flowers are a torturous reminder of Harriet’s death and the murderer’s impunity. Now at the end of his life, Vanger makes one last effort to solve the case and offers Blomkvist a 2.4 million kronor contract to stay in Hedeby for a year and conduct an investigation. To ensure that Blomkvist will work earnestly, Vanger promises that if Blomkvist solves the mystery, he will double his salary; more importantly, he’ll give him indisputable evidence of Wennerström’s corruption.

The chapter intersperses Vanger’s narrative with descriptions of Salander’s clandestine actions on the same day. Helping herself to one of Milton Security’s cars, she drives to Plague’s apartment and pays him 5,000 kroner for an electronic cuff used to hack computers. She then returns to Milton Security in the middle of the night and breaks into Armansky’s office to review some of the firm’s active cases. Salander returns home after a successful day of covert activities.

Part 1, Chapter 7 Summary: “Friday, January 3”

Blomkvist, Berger, and Millennium’s art director, Christer Malm, meet at Blomkvist’s apartment to decide on the magazine’s organization. Malm owns a third of the publication but acknowledges that Blomkvist and Berger are the real decision-makers. Blomkvist reasons that Wennerström will continue to threaten the magazine and deter advertisers unless he steps away, if only in appearance. He also admits that he is exhausted, and the contract with Vanger will allow him to recoup as well as build a new case against Wennerström. Berger, however, feels that Blomkvist is abandoning her to deal with the aftermath of the trial alone. She quietly expresses to Malm that she is also afraid he will not return.

Salander receives a phone call from Armansky informing her that Frode has dropped the investigation on Blomkvist and she can discard her findings with pay. She has only worked on the report for three days and has a gnawing feeling that there is a secret to uncover in the Wennerström affair.

Part 1, Chapters 5-7 Analysis

Chapters 5-6 primarily set up the central plot of Harriet’s disappearance. Minute details of her last moments serve as clues for Blomkvist’s detective work. Specific timelines, eyewitness accounts, obscure photographic evidence, and competing theories provide the frame narrative, a story within a story. In a metatextual moment, Blomkvist acknowledges that the circumstances of the case mimic a “locked-room mystery in island form” (103), a recognizable format of the detective-fiction genre.

Blomkvist and Salander represent the best of tradition and modernity, respectively. Blomkvist appears as the last noble stronghold in an increasingly modern and morally ambiguous world. His defeat by Wennerström represents the loss of old-fashioned idealism in a capitalist society where ad revenue influences media objectivity. In one of his books, he attacks financial journalists “in the last twenty years” (110), marking the present state of Swedish reporting as bereft of critical thinking. The novel’s settings also emphasize the dichotomy of old and new. Blomkvist’s move to the quaint and quiet town of Hedestad functions as a self-imposed exile from bustling, urban Stockholm. He admits to Berger, “I need a break, Erika. I’m not functioning anymore. I’m burnt out. A paid sabbatical in Hedestad might be exactly what I need” (132). Though Blomkvist will later change his impression of the small town, his idealism is one of his defining traits.

In contrast, Salander is subversive, unconventional, and tech-savvy—the opposite of tradition. She breaks into Wennerström’s secured building and Armansky’s office with ease, emphasizing the irony of Milton Security’s own security loopholes. Cameras, encrypted emails, “borrowed” cars (114), and electronic hacking cuffs are the tools of her trade, and her clandestine operations are juxtaposed with Blomkvist’s moral idealism. However, Salander’s use of subterfuge is not devoid of morality. As developed in the later chapters, she is equally devoted to her own ethical principles of protecting the vulnerable and punishing the corrupt. Though their approaches differ, both Blomkvist and Salander use their investigative skills to weed out corruption.

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