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Stieg LarssonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The chapter opens with a discussion of trustees and guardians in Swedish legislation. Individuals who need help managing their lives can be appointed as trustees. If the need for assistance is due to an advanced mental illness or dementia, then a guardian can be appointed. Trustees hold partial legal authority, whereas guardians may have exclusive legal control, including of the client’s finances. The narrator describes depriving a person of control over her finances as “one of the greatest infringements a democracy can impose” (246). Clients who have pressed charges against their guardians have often faced silencing by the media or law enforcement. Lisbeth Salander’s psychiatric records keep her in a guardianship that deems her “legally incompetent” (245), a status she previously had not questioned since Palmgren did not control her finances or abuse his powers as her guardian.
Because of her status as a ward who is “non compos mentis,” Salander does not report Bjurman’s assaults and doubts that the legal system or police will support her. Since her youth, Salander has experienced bullying, sexual assault, and family trauma without sympathy, protection, or effective assistance from teachers or social welfare groups. Past efforts to defend herself only led to her classification as a “cunning and unjustifiably violent” (249) person. Salander grows up as a lonely youth, hardened to a patriarchal society that treats girls as “legal prey” (248) and where sexual assault is ubiquitous. Despite the normalization of violence against women, Salander does not minimize her own experiences and always seeks revenge against those who harm her.
Distraught and in need of advice, Salander ponders contacting Armansky for help but is unsure if she is ready to confide in anyone. She also considers telling an informal group of friends called “Evil Fingers” (257) but does not want them to know of her legal status. She rejects the label of victim and resolves to take matters into her own hands.
Back in Hedeby, Cecilia and Blomkvist discuss Harriet. Cecilia believes Harriet turned to religion because of her dysfunctional parents but is unsure since Harriet never confided in anyone. Harriet tried to keep up appearances that her family was happy, but after her father, Gottfried, drowned, she became detached and lost. Cecilia mentions that the Vanger children, including herself, had difficult childhoods, leaving most of them estranged from their relatives. She remarks that she likes Martin, who was antisocial and distant as a child but found success as an adult. Her sister, Anita, also appears to live a healthy life as an airline manager in London.
Salander researches Bjurman’s life and is unable to uncover any evidence of past abuse or incriminating behavior. He appears to be a model citizen—a respected lawyer who overpays his taxes and donates to charities. She then spends a week planning his murder but realizes that, even if she kills him, she would still be under the control of the next guardian.
Salander devises a plan to document his next assault with a hidden camera. The evidence would allow her to control Bjurman but requires her to risk another meeting with him. When Salander contacts him, he requests to hold the next meeting at his home. She is afraid and hesitates, but agrees to the new location. At his home, Salander’s plan does not go as expected as Bjurman uses restraints to torture and rape her. He does not release her until the next morning and tells her he expects her next week.
In Hedeby, Blomkvist continues his affair with Cecilia and they both agree to keep their encounters private. Blomkvist becomes curious about Cecilia’s failed marriage and Vanger tells him that her husband abused her. Though Cecilia is officially not divorced, she has not seen her husband in decades. Vanger tells him that Cecilia is trustworthy and “one of the good people” (264) and not involved in Harriet’s disappearance.
Blomkvist establishes a comfortable routine in Hedeby. He makes progress on Vanger’s autobiography but is no closer to solving Harriet’s case. He returns to the mystery of the names and phone numbers in Harriet’s diary, but neither he nor Vanger has any idea how to decipher them.
Salander returns to her apartment and treats her injuries, aware that Bjurman’s assaults are exacting in their brutality. She researches sadism and understands that Bjurman, believing her to have an intellectual disability, had chosen her as an easy target to abuse. The following week, she gets a tattoo of a band around her ankle as a reminder of his attack.
At her next meeting with Bjurman, Salander leads him to his bedroom where she tases and restrains him. She penetrates him with an anal plug and tells him she will publicize the footage of his assault on her if he does not agree to her terms. He is to give her full control of her finances and write positive reports to build a case for her release from the state’s guardianship. She will also have keys to his office and home, and he is never to be with a woman again. Salander warns that if he attempts to have her killed, the video will automatically go public. She tattoos on his torso: “I AM A SADISTIC PIG, A PERVERT, AND A RAPIST” (287).
Cecilia begins to develop romantic feelings for Blomkvist and recalls her violent marriage and traumatic childhood with mixed feelings of shame and anger. Her husband was a domestic abuser and her father, Harald, and brother, Birger, blamed her for the failed marriage. She remembers how, during a hunting trip, she had wanted to fire a shotgun at Harald and Birger after their insults but abandoned them in the woods instead. She never forgave Harald for ruining her childhood and life and has not spoken to him in 20 years.
Blomkvist leaves Hedeby to begin his 90 days at Rullåker Prison. The Millennium team coordinates his first day in prison with the announcement of Henrik Vanger’s part-ownership of the magazine and Blomkvist’s future return as CEO and publisher. Berger and Vanger give television interviews and suggest that the Wennerström affair is not over. Vanger presents himself as a magnate protecting the small, independent press, and Berger argues that Vanger’s presence on their board presents no conflict of interest. Privately, both Berger and Blomkvist believe that the partnership has compromised their impartiality and code of ethics.
Salander is in Armansky’s office when she hears about Millennium’s new changes on the radio. She quickly connects Frode with Vanger and learns of Wennerström’s former employment at Vanger Corporation. When Armansky informs her that he has no new assignments, she resumes her own independent investigation on Blomkvist.
These chapters address the theme of revenge and justice in the context of systemic violence against women. Salander is keenly aware of her options from her experiences through multiple institutions. Part 2’s title is “Consequence Analyses,” a term she adopts from Palmgren and often invokes to remind herself of the ways the criminal justice system has failed her. She recognizes that Bjurman’s attacks are “systematic brutality” (276). He “had chosen her as a victim” (277) and could perpetrate his planned abuse through his authorized position as her guardian and her legal status as an “incompetent” ward. For Salander, justice is an elusive concept since the very institutions meant to uphold the concept exploit her. Instead, she takes revenge on Bjurman and defines her own terms of their legal relationship to protect her rights and other women from his abuse.
Blomkvist’s code of ethics is tested when he begins a sexual relationship with Cecilia, a potential suspect. Additionally, he accepts Vanger’s offer of partnership despite both his and Berger’s reservations about the potential threat the union poses to the magazine’s impartiality. Here, the theme of wealth and corruption surfaces again. Blomkvist rationalizes his actions based on his instinct that Vanger is truthful when he claims that Cecilia is “one of the good people” (264). By association, Vanger frames himself as one of the “good” industrialists who uses his wealth to protect the smaller press. Likewise, Martin appears to be a well-adjusted adult when Cecilia claims he has overcome his difficult childhood. Blomkvist’s tentative trust in Cecilia provides more layers of suspense. In the subsequent chapters, he negotiates his impressions of her as a reliable narrator when he uncovers evidence that suggests she has lied.
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