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66 pages 2 hours read

Stieg Larsson

The Girl with the Dragon Tattoo

Fiction | Novel | Adult | Published in 2005

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Part 3, Chapters 15-18Chapter Summaries & Analyses

Part 3: “Mergers”

Part 3, Chapter 15 Summary: “Friday, May 16-Friday, May 31”

Blomkvist’s sentence is reduced to two months, and he returns to Hedeby Island after a relatively undramatic stay at Rullåker Prison. The cat, Tjorven, greets him at his cabin. After unpacking, Blomkvist visits Vanger and then Cecilia; both are surprised by his early release. Cecilia seems disturbed by his presence and asks him to leave. Later in the evening, she explains that she has fallen in love with him. Knowing that his stay in Hedeby is temporary, she explains that she fears getting hurt but is willing to continue their romance. She spends the night at his cabin.

The next morning, Erika Berger enters Blomkvist’s cabin without knocking and apologizes for intruding on the two lovers. Berger is embarrassed and Cecilia attempts to accept the unconventional dynamics of Blomkvist and Berger’s relationship. During her visit, Berger stays in Vanger’s guest room and informs Blomkvist that the magazine has increased in subscriptions and ad revenue since Vanger’s participation. She is increasing coverage of women’s issues since most of the new subscribers are women. After a week of consideration, Cecilia ends her affair with Blomkvist and the two agree to a friendship. Cecilia requests that he give her some space.

Blomkvist visits Gottfried’s abandoned cabin where Harriet and Anita Vanger had spent a portion of their summer. The place is sparse, with a few paperbacks, children’s books, and Harriet’s Bible in a bookcase. Blomkvist wonders what purpose she had in staying in her father’s remote cabin after his death. Gottfried had moved there when he and his wife Isabella became estranged. He later died in the bay in an accidental drowning, presumably related to his alcohol addiction. Blomkvist wonders if the cabin represented a place of mourning or religious solitude for Harriet, but he is still no closer to understanding her disappearance.

The only moment Blomkvist feels he may have a breakthrough in the case is when he reviews photos of the day of the disappearance. While staring at the last photo taken of Harriet, an image he has analyzed numerous times, he is struck by a feeling but is unable to pinpoint what idea the photograph triggers.

Part 3, Chapter 16 Summary: “Sunday, June 1-Tuesday, June 10”

While on a bus ride, Blomkvist suddenly realizes why the photograph of Harriet has been gnawing at him: Harriet’s gaze was directed not on the parade but somewhere off-frame. In contrast to the happy faces of the crowd, her face appears frightened and angry. Blomkvist considers her expression as the first indication that she may have been murdered. He hypothesizes that Harriet had seen someone who had upset her, causing her to leave the parade and want to speak with Vanger.

Blomkvist informs Vanger of his breakthrough and gains access to the photo archives of the Hedestad Courier, a local paper the Vangers own. He scans more images and composites a rudimentary animation from 18 photographs taken consecutively of Harriet at the parade. The sequence captures that Harriet had been enjoying the parade but suddenly stops smiling when she redirects her glance across the street. The final frames confirm that what she saw caused her to harden her expression and leave.

Blomkvist also discovers another image of Harriet’s bedroom window that captured a blurry figure. Based on the figure’s hair and attire, he discerns that Cecilia was the one to open the window. Cecilia had lied about not being in Harriet’s room, and Blomkvist begins to feel uneasy, suspecting that she may be hiding more information. He returns to the photo of Harriet, fixated on what she could have seen to cause her change in expression. Blomkvist notices a couple behind Harriet taking pictures, directly from her eyeline. In hopes of finding them, he searches through his updated photo collection and finds another image of the couple by their car. He transcribes a portion of their license plate and a bumper sticker, which narrows their location to a carpentry shop in Västerbotten.

Part 3, Chapter 17 Summary: “Wednesday, June 11-Saturday, June 14”

Blomkvist attempts to confront Cecilia about why she had lied but does not find her at home. Instead, he encounters the bristling Harald Vanger for the first time. The 92-year-old refers to Cecilia as a “whore” (340), and Blomkvist curses at him before heading to Vanger’s home. Vanger informs him that Cecilia has left for London to visit her sister, Anita. He also explains that Harald has resented Cecilia ever since her first relationship with a young man who was part Jewish. Blomkvist shows Vanger his latest developments, and Vanger is stunned to learn that he has new leads.

When he returns to his cabin, Blomkvist is surprised by a visit from his 17-year-old daughter, Pernilla. She believes in her father’s innocence and tells him she loves him. Like Harriet, Pernilla is young and interested in religion. Though he is agnostic, Blomkvist respects his daughter’s choices and does not interfere with her decision to attend a Bible summer camp. When he drops her off at the train station the next day, she encourages him to continue his Bible studies and refers to the five names and numbers from Harriet’s diary he has taped to his wall.

Blomkvist rushes to Gottfried’s cabin with his notes and opens Harriet’s Bible. He confirms that Harriet’s entries are not telephone numbers but citations from the Bible that she had underlined. Blomkvist is alarmed that each Bible notation next to the names refers to a verse describing violent punishment against women. He realizes that the initials “R.J.” refer to the unsolved and grotesque murder of Rebecka Jacobsson in 1949 that Detective Morell had mentioned. Her manner of death matches the cited verse beside her initials. The other names–Magda, Sara, Mari, and the initial R.L.–remain a mystery.

The following day, Vanger has a heart attack and is taken to the hospital. Frode takes his place as the contact for Harriet’s case and Blomkvist tells him everything except the discovery that Cecilia was in Harriet’s bedroom. Blomkvist requests a research assistant to help him identify the other names in Harriet’s diary and Frode recommends Lisbeth Salander. Previously unaware that Frode had him investigated, Blomkvist reads her meticulous report and deduces that she is a hacker.

Part 3, Chapter 18 Summary: “Wednesday, June 18”

Salander spends the night with her friend and casual lover, Mimmi, who leaves for work early the next morning. Still asleep, Salander is awakened by her doorbell and is startled to see Mikael Blomkvist greeting her. He is jovial and, though they have never met before, he brings her bagels and begins to make coffee and tidy up her kitchen with an air of familiarity. He commends her work on his file and offers her a job as his research assistant. Wary at first, Salander warms up to his strange informality. He briefs her on Harriet’s case and she agrees to the position.

Blomkvist visits the Millennium offices and Berger informs him that she suspects that Janne Dahlman, their managing editor, may be working for Wennerström. When he returns to Hedeby, Blomkvist detects that someone has broken into his cabin and has read his files. He has the lock replaced and, at Frode’s house, he has the lawyer sign Salander’s hiring contract.

In a flashback to their morning conversation, Salander asks Blomkvist if he plans to report her for hacking. He merely suggests that she consider the ethics of her methods and tells her he has no intention of blackmailing her. Salander retorts that she follows “Salander’s Principles (375), which justify invading people’s privacy and hurting them if they have done something wrong. Salander also notes that she edits her reports when she feels that a person is good by excluding private information that may fall in the wrong hands. Using Blomkvist as an example, she tells him that she “tone[d] down” (375) details of his and Berger’s sex life in her report to Frode.

Chapters 15-18 Analysis

Chapter 17 reintroduces Pernilla, Blomkvist’s daughter, who catalyzes the investigation and serves as a foil to both Harriet and Cecilia. Blomkvist hypothesizes that Harriet’s interest in religion may have been her way to find solace; similarly, he tolerates Pernilla’s decision to attend Bible camp in the belief that she has a right to explore her spirituality. He tells her, “I don’t believe in God, but I respect the fact that you do” (346). To his alarm, Harriet’s interest in the Bible is nothing like Pernilla’s, as the verses she underlines detail disturbing punishments of women. Pernilla is also a foil to Cecilia’s experience as a daughter, as Blomkvist supports his daughter despite his personal objections. Pernilla returns her father’s acceptance by telling him, “It doesn’t matter to me what you believe, and I’ll always love you” (346). In stark contrast, Harald Vanger hurls abuses at Cecilia, and his Nazi ideology is nothing to tolerate. The contrast between the two father-daughter relationships draws sympathy for Cecilia and reiterates Blomkvist’s decency.

Blomkvist continues to make exceptions to his moral idealism. Though he lectures Salander about how her hacking “encroached on [his] integrity” (375) and the importance of an “ethics committee” (375) in journalism, he chooses not to report her. He also applies his own version of “Salander’s Principles” (375) when he edits his reports to Vanger and Frode, leaving out the detail of Cecilia’s image in Harriet’s window. Like Salander’s impression of Blomkvist, Blomkvist believes that Cecilia is a good person and wants to protect her from unwanted suspicions. Blomkvist and Salander both serve on the side of justice but through different means. Salander blurs the boundaries of privacy, but Blomkvist acknowledges, “My reasoning isn’t too different from yours” (375). They both share a strong commitment to protecting innocent people.

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